<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-1513883043137649260</id><updated>2012-02-01T21:13:24.268-08:00</updated><category term='Halloween'/><category term='Valentine&apos;s'/><title type='text'>She Vs. I</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>26</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-1170216228594409043</id><published>2011-10-29T22:00:00.000-07:00</published><updated>2011-10-30T14:40:17.628-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Halloween'/><title type='text'>Episode Twenty Six</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-dDsBjmYWMko/Tqx9NjC4ELI/AAAAAAAAAno/XoRqYvNFM_M/s1600/1011.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 320px;" src="http://1.bp.blogspot.com/-dDsBjmYWMko/Tqx9NjC4ELI/AAAAAAAAAno/XoRqYvNFM_M/s400/1011.jpg" alt="" id="BLOGGER_PHOTO_ID_5669043702651687090" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="81" width="100%"&gt; &lt;param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F26729177%3Fsecret_token%3Ds-hdmaG&amp;amp;secret_url=true"&gt; &lt;param name="allowscriptaccess" value="always"&gt; &lt;embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F26729177%3Fsecret_token%3Ds-hdmaG&amp;amp;secret_url=true" type="application/x-shockwave-flash" height="81" width="100%"&gt;&lt;/embed&gt; &lt;/object&gt;  &lt;span&gt;Ep26 by &lt;a href="http://soundcloud.com/shevsi"&gt;She Vs. I&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 1&lt;br /&gt;&lt;br /&gt;Minus-Miscellaneous Outtake #1 (Bonus Track)&lt;br /&gt;MRR-ADM - 9ine&lt;br /&gt;Jean Jacques Dexter-Be Quiet&lt;br /&gt;Munoz-Space&lt;br /&gt;Flako - Blurry&lt;br /&gt;Stevo - Get Twisted&lt;br /&gt;Samiyam - Already&lt;br /&gt;Flako - Poten&lt;br /&gt;Mello Music Group - New Keys&lt;br /&gt;D33J -Drowning Pools&lt;br /&gt;D33J - Park&lt;br /&gt;Scientist - 2012 Dub&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;br /&gt;Omar Rodriguez Lopez - Soledad Y Silencio&lt;br /&gt;Clarence Carter - Devil Women&lt;br /&gt;Broadcast - Interlude 2&lt;br /&gt;The Midnight EEz - New Yorks Devils&lt;br /&gt;Anatol Atonal - Harakiri&lt;br /&gt;All These Fingers - The Crab&lt;br /&gt;$.99 Dreams - Thai Tony&lt;br /&gt;Dotmatic - Foggy London Town&lt;br /&gt;Elos - DunDeals&lt;br /&gt;Free The Robots - Sci-Fidelity&lt;br /&gt;Astronote - The Big Fight&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-1170216228594409043?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep26.mp3' title='Episode Twenty Six'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/1170216228594409043/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=1170216228594409043' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/1170216228594409043'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/1170216228594409043'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2011/10/episode-twenty-six.html' title='Episode Twenty Six'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-dDsBjmYWMko/Tqx9NjC4ELI/AAAAAAAAAno/XoRqYvNFM_M/s72-c/1011.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-7508050115441719221</id><published>2011-08-29T12:00:00.000-07:00</published><updated>2011-08-29T12:21:01.238-07:00</updated><title type='text'>Episode Twenty Five</title><content type='html'>&lt;br /&gt;&lt;object height="81" width="100%"&gt; &lt;param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F22156437%3Fsecret_token%3Ds-fP97z&amp;amp;secret_url=true"&gt; &lt;param name="allowscriptaccess" value="always"&gt; &lt;embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F22156437%3Fsecret_token%3Ds-fP97z&amp;amp;secret_url=true" type="application/x-shockwave-flash" height="81" width="100%"&gt;&lt;/embed&gt; &lt;/object&gt;  &lt;span&gt;Ep25 by &lt;a href="http://soundcloud.com/shevsi"&gt;She Vs. I&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-QvbnNiPeQcs/TlRF96jvHlI/AAAAAAAAAmw/ASWSbCG1YxU/s1600/studio1.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/-QvbnNiPeQcs/TlRF96jvHlI/AAAAAAAAAmw/ASWSbCG1YxU/s400/studio1.jpg" alt="" id="BLOGGER_PHOTO_ID_5644213162995555922" border="0" /&gt;&lt;/a&gt;"Studio One Lovers", one of Soul Jazz/Studio One's many releases, is a  very satisfying and well balanced collection of tunes that deal with  matters of the heart.  The album is compiled and features some of the  finest lovers tunes from Jamaica’s best loved label.  Sweet harmonies,  soulful reggae, love songs – the key ingredients of Lovers Rock - were  all based on the revival of many of the classic Rocksteady harmony  groups of the late 60s and early 70s.  As might be expected from the  Soul Jazz label, the selection and sequencing here are superb.  To put  it simply, this is nothing but sweet soul music from Jamaica.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-8Jxa_MEoqrQ/TlRTzNcSFoI/AAAAAAAAAnA/tvK_OoiF04Y/s1600/shawn.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 225px; height: 200px;" src="http://1.bp.blogspot.com/-8Jxa_MEoqrQ/TlRTzNcSFoI/AAAAAAAAAnA/tvK_OoiF04Y/s400/shawn.jpg" alt="" id="BLOGGER_PHOTO_ID_5644228372248794754" border="0" /&gt;&lt;/a&gt;Shawn Lee began his story in a Los Angeles recording studio in 1988.  Since then, he has carved a prolific recording career as a collaboration artist, which makes quantifying his back catalog a bit of mine field. He began releasing his own material in 1996, and World of Funk is the tenth studio album to be released under the umbrella of Shawn Lee's Ping Pong Orchestra. A phenomenal range of exotic instrumentation is utilized.  World of Funk plays host to a revolving door of international guest vocalists and multi instrumentalists, fusing the spices of the east with the snake hips of the south. World of Funk is an album meant to be shared with good company on a carefree summer evening; according to the calendar, its time is rapidly approaching.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-aw7qQrId8lc/TlWfDBX0NDI/AAAAAAAAAng/uebG4x2thqo/s1600/psychfunk.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 203px; height: 203px;" src="http://4.bp.blogspot.com/-aw7qQrId8lc/TlWfDBX0NDI/AAAAAAAAAng/uebG4x2thqo/s400/psychfunk.jpg" alt="" id="BLOGGER_PHOTO_ID_5644592582235534386" border="0" /&gt;&lt;/a&gt;Psych Funk Sa-Re-Ga! provides a fine overview of the influence of western funk and “out” rock over the music of India.  Featuring 20 Indian psych-funk masterpieces and accompanied by a  52-page, in-depth color booklet, this is about the most comprehensive, and knowledgeable document of this topic you'll find, compiled  by the very trustworthy heads behind the 'Psych Funk 101' session and  the awesome 'Brazilian Guitar Fuzz Bananas'.  Much of the music on this compilation springs from the Bollywood film industry.  The songs are indeed funky, and most are tinged with an undeniably Indian flavor.  Think Bollywood with lots of horn stabs and a wah pedal!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 1&lt;br /&gt;&lt;br /&gt;Undying Love - Ernest Wilson&lt;br /&gt;Good Girl - Ed Nangle&lt;br /&gt;My Voice Is Insured For Half A Million Dollars - Dennis Alcapone&lt;br /&gt;Hello Stranger - Brown Sugar&lt;br /&gt;I Love You - The Heptones&lt;br /&gt;Never Give Your Heart Away - Carlton And His Shoes&lt;br /&gt;Love Land - Sound Dimension&lt;br /&gt;Roy Richards - Another Thing&lt;br /&gt;Sound Dimension - Love Jah&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;&lt;br /&gt;Dokunma Keyfine Yalan Dunyanin - Gulden Karabocek&lt;br /&gt;The Music Of Today - Embryo&lt;br /&gt;Swamp Fever - John Cameron&lt;br /&gt;Tera Jasia Pyara Koi Nahin - Usha Khanna&lt;br /&gt;No Matter What You Do - Leslie Gore&lt;br /&gt;La Eterna Felicidad (feat. Bardo Martinez) - Shawn Lee's Ping Pong Orchestra&lt;br /&gt;The Mod Trade - The Black Beats&lt;br /&gt;Chicken Scratch - Count Suckle&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-Fzug58AaBnY/TlTsd4OpY5I/AAAAAAAAAnI/5RfWbhTu17w/s1600/AN.jpeg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/-Fzug58AaBnY/TlTsd4OpY5I/AAAAAAAAAnI/5RfWbhTu17w/s400/AN.jpeg" alt="" id="BLOGGER_PHOTO_ID_5644396231056253842" border="0" /&gt;&lt;/a&gt;Astral Navigations is really a recording of two different bands in each side of the original mono LP, Lightyears Away and Thundermother. Originally released in 1971, Lightyears Away is folk/psychedelic more toward the folk end while Thundermother is more straight-ahead rock with heavy fuzz guitars (a studio amalgam  assembled by the label). A very difficult record to find now for only 250 copies where press.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-CZKr-3MMYB8/TlTs-G71fhI/AAAAAAAAAnQ/b9-fQG4aKNs/s1600/BB.jpeg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/-CZKr-3MMYB8/TlTs-G71fhI/AAAAAAAAAnQ/b9-fQG4aKNs/s400/BB.jpeg" alt="" id="BLOGGER_PHOTO_ID_5644396784759701010" border="0" /&gt;&lt;/a&gt;Originally recorded in the Burundi Region of Central Africa. There are 25 Ingoma Drums involved in this sacred ceremony. The Ingoma Drums is a special instrument symbolizing power, and has been used solely in the past at the court of the King or in the big chiefdoms. The privilege of playing these drums is handed from father to son and the sound of the drummers is considered by the inhabitants of Burundi to be one of the most representative elements of the musical traditions of the country.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-SGfTAEaxSHg/TlTtmGU3c3I/AAAAAAAAAnY/0Yly7UdsCkM/s1600/rubinhoemau_perfeitam_101b.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 203px;" src="http://2.bp.blogspot.com/-SGfTAEaxSHg/TlTtmGU3c3I/AAAAAAAAAnY/0Yly7UdsCkM/s400/rubinhoemau_perfeitam_101b.jpg" alt="" id="BLOGGER_PHOTO_ID_5644397471791018866" border="0" /&gt;&lt;/a&gt;Super underground Brasilian group formed by Mauro Assumpção (voice), Rubinho (violão and keyboards), and friends in Rio De Janeiro in the early 1970's. At one level, the record's got an earthy feel that matches the cover image of the pair climbing out of a tree without their shirts on – but at another level, there's often echoes of some of the funkier modes coming into Brazilian music at the time – a slight Samba Soul influence that mixes well with the earthy, sometimes personal vocals of the duo.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;br /&gt;Clive Hicks - Cooler&lt;br /&gt;DeRobert &amp;amp; The Half-Truths - Cops, Cars, and Taxis&lt;br /&gt;Astral Navigations - Someday (Thundermother)&lt;br /&gt;Ross - Madness In Memories&lt;br /&gt;Ruben Rada - Malisimo&lt;br /&gt;J Rocc - Track 24&lt;br /&gt;Burundi Steiphenson Black - Burundi Black (Part 1)&lt;br /&gt;Show &amp;amp; AG - Never Less than Ill&lt;br /&gt;Boogiemonster - Warning&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;&lt;br /&gt;Boobie Knights &amp;amp; the Soulciety - King Of The Real Good guys&lt;br /&gt;Soul Creations - Funky Jive Part 1&lt;br /&gt;Bruno Nicolai - Whiskey&lt;br /&gt;Van Mccoy - Soul Improvisation&lt;br /&gt;La Barra De Chocolate - Elm&lt;br /&gt;Flash &amp;amp; The Dynamics - Guajira Sicodelica&lt;br /&gt;Rubinho E Mauro Assumpзгo - Qualй a Sua&lt;br /&gt;Paul Humphery - Me &amp;amp; My Drums&lt;br /&gt;Eiko Shuri - Vehicle (Cover Song)&lt;br /&gt;Lunice -Hitmanes Anthem&lt;br /&gt;Mexican With Guns - Deities&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-7508050115441719221?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://shevsi.com/Podcast/Ep25.mp3' title='Episode Twenty Five'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/7508050115441719221/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=7508050115441719221' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/7508050115441719221'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/7508050115441719221'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2011/08/episode-twenty-five.html' title='Episode Twenty Five'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-QvbnNiPeQcs/TlRF96jvHlI/AAAAAAAAAmw/ASWSbCG1YxU/s72-c/studio1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-3838572942715736266</id><published>2011-04-25T16:00:00.000-07:00</published><updated>2012-01-20T05:48:00.662-08:00</updated><title type='text'>Episode Twenty Four</title><content type='html'>&lt;a href="http://shevsi.com/Podcast/Ep24%20Side%20B.mp3" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 228px;" src="http://4.bp.blogspot.com/-u-9eXsnXQiU/TbXloRP3d9I/AAAAAAAAAmk/cfKV_jONiSw/s400/blogimage.jpg" alt="" id="BLOGGER_PHOTO_ID_5599634191692560338" border="0" /&gt;&lt;/a&gt;Cassette Edition. Episode 24 is a collection of some of our favorite mixes over the last two years with a couple of surprises.&lt;br /&gt;&lt;br /&gt;SVI OO1&lt;br /&gt;CS, total cassette runtime 90min&lt;br /&gt;Limited to 100&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://shevsi.com/Podcast/Ep24%20Side%20A.mp3"&gt;Side A: Pattysaurus&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1. TeV95 - Crime Loops - Mind Waves&lt;br /&gt;2. Inside Her - Jansport J&lt;br /&gt;3. Fama87 - Moon&lt;br /&gt;4. Munoz - Uno&lt;br /&gt;5. Chanes - Instill&lt;br /&gt;6. Jaylib - Raw Addict&lt;br /&gt;7. Neon Indian - 1am&lt;br /&gt;8. Neon Indian - 7000 Reprise&lt;br /&gt;9. Animal Collective - Daily Routine&lt;br /&gt;10. Flying Lotus - Aunties Harp&lt;br /&gt;11.Portishead - Elysium&lt;br /&gt;12. Sonic Youth and Cypress Hill - I Love You Maryjane&lt;br /&gt;13. Joe Beats - Sleep or Bust&lt;br /&gt;14. Rollerskaters - sleep tight (star slinger remix)&lt;br /&gt;15. Workin On It - JDilla&lt;br /&gt;16. Borrowed Time - Madvillian&lt;br /&gt;17. Wouldn’t It Be Nice - Buillon&lt;br /&gt;18. Onra - One Day&lt;br /&gt;19. Ackryte - Sumtime&lt;br /&gt;20. Letherette - In July Focus&lt;br /&gt;21. 3L - Time Travel&lt;br /&gt;22. Flako - Crying On The Inside&lt;br /&gt;23. RJD2 - The Gentle Rain (remix)&lt;br /&gt;24. Madvillain - Savage Beast (Instrumental)&lt;br /&gt;25. Mos Def - Revelations&lt;br /&gt;26. Chronicle Grime - Career Cats Get Tiger Suits - (According to the Anagram Jam Compilation)&lt;br /&gt;27. Dorothy Ashby - Soul Vibrations&lt;br /&gt;28. Ultimate Spinach - Mind Flowers&lt;br /&gt;29. Fifty Foot Hose - Fantasy&lt;br /&gt;30. Tex Mex - Gaslamp Killer&lt;br /&gt;31. Heliocentrics - Vibration Of The Fallen Angels&lt;br /&gt;32. Pram - The Last Astronaught (Andy Votel mix)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://shevsi.com/Podcast/Ep24%20Side%20B.mp3"&gt;Side B: 8-bits&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1. The Screamers live in San Francisco - 122 Hours of Fear&lt;br /&gt;2. Broadcast - Locust&lt;br /&gt;3. The Simonsound - Bad Love&lt;br /&gt;4. Dwilt Sharpp -&lt;br /&gt;5. Men's Recovery Project - How long have you lived in this house&lt;br /&gt;6. Men's Recovery Project - Bleeding Gash&lt;br /&gt;7. Dwilt Sharpp - Providence&lt;br /&gt;8. Bit1 - Drizzle&lt;br /&gt;9. Devonwho - braketime (shlohmo's reiteration)&lt;br /&gt;10. Munoz - NotTheBestBeatEver&lt;br /&gt;11. Alpine - Lcypoles (Star Slinger Remix)&lt;br /&gt;12. Bahwee - Lovers&lt;br /&gt;13. Munoz - See U&lt;br /&gt;14. ?bstract-ONE - Dreamfeeder/Satellite(remix)&lt;br /&gt;15. Chopstix Murphy - Ringtone&lt;br /&gt;16. Ta-ku aka Flip - Call&lt;br /&gt;17. ?bstract-ONE - Legacy/Detached(remix)&lt;br /&gt;18. Jansport J - Regrets (Be Ourselves)&lt;br /&gt;19. Oddisee - Anticipation Instr.&lt;br /&gt;20. Samiyam - Carnival Food&lt;br /&gt;21. Madlib - 18 Episode XVIII&lt;br /&gt;22. Wax Tailor - Que Sera&lt;br /&gt;23. Onra - Gotta have it&lt;br /&gt;24. DJ Esu - Unwanted Love&lt;br /&gt;25. Ta-ku aka Flip - Walkin'&lt;br /&gt;26. Madlib Beat Konducta Vol.6 - Lifetime (Lifeline)&lt;br /&gt;27. Onra - Super Genesis ft. Haez&lt;br /&gt;28. Architeq - Spinning Plates&lt;br /&gt;29. Meaty Ogre - Kept (instrumental)&lt;br /&gt;30. The Roots - Hot SH*t&lt;br /&gt;31. Obscure Disorder - Obscure Disorder the grill inst.&lt;br /&gt;32. Kelpe - Chocolate Money&lt;br /&gt;33. La Fine équipe Présente - Ganache Feat. Creestal&lt;br /&gt;34. Maw - Tomorrow Pt.2&lt;br /&gt;35. DJ Babu - Takeova&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-3838572942715736266?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://shevsi.com/Podcast/Ep24%20Side%20A.mp3' title='Episode Twenty Four'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/3838572942715736266/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=3838572942715736266' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/3838572942715736266'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/3838572942715736266'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2011/03/episode-twenty-four.html' title='Episode Twenty Four'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-u-9eXsnXQiU/TbXloRP3d9I/AAAAAAAAAmk/cfKV_jONiSw/s72-c/blogimage.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-2583266877720892124</id><published>2010-11-21T18:37:00.000-08:00</published><updated>2011-04-24T13:30:08.984-07:00</updated><title type='text'>Episode Twenty Three</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.facebook.com/smashmonthly"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 400px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/TOmtazP6i0I/AAAAAAAAAl8/NJRZW9EFwro/s400/shevsipodcast.jpg" alt="" id="BLOGGER_PHOTO_ID_5542151492401269570" border="0" /&gt;&lt;/a&gt;She Vs. I features two guest DJ's and co-founders of a monthly Dub-Step event called Smash!. 80 Dub and King from 119 Sound.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.facebook.com/smashmonthly"&gt;80 DUB&lt;/a&gt; Mix&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Feel It - Original Mix - V.I.V.E.K.&lt;br /&gt;2. Breath So Near feat. Ryan Slack - Phychostep Remix (Fine Cut Bodies Remix) - Two Dollar Hooker&lt;br /&gt;3. 7th Curse - Original Mix - Headhunter&lt;br /&gt;4. Greybird - Original Mix - Subjazz&lt;br /&gt;5. We Go Deep - Original Mix - Trolley Snatcha&lt;br /&gt;6. Melancolie - Vyvyan Dubstep Rework - Niala'kil&lt;br /&gt;7. Modern Day Slavery - Wonder Dubstep Mix - Spectral Band Replication&lt;br /&gt;8. Itch - Original Mix - Kutz&lt;br /&gt;9. Lazarus - Original Mix - Pinch&lt;br /&gt;10.Vansan - Original Mix - Appleblim&lt;br /&gt;11. Someone Like U - Original Mix - Deadly Habit&lt;br /&gt;12. Rec Loose - Original Mix - NGUZUNGUZU&lt;br /&gt;13. Until Next Time - Original Mix - Arkist&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://119sound.com/"&gt;KING&lt;/a&gt; Mix&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Om Unit - Ether&lt;br /&gt;2. SDP vs DJ Lengua - Mi Camino&lt;br /&gt;3. Coki n Benga - Night (SDP Dub)&lt;br /&gt;4. Pop Dat Dyck Up - Sissy Nobby&lt;br /&gt;5. Spank Rock - What It Look Like (Tod Edwards Mix)&lt;br /&gt;6. Flinch - Register&lt;br /&gt;7. Fantastic Mr. Fox - Evelyn&lt;br /&gt;8. Mj Cole &amp;amp; Wiley - From The Drop (L-Vis 1990 RMX)&lt;br /&gt;9. Mj Cole &amp;amp; Wiley - From The Drop&lt;br /&gt;10. LV Feat Okmalumkoolkat - Boomslang&lt;br /&gt;11. Acre - Ghat&lt;br /&gt;12. Shy FX - Raver (MJ Cole Remix)&lt;br /&gt;13. Bad Dudes - Blackout (Straight Percs)&lt;br /&gt;14. Distal - Boss of The South&lt;br /&gt;15. DJ Nate - We Can Work This Out - (Bad Dudes Remix)&lt;br /&gt;16. DJ Rashad - It’z Not Rite&lt;br /&gt;17. Bombaman - Harem Scream&lt;br /&gt;18. Mensah - Stapelton Road VIP&lt;br /&gt;19. Ghost Mutt - Thoroughbred&lt;br /&gt;20. Flinch - No Alarm&lt;br /&gt;21. ?? - French Fries Remix&lt;br /&gt;22. King - Read You&lt;br /&gt;23. Ghost Mutt - Platinum Skull&lt;br /&gt;24. LV Feat Okmalumkoolkat - Zharp&lt;br /&gt;25. Freddie Gibbs - Oil Money (Feat. Chuch Inglish, Chip Tha Ripper, Bun B  Dan Auerbach)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-2583266877720892124?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep23.mp3' title='Episode Twenty Three'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/2583266877720892124/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=2583266877720892124' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/2583266877720892124'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/2583266877720892124'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2010/11/episode-twenty-three.html' title='Episode Twenty Three'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_KnAa993iyD0/TOmtazP6i0I/AAAAAAAAAl8/NJRZW9EFwro/s72-c/shevsipodcast.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-2919835200945061308</id><published>2010-10-30T21:05:00.000-07:00</published><updated>2010-11-21T17:54:36.377-08:00</updated><title type='text'>Episode Twenty Two</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/TMzreT5jkYI/AAAAAAAAAl0/HmQeh02ru9I/s1600/halloween.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 326px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/TMzreT5jkYI/AAAAAAAAAl0/HmQeh02ru9I/s400/halloween.jpg" alt="" id="BLOGGER_PHOTO_ID_5534056948101779842" border="0" /&gt;&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;Set 1&lt;br /&gt;&lt;br /&gt;Fred Myrow &amp;amp; Malcolm Seagrave - Jody at Morningside / Just a Dream?&lt;br /&gt;Koji Kondo - Sub Castle BGM&lt;br /&gt;Konami Kukeiha Club - Message of Darknes&lt;br /&gt;Ritmo Sportivo - Dance in the Darkness&lt;br /&gt;Daedelus - An Armada Approaches&lt;br /&gt;Ayako Mori - Cavern of Fear&lt;br /&gt;Amen Ra Double Helix- Broken Glass&lt;br /&gt;Skream - Tortured Soul&lt;br /&gt;Forensics - Revisited&lt;br /&gt;Carlton Livingston's - Are You Afraid&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;br /&gt;The Avalanches - Thank you Caroline (Andy Votel Remix)&lt;br /&gt;Dj Egadz - Space Ghost (Egadz Remix)&lt;br /&gt;The Simonsound - Nautilus&lt;br /&gt;Andy Votel &amp;amp; Cherrystones - November (mix2)&lt;br /&gt;Souls Unlimited - Raving Vampire&lt;br /&gt;The Budos Band - Nature's Wrath&lt;br /&gt;The Simonsound - Between the Wake and the Sl&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;&lt;br /&gt;Nobuo Uematsu - Devil's Lab&lt;br /&gt;Kim Sun - The Man Who Must Leave&lt;br /&gt;Jeru Da Damja - Ain't The Devil Happy&lt;br /&gt;The Gaslamp Killer - Shattering Inner Journeys feat. Computer J&lt;br /&gt;Koji Kondo - Hunted House BGM&lt;br /&gt;Jansport J - Guard Ya Guns&lt;br /&gt;Nightjar - A Ko Tu Nori&lt;br /&gt;MonoPoly - The System Crumbles&lt;br /&gt;The Vampires of Dartmoore - Dr. Caligari's Gruselkabinett&lt;br /&gt;Jimi Hendrix &amp;amp; Curtis Knight - Strange Things&lt;br /&gt;Woo Woo's - Spooky Grinder&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-2919835200945061308?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep22.mp3' title='Episode Twenty Two'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/2919835200945061308/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=2919835200945061308' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/2919835200945061308'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/2919835200945061308'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2010/10/episode-twenty-two.html' title='Episode Twenty Two'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_KnAa993iyD0/TMzreT5jkYI/AAAAAAAAAl0/HmQeh02ru9I/s72-c/halloween.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-4824020424571509845</id><published>2010-09-01T18:00:00.000-07:00</published><updated>2010-09-01T18:36:59.124-07:00</updated><title type='text'>Episode Twenty One</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/TH4OlwsQPdI/AAAAAAAAAk8/fd3wwIim1MA/s1600/dumu.jpeg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/TH4OlwsQPdI/AAAAAAAAAk8/fd3wwIim1MA/s400/dumu.jpeg" alt="" id="BLOGGER_PHOTO_ID_5511859035836530130" border="0" /&gt;&lt;/a&gt;Simply put, when an artist claims that his or her music is how music should sound, he or she better make sure that the music is something special – worthy of such a claim. Risking an aura of arrogance, producer Damu The Fudgemunk does just that for his latest album, How It Should Sound, Volumes 1 &amp;amp; 2. Preceded by a teaser-EP of the same name, How It Should Sound is another instrumental album comprised of beats made between 2003 – 2008, featuring some of Damu’s finest work to date.&lt;br /&gt;&lt;br /&gt;check this video of him live on the MPC on the New York streets, jamming with some emcees, or then bounce to the &lt;a href="http://www.wonkabeats.blogspot.com/"&gt;blog he’s involved in.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="385" width="640"&gt;&lt;param name="movie" value="http://www.youtube.com/v/MqlwubGWWJ4&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xd0d0d0&amp;amp;hl=en_US&amp;amp;feature=player_embedded&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/MqlwubGWWJ4&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xd0d0d0&amp;amp;hl=en_US&amp;amp;feature=player_embedded&amp;amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" height="385" width="640"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/TH4Plk_10oI/AAAAAAAAAlE/jZYqMDY2KNQ/s1600/stevo-muffins-cover.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/TH4Plk_10oI/AAAAAAAAAlE/jZYqMDY2KNQ/s400/stevo-muffins-cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5511860132209087106" border="0" /&gt;&lt;/a&gt;For those who haven't heard about Stevo, he is an excellent beat maker from Germany.&lt;br /&gt;Stevo experiments his way through sound. Imagine a mixture of beats based with a chilled futuristic sound, hip hop slash soul. 15 track's long 'Antother Space Odyssey' &amp;amp; 'Muffins' are a great pieces of work that prove Stevo's skills &amp;amp; it paints a clear picture of how a great beat maker should sound.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/TH4WJYn-dDI/AAAAAAAAAlM/ULePsOwXUi4/s1600/lone.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 199px; height: 199px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/TH4WJYn-dDI/AAAAAAAAAlM/ULePsOwXUi4/s400/lone.jpg" alt="" id="BLOGGER_PHOTO_ID_5511867344432821298" border="0" /&gt;&lt;/a&gt;Lone, is a producer that has been around for a minute.  His music paints a dreamy landscape of with hip-hop beats and enticing synths in a disjointed fantasy world within each and every track.  The best electronica dream beat you've ever encountered.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/TH4X0VfADXI/AAAAAAAAAlU/6igzhESesM0/s1600/prospect.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/TH4X0VfADXI/AAAAAAAAAlU/6igzhESesM0/s400/prospect.jpg" alt="" id="BLOGGER_PHOTO_ID_5511869181835873650" border="0" /&gt;&lt;/a&gt;Minneapolis native Project Prospect laced each of the 10 cuts that can be found “As Of Late” with some very familiar samples.  Described as “10 tracks that convey the feelings that I’m havin’ this summer”, “As Of Late” is just that, a perfect album for those summer evenings.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/TH6ktiSyROI/AAAAAAAAAlk/axBJavi4-DM/s1600/seeds.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/TH6ktiSyROI/AAAAAAAAAlk/axBJavi4-DM/s400/seeds.jpg" alt="" id="BLOGGER_PHOTO_ID_5512024096154731746" border="0" /&gt;&lt;/a&gt;The British had those mop tops and rolling pebbles, but the States had Sky Saxon and the Seeds. These guys just hammered out their music until they dropped. So they dropped pretty quickly, except Sky kept himself on the road until he died.  Best-known for their rock &amp;amp; roll standard "Pushin' Too Hard," the Seeds combined the raw appeal of garage rock with a fondness for ragged, trashy psychedelia.  Supremely heavy organic psych-rock with snotty lyrics with none of the fruity flower power stuff they would later fall into, this album represents The Seeds finest moment.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/TH4fqP1M-wI/AAAAAAAAAlc/g8bOezrhM3g/s1600/RobbLondonSuzuki45Gloria.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/TH4fqP1M-wI/AAAAAAAAAlc/g8bOezrhM3g/s400/RobbLondonSuzuki45Gloria.jpg" alt="" id="BLOGGER_PHOTO_ID_5511877804612713218" border="0" /&gt;&lt;/a&gt;This band started out as Bobby Jenkins and the Jades with a 45 from  January 1964, by 1965 they had changed their name to Robb London and the  Rogues, releasing three 45s. They played shows around San Antonio on  the east side of the city and had a reputation as both a soul cover  group and for British Invasion sounds. In 1967 the name of his backing  band changed to Soul Unlimited, with one release, "Funny Situation" /  "Gloria" on the Suzuki label. On the flip side of the record is a slow  version of "Gloria"  with Robb's best vocal performance, the band  encouraging him with shouts. Most remarkable is the arrangement that  dispenses with the repetitive chords and syncopated build-up of Them's  version in favor of a relaxed pace that suits the lyrics. The opening  guitar riff works well with the horns; it could of been one of there  favorite song to play live.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 1&lt;br /&gt;&lt;br /&gt;Q65 - Get Out My Life Woman&lt;br /&gt;The Animals - I'm Mad Again&lt;br /&gt;Robb London - Gloria&lt;br /&gt;The Tempters - Boom Boom&lt;br /&gt;The Seeds - Just Let Go&lt;br /&gt;The Small Faces - You Need Lovin'&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;&lt;br /&gt;Damu the Fudgemunk - Rock Climbing [Byte 1]&lt;br /&gt;Onra and Quetzal - 476 Pourcent&lt;br /&gt;Stevo - Foreign Love&lt;br /&gt;Jay Dee - So Far To Go (Featuring Common &amp;amp; D'Angelo)&lt;br /&gt;Flako - Milky Way&lt;br /&gt;Jel - Oh Dear&lt;br /&gt;Dreas - Lavender Rain&lt;br /&gt;Teebs and Jackhigh - Splash&lt;br /&gt;S.Maharba - M-L-M-H&lt;br /&gt;Lone - Karen Loves Kate&lt;br /&gt;Feashbeats - With Love&lt;br /&gt;Project Prospect - Loser&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/THhCuEWWaQI/AAAAAAAAAkM/vXwoZHTJ1b4/s1600/Dark+-+Front.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/THhCuEWWaQI/AAAAAAAAAkM/vXwoZHTJ1b4/s400/Dark+-+Front.jpg" alt="" id="BLOGGER_PHOTO_ID_5510227503296702722" border="0" /&gt;&lt;/a&gt;This legendary progressive rock band, which was responsible for the UK's most expensive album was formed in 1668. They performed at a few local gigs, and as their playing got tighter, they decided to go into the studio and record an album. The six tracks, written and arranged by the band were recorded over a weekend in 1972 and consist of melodic progressive rock laced with lots of fuzzy guitar riffs. Only a handful of copies were pressed, and the first twelve copies were made into full-color gatefold sleeves, complete with booklets of photographs stapled together, augmented with handwritten notes. In 1994 the members got back together and decided to see if they could still play. Previously unrecorded tracks were dusted off, more material written, and in 1996 "Anonymous Days" was completed. They decided to do just one farewell gig, which turned out to be the Northampton Beer Festival, on May 31st, 1997.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/THhDbIUuYHI/AAAAAAAAAkU/F1NiGhiMYyg/s1600/cover.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 250px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/THhDbIUuYHI/AAAAAAAAAkU/F1NiGhiMYyg/s400/cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5510228277457739890" border="0" /&gt;&lt;/a&gt;The internet and streets have been buzzing about this young female Emcee from Brooklyn. Nikki NTU paints such vivid pictures through words. Her lyrics incorporate so much knowledge wisdom and understanding. She also has a Fierce competitive side that shows when she delivers her more harder music.&lt;br /&gt;Here is what she had too say,&lt;br /&gt;&lt;br /&gt;“For the past few months I’ve been working to the sounds of some of Brainfeeder’s greatest masterminds. Nikki NTU vs. Brainfeeder “Medulla Dinner” is a seven track EP featuring production from Ras G, Samiyam, Teebs, and Flying Lotus. It was definitely a challenge to take on such amazing music so I wanted to go where I haven’t gone both lyrically and conceptually.”&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/THhEPCi6PfI/AAAAAAAAAkc/ObcxHxa6yYY/s1600/00-alex_b-moments-%28elm-001%29-web-2010--fray.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/THhEPCi6PfI/AAAAAAAAAkc/ObcxHxa6yYY/s400/00-alex_b-moments-%28elm-001%29-web-2010--fray.jpg" alt="" id="BLOGGER_PHOTO_ID_5510229169259822578" border="0" /&gt;&lt;/a&gt;Alex B takes electronica, trip-hop, hip-hop, and electro-hop and throws all these sounds into a lo-fi mixing pot, pouring out the portions in small two-minute chunks over the course of his 45-minute debut. The tracks on "Moments" are intricately crafted with painstaking care and attention to detail. A careful mix of analog and digital sounds elevated by imaginative samples and the insight of a classically trained musician. The result is a blend of timeless warmth and future beats that is as easily adaptable to introspective time with one's headphones as it is to group mania on a mobbed dance floor.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/THhEzmWjsjI/AAAAAAAAAkk/Z0Xa23KUjyQ/s1600/DZA.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/THhEzmWjsjI/AAAAAAAAAkk/Z0Xa23KUjyQ/s400/DZA.jpg" alt="" id="BLOGGER_PHOTO_ID_5510229797346980402" border="0" /&gt;&lt;/a&gt;Fresh off the London Red Bull Music Academy Moscow-based beat elevator DZA makes himself known in 2010. DZA is central to the How2make crew which ties the loose ends of bass music in Moscow and pushes Russian talents. Quick, dirty and raw. His 16-track beat tape "Five-Finger Discount" hijacks you into his kinderzimmer wherein sticker-laden efx pedals render homage to the MPC. This tape has detailed textures and beats full of precise details.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/THhFeTO3WwI/AAAAAAAAAks/ny8_POdSs4M/s1600/folder.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/THhFeTO3WwI/AAAAAAAAAks/ny8_POdSs4M/s400/folder.jpg" alt="" id="BLOGGER_PHOTO_ID_5510230530948815618" border="0" /&gt;&lt;/a&gt;Patience is a virtue, and few know that better than understated electronic beat-maker Daisuke Tanabe. After carefully honing his craft from the age of 16, it was his first EP release in 2006 named "Gas" that really brought him to the attention of Gilles Peterson and Pete Adarkwah. Since then he has remixed and and released music on labels like Ninja Tune, BBE, and Brownswood Recordings. Taking inspiration from jazz, folk, and reggae as well as the whole canon of electronic music, this member of Tony Nwachukwu's CD-R community knows that notes and melodies are just the guidelines for the feelings that lie beneath.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/THhGBiHjhnI/AAAAAAAAAk0/SXmKzDplSdo/s1600/Dexter+-+Hi__-__Hat+Club+Vol.+3+-+The+Jazz+Files.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/THhGBiHjhnI/AAAAAAAAAk0/SXmKzDplSdo/s400/Dexter+-+Hi__-__Hat+Club+Vol.+3+-+The+Jazz+Files.jpg" alt="" id="BLOGGER_PHOTO_ID_5510231136240109170" border="0" /&gt;&lt;/a&gt;The subject is jazz! Dexter is taking an new look at the long going love affair between hip-hop and jazz. From Stetsasonic to Gang Starr to Madlib, it is not an easy path to follow, but the 26 year old producer is adding a new and fresh style to it. The sound design of Dexter's "Jazz Files" is dusty but with an unmistakable 2010 twist. By implanting quotes an samples from interviews and tv shows such as the classic NBC program "The Subject Is Jazz", Dexter is telling his own little story of jazz.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;br /&gt;Dark - Live For Today&lt;br /&gt;Parva - Mosem E Gol&lt;br /&gt;P.Monnehay - Tittle Tatle&lt;br /&gt;Terry Cox - Strange Dream&lt;br /&gt;Madlib - Episode XIV&lt;br /&gt;Plawz - Gram 8 Into Gram 14&lt;br /&gt;Nikki NTU Vs. Brainfeeder - Time Lords&lt;br /&gt;Alex B - At Channel One&lt;br /&gt;DZA - Shifty&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;&lt;br /&gt;Janelle Monae - Sir Greendown&lt;br /&gt;Quantic - Long Road Ahead&lt;br /&gt;Daisuke Tanabe - My Fish&lt;br /&gt;Prefuse 73 - Ampexian Tribe of a Lesser Time&lt;br /&gt;Actress - The Kettle Man&lt;br /&gt;Oddisee - South Central&lt;br /&gt;Skylab - Evil&lt;br /&gt;Exile - Your Summer Song&lt;br /&gt;Dexter - Practice Noir&lt;br /&gt;Jeremiah Jae - Mash Potatoes Spinach&lt;br /&gt;G.Sklair/G.Galbraith - Killer Whale&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-4824020424571509845?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep21.mp3' title='Episode Twenty One'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/4824020424571509845/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=4824020424571509845' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/4824020424571509845'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/4824020424571509845'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2010/09/episode-twenty-one.html' title='Episode Twenty One'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KnAa993iyD0/TH4OlwsQPdI/AAAAAAAAAk8/fd3wwIim1MA/s72-c/dumu.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-1385354963402501173</id><published>2010-05-24T16:38:00.000-07:00</published><updated>2010-07-24T15:59:34.212-07:00</updated><title type='text'>Episode Twenty</title><content type='html'>Dear listeners, we are back from our spring break and we have some wonderful noise to share with you. With the recent change in weather we bring you some cumbia, some psych, and some library joints that will hopefully make you sweat.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/S_nN023vLWI/AAAAAAAAAi8/cAxSojhiptI/s1600/vertigo.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 199px; height: 199px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/S_nN023vLWI/AAAAAAAAAi8/cAxSojhiptI/s400/vertigo.jpg" alt="" id="BLOGGER_PHOTO_ID_5474633130011733346" border="0" /&gt;&lt;/a&gt;The Vertigo Records label emerged at a time when rock was shaking off the "Sgt. Pepper" mindtrip of psychedelia to concentrate on heavy metal, progressive rock and fusion jazz. From 1969 to 1974, Vertigo's varied and truly experimental roster included Black Sabbath, The Sensational Alex Harvey Band, Vangelis (and Aphrodite's Child, the group Vangelis was in prior to going it as a solo artist), Gentle Giant and Status Quo. Those were the big names. But the label was also home to genuinely obscure acts who only ever recorded 1 or 2 albums for the label: Freedom, Tudor Lodge, Affinity, Atlantis, Cressida, Ramases. TIME MACHINE is a veritable capsule of the era. A three CD set which boasts crisp, clear and clean remastered sound, a lovingly crafted and highly detailed 48 page booklet and a veritable bounty of music from a wide variety of instant appeal to seventies rock fans. The beauty of it is its depth of coverage, with many different bands bringing out great examples of how "prog" back in the early mists of time (let's say 1972 or so) could mean many different definition.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:105%;"&gt;&lt;span style="font-family:georgia;"&gt;&lt;a onblur="try  {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/S_nOQpZrJ7I/AAAAAAAAAjE/yqGWffNgLtI/s1600/time.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/S_nOQpZrJ7I/AAAAAAAAAjE/yqGWffNgLtI/s400/time.jpg" alt="" id="BLOGGER_PHOTO_ID_5474633607432316850" border="0" /&gt;&lt;/a&gt;I&lt;/span&gt;&lt;/span&gt;f you dig that, I recommend Vertigo Mixed. Another brilliant, seamless mix by DJ Andy Votel. This time around he's rummaging through his own collection of Vertigo Records tracks from the 70's, and stitching them all together in a non-stop groove, complete with trippy/dippy sound-bites. Dope!&lt;span style="font-family:georgia;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/S_tcU_JtyMI/AAAAAAAAAjU/AARaLxiQd1A/s1600/Black+Pearl.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/S_tcU_JtyMI/AAAAAAAAAjU/AARaLxiQd1A/s400/Black+Pearl.jpg" alt="" id="BLOGGER_PHOTO_ID_5475071287618291906" border="0" /&gt;&lt;/a&gt;&lt;span style="font-family:georgia;"&gt;In a career spanning well over forty years, Alan Hawkshaw has always been at the top of hi&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;s profession as one of the most in-demand studio musicians, owing to his virtuosic and sensitive technique on a variety of keyboard i&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;nstruments, but most notably on the piano and Hammond organ. During the 196&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;0s and ’70s - the golden era of the British session musician - Alan’s keyboard artistry featured on a staggering amount of recordings. His chameleon-like ability covers a diverse range of musical styles taking in jazz, guitar-pop, funk, easy listening and disco. "Next Stop L.A" from the de Wolfe Black Pearl album, shows his beautiful approach to orchestration and harmony.&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/S_tdedc6XLI/AAAAAAAAAjc/6upq_4Ry5Gg/s1600/De+Wolfe.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/S_tdedc6XLI/AAAAAAAAAjc/6upq_4Ry5Gg/s400/De+Wolfe.jpg" alt="" id="BLOGGER_PHOTO_ID_5475072549882322098" border="0" /&gt;&lt;/a&gt;&lt;span style="font-family:georgia;"&gt;Composer, arranger, and conductor Nick Ingman's vast body of work bridges the gap between classical, pop, and film music, and he has worked with virtually everyone on the contemporary commercial music scene. Bo&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;rn in London, Ingman attended several schools in the city, including Westminster.  In 1966 Ingman began attending the Berklee School of Music in Boston, studying there for three years before returning to the U.K. in 1969. Ingman went freelance in the early '70s and began a long association with the BBC, working as a staff arranger and conductor with the BBC Radio Orchestra. In 1973 he released “Big Beat” on De Wolfe&lt;/span&gt;.&lt;br /&gt;&lt;div&gt;&lt;span style="font-family:georgia;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/S_tlhzzOPTI/AAAAAAAAAjk/5AxjlLtNKwk/s1600/luter_cecil_popelectr_101b.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/S_tlhzzOPTI/AAAAAAAAAjk/5AxjlLtNKwk/s400/luter_cecil_popelectr_101b.jpg" alt="" id="BLOGGER_PHOTO_ID_5475081403514109234" border="0" /&gt;&lt;/a&gt;&lt;span style="font-family:georgia;"&gt;Roger Roger (better known under the name Cecil Leuter) started his career in classical music, composing symphonic poems and different soundtracks for the french "authors cinema". The Cecil Leuter project gave to him the possi&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;bility to explore new musical territories, notably the opportunity to manipulate the new coming (Moog) analog synth technologies.  "Pop electronique" is completely "naive" and "spontaneous", using molecular effects and electronic loops to cover some sixties beat-psych-pop classics. He is backed by a small combo with organ, guitar, bass, and a very nifty drummer  whose efforts make for plenty of great grooves and heavy breaks on the record. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/S_tl4r_QZGI/AAAAAAAAAjs/RwpmPpnILCw/s1600/mashmakhan.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/S_tl4r_QZGI/AAAAAAAAAjs/RwpmPpnILCw/s400/mashmakhan.jpg" alt="" id="BLOGGER_PHOTO_ID_5475081796554089570" border="0" /&gt;&lt;/a&gt;Named after the biggest drug dealer of the city, Mashmakhan was a Montreal quartet that rose to national attention. By 1965 they were calling themselves The Triangle, and backing up local R&amp;amp;B singer Trevor Payne. They backed up Payne for four years until being discovered by record producer Bob Hahn, who helped them get signed with Columbia Records in Toronto.  They changed their named and in 1970 they released their self title album Mashmakhan.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/S_v9Eab0Q5I/AAAAAAAAAj8/oz81wuEC1cM/s1600/madhouse.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 198px; height: 200px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/S_v9Eab0Q5I/AAAAAAAAAj8/oz81wuEC1cM/s400/madhouse.jpg" alt="" id="BLOGGER_PHOTO_ID_5475248024256267154" border="0" /&gt;&lt;/a&gt;Just before the release of "Seahorse &amp;amp; The Storyteller", Michael Leonhart &amp;amp; Avramina 7's first full-length, Truth &amp;amp; Soul is putting out there second  45 taken from the upcoming record. Jaipur, is a dark and moody instrumental that sounds like a lost track from an Indian horror movie soundtrack. With strings and a full brass section leading the way, Jaipur is an instrumental gem that will surely please and appease beat diggers, hip hop fans, and all music lovers.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 1&lt;br /&gt;&lt;br /&gt;The World Column - Lantern Gospel&lt;br /&gt;Piero Piccioni - Psychedelic Mood&lt;br /&gt;Can - I'm so Green&lt;br /&gt;Manfred Mann Chapter Three - Travelling Lady&lt;br /&gt;Heliocentrics - Vibration Of The Fallen Angels&lt;br /&gt;Pram - The Last Astronaught (Andy Votel mix)&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;br /&gt;Embrujo - Canto Sin Nombre&lt;br /&gt;Spencer Mac – Ka-Ka Kabya Mow-Mow&lt;br /&gt;Meaty Ogre - Kept (instrumental)&lt;br /&gt;The Roots - Hot Sh*t (I'm Back!)&lt;br /&gt;Michael Leonhart &amp;amp; Avramina 7 - Jaipur&lt;br /&gt;Skeletons - 50 Degrees&lt;br /&gt;Chakachas - Stories&lt;br /&gt;Jerzy Millian Orklestra - Gacek&lt;br /&gt;Nick  Ingman - Trip Wire&lt;br /&gt;Sixtoo - Incidental 6&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;&lt;br /&gt;Leonor Gonzalez Mina - Navidad Negra&lt;br /&gt;Albela - Quantic And His Combo Barbaro&lt;br /&gt;Los Hijos Del Sol - Linda Muñequita&lt;br /&gt;Los Guacharacos - Esperma y Ron&lt;br /&gt;Andres Landero - Lolita&lt;br /&gt;La Verdolaga - Totó la momposina&lt;br /&gt;La Verdolaga - Totó La Momposina Y Sus Tambores&lt;br /&gt;Pedro Miguel Y Sus Maracaibos - Gaita Y Sorongo&lt;br /&gt;Voy A Miramar - Grupo Miramar&lt;br /&gt;Arroz Con Coco - Pedro Miguel Y Sus Maracaibos&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;&lt;br /&gt;Mashmakhan - Gladwin&lt;br /&gt;Alan Hawkshaw - Next Stop L.A.&lt;br /&gt;Antônio Carlos &amp;amp; Jocafi - Hipnose&lt;br /&gt;Marconi Notaro - Desmantelado&lt;br /&gt;Tullio De Piscopo - Coagulation&lt;br /&gt;Cecil Leuter - Pop Electronique 01&lt;br /&gt;Koushik - Cold Beats Outro&lt;br /&gt;Mr. Chop - Intermezzo 4&lt;br /&gt;Mia Doi Todd - Muscle, Bone, &amp;amp; Blood (Ammoncontact Remix)&lt;br /&gt;Dj Egadz! - White Flag&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-1385354963402501173?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep20.mp3' title='Episode Twenty'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/1385354963402501173/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=1385354963402501173' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/1385354963402501173'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/1385354963402501173'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2010/05/episode-twenty.html' title='Episode Twenty'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KnAa993iyD0/S_nN023vLWI/AAAAAAAAAi8/cAxSojhiptI/s72-c/vertigo.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-8104937640223726186</id><published>2010-03-21T23:22:00.000-07:00</published><updated>2010-03-22T05:05:19.484-07:00</updated><title type='text'>Episode Nineteen</title><content type='html'>&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/S2f9EGDj1bI/AAAAAAAAAhE/J3xIyKuEKfo/s1600-h/2tall1.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/S2f9EGDj1bI/AAAAAAAAAhE/J3xIyKuEKfo/s400/2tall1.jpg" alt="" id="BLOGGER_PHOTO_ID_5433589722232640946" border="0" /&gt;&lt;/a&gt;UK producer 2Tall has successfully made the transition from battle dj  (as a UK team champ) to downtempo producer, working with Dudley Perkins  &amp;amp; Georgia Anne Muldrow on 2007's Beautiful Mindz album. 2Tall takes a  solemn, serious approach to beatmaking squeezing emotion out of his  music.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try  {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/S2f9tSXLhvI/AAAAAAAAAhM/J0bZFYjJjOI/s1600-h/Kelpe.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 205px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/S2f9tSXLhvI/AAAAAAAAAhM/J0bZFYjJjOI/s400/Kelpe.jpg" alt="" id="BLOGGER_PHOTO_ID_5433590429910796018" border="0" /&gt;&lt;/a&gt;Sea  Inside Body is the debut album from Kelpe and was recorded using little  more than a PC, a mini disc recorder and a range of house hold  implements. This album is full of beautifully crisp glitched-up beats,  edits, midtempo flows, headnod burners and beatless soundtracks to  public library narratives. These sound bites run like a thread  throughout the album, giving it a sense of inertia but never detracting  from the oceanic beauty of the compositions.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/S2f-BqIV1NI/AAAAAAAAAhU/JF3jVHNPwJM/s1600-h/Debruit+-+Coupe+Decale.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/S2f-BqIV1NI/AAAAAAAAAhU/JF3jVHNPwJM/s400/Debruit+-+Coupe+Decale.jpg" alt="" id="BLOGGER_PHOTO_ID_5433590779888391378" border="0" /&gt;&lt;/a&gt;Debut  EP from the Parisian beatmaker, Débruit. Punchy and loud....just how  they like it in Paris! This is the follow up to last years excellent ep  by Fugelence and it's a great listen from start to finish with  stuttering glitchy hip-hop beats, snippets of 80's electro and a whole  truckload of cheeky samples. Débruit delivers an LP in the league of  Dabrye, Modeselektor or Flying Lotus but with a strong individual  personality. Check it!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try  {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/S2f-TYxs4lI/AAAAAAAAAhc/wnxM91-1CGI/s1600-h/naik.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/S2f-TYxs4lI/AAAAAAAAAhc/wnxM91-1CGI/s400/naik.jpg" alt="" id="BLOGGER_PHOTO_ID_5433591084467675730" border="0" /&gt;&lt;/a&gt;After  years of slaving in the studio, local producer NAIK (Nature And Its  Killers) unleash his debut album 'In The Shadow Of Thunder Mountain'. An  exotic blend of psychedelic guitars, twisted samples, booming synths  and crunchy beats. The album was intricately compiled over a number of  years at NAIK's personal studio and then mixed by Heliocentrics producer  Mike Burnham, making sure every bit of analogue crunchiness was  preserved.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 1&lt;br /&gt;&lt;br /&gt;Inch Time - Suspended&lt;br /&gt;Boom  Bip - Soft &amp;amp; Open&lt;br /&gt;2Tall - For Simon Cowell&lt;br /&gt;Kelpe - Sea Inside  Body&lt;br /&gt;Debruit - Pointy&lt;br /&gt;Ad Bourke - SP&lt;br /&gt;AFTA-1 - Honey Dip&lt;br /&gt;Qwel  &amp;amp; Maker - No Joke&lt;br /&gt;Saafir - The Instructor&lt;br /&gt;Naik - Zootrip&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/S6ZVJAlTOfI/AAAAAAAAAh8/Fcfitbqp_hE/s1600-h/sleeves2.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 400px; height: 200px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/S6ZVJAlTOfI/AAAAAAAAAh8/Fcfitbqp_hE/s400/sleeves2.jpg" alt="" id="BLOGGER_PHOTO_ID_5451138012242196978" border="0" /&gt;&lt;/a&gt;Initially, I was drawn into Teebs’ world when I discovered his artwork.   A gifted artist, Brainfeeder-signed Teebs has an approach to  beat-making that's highly synesthetic, splashing electric colors against  a backdrop of dusky, blurry beats.  He just released the second part to  his &lt;a href="http://www.brainfeedersite.com/2009/04/22/teebs-record-sleeve-series-2/"&gt;record  sleeve series.&lt;/a&gt;   Music wise, he’s nearly completed his debut LP for  Brainfeeder and will be releasing a collaboritive record with UK  producer, Jackhigh later this month on Svetlana Industries. Soo good!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/S6ZazNeDipI/AAAAAAAAAiU/dFywNAikkdk/s1600-h/NYBArtistImage.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/S6ZazNeDipI/AAAAAAAAAiU/dFywNAikkdk/s400/NYBArtistImage.jpg" alt="" id="BLOGGER_PHOTO_ID_5451144234814114450" border="0" /&gt;&lt;/a&gt;Natural  Yogurt Band - I almost forgot about this one but came across it on a  rainy Sunday and remembered why it's sooo good.   It's one of the  hippest non-reissue records from the Jazzman Records empire.  A massive  set of grooves with a really odd sort of feel! Natural Yogurt Band work  in spare, funky territory with a mix of heavy drums.  Makes me think of a  vintage Guy Richie soundtrack.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try  {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/S6ZcBikac6I/AAAAAAAAAic/uVrDgV7CTAY/s1600-h/neon.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/S6ZcBikac6I/AAAAAAAAAic/uVrDgV7CTAY/s400/neon.jpg" alt="" id="BLOGGER_PHOTO_ID_5451145580507722658" border="0" /&gt;&lt;/a&gt;This  sounds like someone's cassette mix tape from 1978 that has been sitting  on the dashboard of a Pinto for the last 30 years baking in the sun.   Neon indian's sound is immediately striking for how far it pushes the  lo-fi angle.  The album combines lo-fi recording techniques with  electronic beats and samples to create a sound that flows like the score  to a 1970’s exploitation film.  Most of the tracks are pretty chill,  and the kind of stuff you bob your head to. Eventhough I used two of the  shortest tracks on the record the rest sounds like the future according  to the '80s.  Check it!&lt;br /&gt;&lt;br /&gt;&lt;object width="400" height="225"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=9082714&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1"&gt;&lt;embed src="http://vimeo.com/moogaloop.swf?clip_id=9082714&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="225"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;p&gt;&lt;a href="http://vimeo.com/9082714"&gt;Neon Indian - Mind, Drips&lt;/a&gt; on &lt;a href="http://vimeo.com/"&gt;Vimeo&lt;/a&gt;.&lt;/p&gt;&lt;br /&gt;Set  2&lt;br /&gt;&lt;br /&gt;Take - Make Believe&lt;br /&gt;DJ Bootsie - Mosquito Dance&lt;br /&gt;King Midas Sounds  (Dabrye remix) - One Ting&lt;br /&gt;Teebs - Golden Brown&lt;br /&gt;Jaylib - Raw Addict&lt;br /&gt;Neon  Indian - 1am&lt;br /&gt;Neon Indian - 7000 Reprise&lt;br /&gt;Animal Collective - Daily  Routine&lt;br /&gt;Flying Lotus - Aunties Harp&lt;br /&gt;Portishead - Elysium&lt;br /&gt;Sonic  Youth and Cypress Hill - I Love You Maryjane&lt;br /&gt;Joe Beats - Sleep or  Bust&lt;br /&gt;Hubert Daviz - War Games&lt;br /&gt;Natural Yogurt Band - Lament For  Piano&lt;br /&gt;Pantyraid - Enter The Machine&lt;br /&gt;Emalkay - When I Look At You&lt;br /&gt;Bar9  - Murda Sound&lt;br /&gt;Bit Turner - The Ritual Noir&lt;br /&gt;Jim Brown - Seen Him&lt;br /&gt;Big  Youth - Screaming Target&lt;br /&gt;Jah Jesco - Warning&lt;br /&gt;Little Joe - Gun  Court&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set  3&lt;br /&gt;&lt;br /&gt;Chico Magnetic Band - Pop Pull Hair&lt;br /&gt;Desire - Oxygene&lt;br /&gt;Blue  States - Your Girl&lt;br /&gt;Glasser - Learn (Yacht Remix)&lt;br /&gt;Glass Candy -  Beatific&lt;br /&gt;Chromatics - Hands in the Dark&lt;br /&gt;JD &amp;amp; The Evil Dynamite  Band - Just some more Haaa Sheesh&lt;br /&gt;Koushik - Dreams (Pt. 1)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-8104937640223726186?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep19.mp3' title='Episode Nineteen'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/8104937640223726186/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=8104937640223726186' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/8104937640223726186'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/8104937640223726186'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2010/03/episode-nineteen.html' title='Episode Nineteen'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_KnAa993iyD0/S2f9EGDj1bI/AAAAAAAAAhE/J3xIyKuEKfo/s72-c/2tall1.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-6148661223627809075</id><published>2010-02-13T23:55:00.000-08:00</published><updated>2012-01-20T05:54:06.673-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Valentine&apos;s'/><title type='text'>Episode Eighteen</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_KnAa993iyD0/S3gMCFrn6VI/AAAAAAAAAhs/U0EJIFyzzVY/s1600-h/valentine+2010.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; cursor: pointer; width: 400px; height: 173px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/S3gMCFrn6VI/AAAAAAAAAhs/U0EJIFyzzVY/s400/valentine+2010.jpg" alt="" id="BLOGGER_PHOTO_ID_5438109780074293586" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Set 1&lt;br /&gt;&lt;br /&gt;Bobby Moore - Wanna Be Ur Man&lt;br /&gt;Little Beaver - Do Right Man&lt;br /&gt;Little Ann - Deep Shadows&lt;br /&gt;The Monticellos - Plaid Stamps&lt;br /&gt;Letta Mbulu - What's Wrong With Groovin'&lt;br /&gt;Kenny Wells - Isn't It Just A Shame&lt;br /&gt;Buddy Ace - True Love Money Can't Buy&lt;br /&gt;Highlights - Go Down&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;br /&gt;Ruth brown - I Don't Know&lt;br /&gt;Lew conetta - You've Got Me Crazy&lt;br /&gt;Johnny wells - Lonely Moon&lt;br /&gt;Carol fran - I'm Gonna Try&lt;br /&gt;Bobby Hamilton - How Come&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;&lt;br /&gt;Thomas East  - Slippin' Around&lt;br /&gt;Black Velvet - Is It Me You Really Love&lt;br /&gt;The Exprerssions - These Moments&lt;br /&gt;Sly, Slick, &amp;amp; Wicked - Love's Gonna Pack Up (And Walk Out)&lt;br /&gt;Rudy Andrews - Casanova&lt;br /&gt;Joe Bataan - Ordinary Guy (Afrofilipino)&lt;br /&gt;The Soul Fantastics - Ain't No Sunshine&lt;br /&gt;Willie Tee - Concentrate&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;&lt;br /&gt;Alton Ellis - You've Made Me So Very Happy&lt;br /&gt;Hemsley Morris - You Think I'm A Fool&lt;br /&gt;Johnny Clarke - Left With A Broken Heart&lt;br /&gt;Pat Kelly - I'm Coming Home&lt;br /&gt;Cornell Campbell - Girl Of My Dreams&lt;br /&gt;Clancey Eccles - Auntie Lulu&lt;br /&gt;Cecile Campbell - Whisper To Me&lt;br /&gt;Mighty Vikings - Love Me Forever&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-6148661223627809075?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep18.MP3' title='Episode Eighteen'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/6148661223627809075/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=6148661223627809075' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/6148661223627809075'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/6148661223627809075'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2010/02/episode-eighteen.html' title='Episode Eighteen'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KnAa993iyD0/S3gMCFrn6VI/AAAAAAAAAhs/U0EJIFyzzVY/s72-c/valentine+2010.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-6653031518517816748</id><published>2009-12-28T23:00:00.000-08:00</published><updated>2009-12-30T03:41:56.106-08:00</updated><title type='text'>Episode Seventeen</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/Sy1f5tPa_jI/AAAAAAAAAgM/1rwqtFJgbQI/s1600-h/anagram.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 209px; height: 194px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/Sy1f5tPa_jI/AAAAAAAAAgM/1rwqtFJgbQI/s400/anagram.jpg" alt="" id="BLOGGER_PHOTO_ID_5417091371798036018" border="0" /&gt;&lt;/a&gt;Anagram Jam&lt;br /&gt;Tandy Love and Mad Smooth&lt;br /&gt;&lt;/div&gt;There’s a bit of a mystery behind just what the hell is going on with this record. Released on Fat City by two suspects who may or may not have something to do with Finders Keepers or B-Music. The comp is a collection of 15 fuzzy and smashed edits ranging from Japanese surf rock to what sounds like Israeli funk. The kicker: the original titles and artist names are scrambled into, yes, anagrams. So have fun figuring out what you’re listening to.  The album truly is an international affair combining elements from England, Korea, Turkey, Russia, France, Israel, India, America &amp;amp; Spain. Fun!&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/Sy1ewXsRGCI/AAAAAAAAAgE/jUy55JnPOFs/s1600-h/chop.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 259px; height: 203px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/Sy1ewXsRGCI/AAAAAAAAAgE/jUy55JnPOFs/s400/chop.jpg" alt="" id="BLOGGER_PHOTO_ID_5417090111882991650" border="0" /&gt;&lt;/a&gt;Mr. Chop&lt;br /&gt;For Pete's Sake&lt;br /&gt;&lt;/div&gt;After jack-of-all-trades engineer/producer/multi-instrumentalist Mr. Chop delivered a host of co-written and co-produced tracks on recent album Born Like This, DOOM touted his collaborator as "the illest to grace the boards."  The praise hit the streets and landed Mr. Chop an offer to create a record of remixes and covers paying tribute to legendary NY DJ/producer/MC Pete Rock.  In Mr. Chop’s compilation of Pete Rock’s greatest hits, the parts are replayed and filtered through the psych, funk, jazz and rock imprint that has become the staple of Now-Again Records.  With previous releases on Jazzman’s Stark Reality label, Ape Records and his debut release for Now Again called Lightworlds, Mr. Chop is heading in the right direction.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/Sy1ihv4PYnI/AAAAAAAAAgU/JCrfaADxQr8/s1600-h/fama87.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 203px; height: 203px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/Sy1ihv4PYnI/AAAAAAAAAgU/JCrfaADxQr8/s400/fama87.jpg" alt="" id="BLOGGER_PHOTO_ID_5417094258724135538" border="0" /&gt;&lt;/a&gt;Fama&lt;br /&gt;Futurerus&lt;br /&gt;&lt;/div&gt;Fama is a producer out of St.-Petersburg, Russian Federation.   One word = Sick!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/Sy1nDkPg1PI/AAAAAAAAAgc/uBWTDy-8OpY/s1600-h/raleigh.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/Sy1nDkPg1PI/AAAAAAAAAgc/uBWTDy-8OpY/s400/raleigh.jpg" alt="" id="BLOGGER_PHOTO_ID_5417099237762585842" border="0" /&gt;&lt;/a&gt;Raleigh Moncrief&lt;br /&gt;Combed Over Chrome EP&lt;/div&gt;This is a next level beat-based record, collapsing genres and rhythms while expanding the borders of previously established stylings.  Moncrief likes his drums crunchy with a hint of glitch.  Combed Over Chrome" is massive.  Spliffed-out and dirty.  Fresh and experimental, yet catchy and compatible with any Hip Hop and Dubstep dancefloor.  This is a beat-based record that's so tangled up it seems to be perpetually collapsing, but it somehow manages to be expansive; growing more and more ambiguous with each successive track.  The glitch-hop / future beat front.  I like!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="400" height="220"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=6975496&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1"&gt;&lt;embed src="http://vimeo.com/moogaloop.swf?clip_id=6975496&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="220"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;p&gt;&lt;a href="http://vimeo.com/6975496"&gt;Raleigh Moncrief - Quiet Please from obstructive vibrations on Vimeo.&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Set 1&lt;br /&gt;&lt;/p&gt;Fama87 - Dream&lt;br /&gt;Flako - Crying On The Inside&lt;br /&gt;RJD2 - The Gentle Rain (remix)&lt;br /&gt;Madvillain - Savage Beast (Instrumental)&lt;br /&gt;Mos Def - Revelations&lt;br /&gt;Chronicle Grime - Career Cats Get Tiger Suits - (According to the Anagram Jam Compilation)&lt;br /&gt;Dorothy Ashby - Soul Vibrations&lt;br /&gt;Petalouda -What You Can Do In Your Life - (According to the Anagram Jam Compilation)&lt;br /&gt;Mr Chop - T.R.O.Y&lt;br /&gt;Raleigh Moncrief - Goldrush&lt;br /&gt;Dorian Concept - Her Marshmallow Secret&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;&lt;br /&gt;Fulgeance - Birds Of Prey Remix&lt;br /&gt;Glass Candy - Geto Boys&lt;br /&gt;Mayer Hawthorne – Maybe So, Maybe No (Bluntspeakers Remix)&lt;br /&gt;Wendy Rene - After Laughter (Comes Tears)&lt;br /&gt;Circle Research - After The Laughter&lt;br /&gt;Alice Coltrane - Journey in Satchidananda&lt;br /&gt;Shawn Lee and Clutchy Hopkins - Chapter 2&lt;br /&gt;Fama87 - Say Me...Love&lt;br /&gt;Prefuse 73 - Gratis (Pedro Vs. Prefuse)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/Sy86WuTq2VI/AAAAAAAAAgk/bFUdQ77-XVA/s1600-h/architeq_gold%2Bgreen.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/Sy86WuTq2VI/AAAAAAAAAgk/bFUdQ77-XVA/s400/architeq_gold%2Bgreen.jpg" alt="" id="BLOGGER_PHOTO_ID_5417613038812059986" border="0" /&gt;&lt;/a&gt;Young, London based Scotsman Architeq (AKA Sam Annand) has made a lot of noise without actually releasing a lot of material since his debut 'Birds Of Prey' EP on Tirk early last year. The odd well chosen remix aside, he's been burying himself in the studio making his debut album. Gold &amp;amp; Green includes 14 tracks of originality, innovation and musicality that confidently occupy a bright new corner of the electronic canon, and a deeply impressive first instalment of organic instrumentation with crunchy off-beat drums, lush soulful strings and burbling soundscapes.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/Sy89QxNWWjI/AAAAAAAAAgs/5ZaFpZiEexU/s1600-h/Lit.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/Sy89QxNWWjI/AAAAAAAAAgs/5ZaFpZiEexU/s400/Lit.jpg" alt="" id="BLOGGER_PHOTO_ID_5417616235046525490" border="0" /&gt;&lt;/a&gt;Lit is the second album on &lt;span id="ctl00_rightColumn_lblRecordLabel" class="album-label"&gt;Merck Records&lt;/span&gt; &lt;span id="ctl00_rightColumn_lblAlbumNotes"&gt;from Austin, Texas based producer Malcom Kipe, better known to some as Nautilis (of Planet-Mu). &lt;/span&gt;&lt;span id="ctl00_rightColumn_lblAlbumNotes"&gt;Lit is a get down and dirty piece focused on the aesthetics of raw sample based hip hop and&lt;/span&gt;&lt;span id="ctl00_rightColumn_lblAlbumNotes"&gt; the nasty sampling habits of Malcom Kipe. This is a collection of 52 minutes of beats and instrumentals composed of twenty tracks made and polished in 2004 &amp;amp; 2005. This album is strongly influenced early 90's hip hop production and excessive crate digging. Including lots of material that fans of his previous full length album, Breakspiracy Theories, should fall in love with&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/Sy9G5NVr8mI/AAAAAAAAAg8/zr5v7ZsWuxU/s1600-h/Flanger.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/Sy9G5NVr8mI/AAAAAAAAAg8/zr5v7ZsWuxU/s400/Flanger.jpg" alt="" id="BLOGGER_PHOTO_ID_5417626825397105250" border="0" /&gt;&lt;/a&gt;10 years ago, in December 1997 Atom™ and Burnt Friedman teamed up in Santiago de Chile to compose "Templates". Atom™, also known as Señor Coconut, had moved life and studio to Chile in 1997 and B.Friedman flew in as part of his annual travel to New Zealand and Australia. Equipped with few electronic production devices: sampler, sequencer and keyboard the duo managed to produce the entire first Flanger record "Templates" within one week only. Nuclear Jazz is itself a reconstitution of the Flanger catalog that started on Ntone and Ninja Tune, compiling and editing 1999's Templates and 2000's Midnight Sound into a mesmerizing hybrid of the organic and the synthetic that simultaneously connects to and pushes away from jazz and the flora where it forms the root (funk, acid jazz, jungle, trip-hop).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/Sy8_IqBeh_I/AAAAAAAAAg0/cPF9bl6RZ38/s1600-h/Trs-80.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 199px; height: 199px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/Sy8_IqBeh_I/AAAAAAAAAg0/cPF9bl6RZ38/s400/Trs-80.jpg" alt="" id="BLOGGER_PHOTO_ID_5417618294701983730" border="0" /&gt;&lt;/a&gt;&lt;span class="newsbody"&gt;TRS-80 are a Chicago-based duo who mix up live drums, samples, and an array of vintage analog circuitry to create pulsing hypnotic sound collages &lt;/span&gt;&lt;span class="newsbody"&gt;while delivering head-bobbing grooves that keep the listener entranced.&lt;/span&gt; &lt;span class="newsbody"&gt;Their fourth album, &lt;i&gt;Mr. Kickass&lt;/i&gt;, &lt;/span&gt;&lt;span class="newsbody"&gt;draws from an eclectic pool of influences that put the pieces back together to create a unique, unpredictable, and highly listenable soundscape.&lt;/span&gt; &lt;span class="newsbody"&gt;One of the band's strongest features is its live show. Using a live drummer and almost anything they can plug in &lt;/span&gt;&lt;span class="newsbody"&gt;to create the mood with their patented analog hodgepodge of loops and sounds.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/jn1cpGelTdk&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/jn1cpGelTdk&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;br /&gt;Jonny Greenwood - Moon Mall&lt;br /&gt;Mike Gao - Melamine Breast Milk&lt;br /&gt;Oh No - Madness&lt;br /&gt;Madlib Beat Konducta Vol.6 - Lifetime (Lifeline)&lt;br /&gt;Onra - Super Genesis ft. Haez&lt;br /&gt;Architeq - Spinning Plates&lt;br /&gt;TRS-80 - American Smooth Division&lt;br /&gt;Dalt Wisney - R2fux&lt;br /&gt;James Pants - I Promise I Lied&lt;br /&gt;Dans Le Eprom - Dials Mix&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;&lt;br /&gt;Broadcast - Creation Day the Travel Flute Way&lt;br /&gt;Samon Kawamura - Interlude&lt;br /&gt;E Vax - The Process of Leaving&lt;br /&gt;Flanger - Full On Scientist&lt;br /&gt;Architeq - Sleeping Bear Lamet (Take Remix)&lt;br /&gt;Danny Breaks - Windscreen Wiper&lt;br /&gt;Dabrye - Special&lt;br /&gt;Malcom Kipe - Off the Joint&lt;br /&gt;DJ Lengua - Tope Kinky&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-6653031518517816748?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep17.mp3' title='Episode Seventeen'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/6653031518517816748/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=6653031518517816748' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/6653031518517816748'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/6653031518517816748'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2009/12/episode-seventeen.html' title='Episode Seventeen'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KnAa993iyD0/Sy1f5tPa_jI/AAAAAAAAAgM/1rwqtFJgbQI/s72-c/anagram.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-7696368597559876559</id><published>2009-10-30T19:31:00.000-07:00</published><updated>2011-10-30T14:40:01.172-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Halloween'/><title type='text'>Episode Sixteen</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/Suuo2QtRHAI/AAAAAAAAAf0/J_sCAis16WI/s1600-h/photo.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 333px; height: 400px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/Suuo2QtRHAI/AAAAAAAAAf0/J_sCAis16WI/s400/photo.jpg" alt="" id="BLOGGER_PHOTO_ID_5398594228484905986" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Set 1&lt;br /&gt;&lt;br /&gt;Clouddead - Bonus Track&lt;br /&gt;The Group - The Feed-back&lt;br /&gt;Delia Derbyshire - Freeze Frame&lt;br /&gt;Otomo Yoshihide's New Jazz Quintet - Serene&lt;br /&gt;Koushik - Beep Tape 15&lt;br /&gt;Otis Jackson Jr. Trio - Bitches Brew&lt;br /&gt;The Fabulous Wailers - High Wall&lt;br /&gt;The Pawn Shop - My Shade&lt;br /&gt;Elephants Memory - R.I.P&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;br /&gt;The Connoisseurs - Count Macabre&lt;br /&gt;Armando Sciascia - Catalizzatore&lt;br /&gt;Jason Crest - Black Mass&lt;br /&gt;Nosaj Thing - Voices&lt;br /&gt;Poppy Family - Shadows On The Wall&lt;br /&gt;Dimlite and Ill Dubio - Searching&lt;br /&gt;White Noise - Love Without Sound&lt;br /&gt;Poppy Family - No Blood In Bone&lt;br /&gt;New Dawn - Dark Thoughts&lt;br /&gt;Los Sleepers - Zombie&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;&lt;br /&gt;Henry Tree - Electric Holy Man&lt;br /&gt;Chubby Checker - He Died&lt;br /&gt;Pinch &amp;amp; Moving Ninja - False Flag&lt;br /&gt;Michel Colombier &amp;amp; Pierre Henry - Messe pour le temps présent_ I. Prologue&lt;br /&gt;Daniel Johnston - Devil Town&lt;br /&gt;Daniel Johnston and Jad Fair - It's Spooky&lt;br /&gt;Mount Kimbie - Maybes&lt;br /&gt;Pisces - The Music Box&lt;br /&gt;Delia Derbyshire - Blue Veils and Golden Sands&lt;br /&gt;Black Dice &amp;amp; Wolf Eyes - Chimes in Black Water&lt;br /&gt;Armando Sciascia - Circuito Chiuso&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;&lt;br /&gt;Neon Blonde - Princess Skullface Sings&lt;br /&gt;Bush Tetras - Too Many Creeps&lt;br /&gt;Bruce Haack - Mean Old Devil&lt;br /&gt;Venetian Snares - Szerencsetlen&lt;br /&gt;Neurosis - End of the Harvest&lt;br /&gt;Burial Hex - Will To The Chapel&lt;br /&gt;Suicide - Ghost Rider&lt;br /&gt;Artie Shaw - The Skeleton In The Closet&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-7696368597559876559?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep16.mp3' title='Episode Sixteen'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/7696368597559876559/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=7696368597559876559' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/7696368597559876559'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/7696368597559876559'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2009/10/episode-sixteen.html' title='Episode Sixteen'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KnAa993iyD0/Suuo2QtRHAI/AAAAAAAAAf0/J_sCAis16WI/s72-c/photo.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-2216070550495372482</id><published>2009-09-09T11:28:00.000-07:00</published><updated>2009-09-25T19:19:24.600-07:00</updated><title type='text'>Episode Fifteen</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/Sqhvz8o-F_I/AAAAAAAAAek/Z8lWsrGZOpc/s1600-h/Alias.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 199px; height: 199px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/Sqhvz8o-F_I/AAAAAAAAAek/Z8lWsrGZOpc/s400/Alias.jpg" alt="" id="BLOGGER_PHOTO_ID_5379672693136037874" border="0" /&gt;&lt;/a&gt;Alias (born Brendon Whitney) is originally from Portland, Maine. In 1993, upon meeting sole, who was already recording and doing shows, Alias began rapping in ciphers at parties. He moved his "studio" from his bedroom to a friend's basement where he taught himself to use an MPC 3000 and an ADAT machine. In '96 he started doing shows with The Live Poets (sole's group) around New England. It wasn't until 1998, after finishing the seminal Deep Puddle Dynamics project he moved to the West Coast in  to work on building the Anticon label, as well as to focus on his music. Shotly after In 2001, Alias released his ep Final Act on Anticon that contains "Three Phase Irony",that has a western expermental hip-hop feel to it.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SqwnSMDKt4I/AAAAAAAAAfs/AObT2xZvJpI/s1600-h/Hotel1.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SqwnSMDKt4I/AAAAAAAAAfs/AObT2xZvJpI/s400/Hotel1.jpg" alt="" id="BLOGGER_PHOTO_ID_5380718848226539394" border="0" /&gt;&lt;/a&gt;Usha Khanna (born 1942 in Gwalior) is an Indian music director. Regarded as the only established female music director in the Indian film industry, she remained active for more than 3 decades from 1960s to 1980s.  Hotel was released in 1981 and was directed by the Ramsay Brothers and Usha Khanna arranged the music. The premise of  this movie is an entrepreneur asks his assistant to go to a hillside area and acquire some land for building a hotel. The assistant is led astray by the corrupt contractor- builder, who convinces him that they can make a huge profit if they build the hotel over an old Christian cemetery. They dupe the priest in charge of the cemetery, telling him they need the land for building an orphanage. They also implicate some government officials, by bribing them. In all this manipulation, the contractor-builder guy is helped by his foxy secretary, whose sex appeal is often used to their benefit. When the construction starts, they dig up all the corpses (some very bizarre faces there) and skeletons, and dump them all into a mass grave, marked only by some stones. However, the spirits of the dead are apparently outraged at this desecration, and seek revenge.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/Sqqy0WvAasI/AAAAAAAAAfk/TkYVE7HeGSU/s1600-h/1000names.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/Sqqy0WvAasI/AAAAAAAAAfk/TkYVE7HeGSU/s400/1000names.jpg" alt="" id="BLOGGER_PHOTO_ID_5380309317373160130" border="0" /&gt;&lt;/a&gt;This Bulgarian duo, Casio Blaster and 99 Mistakes are names you will know soon if not by now. They continue their assault on auditory canals and speaker stacks worldwide, with 6 digi sound collages filled with beautifully crafted broken soul; further pushing the boundaries of their now trademark eklekto-hip-hop grooves.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SqmFtX6RWpI/AAAAAAAAAes/ufGDgyQwYxw/s1600-h/dabrye.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 201px; height: 201px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SqmFtX6RWpI/AAAAAAAAAes/ufGDgyQwYxw/s400/dabrye.jpg" alt="" id="BLOGGER_PHOTO_ID_5379978244429798034" border="0" /&gt;&lt;/a&gt;Two/Three, is a futuristic perfection from the beat maker Dabrye.  Dabrye combines rattling drum patterns reminiscent of nineties hip-hop, with grimey bass lines and spine-tingling synths, creating lush instrumental tracks that sound like outtakes from an 80's sci-fi flick.  Two/Three, the second offering in a trilogy of albums, bridges the gap between One/Three's minimalist hip-hop, and shows a promising glimpse of what lay ahead.  Highly recommended for any beatheads or hip-hop fans in general.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SqmKOpBoI9I/AAAAAAAAAfM/TYBJbTjRmV8/s1600-h/beatdim.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 193px; height: 194px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SqmKOpBoI9I/AAAAAAAAAfM/TYBJbTjRmV8/s400/beatdim.jpg" alt="" id="BLOGGER_PHOTO_ID_5379983214006248402" border="0" /&gt;&lt;/a&gt;For those that don't know, the first installment of the Beat Dimensions series introduced much of the world to beats from Hudson Mohawke and FLYamSAM. This is the second plate from the followup installment to the series and includes heavyweight killers compiled by Cinnaman &amp;amp; Jay Scarlett including cuts from Samiyam, Dorian Concept, Fulgeance, Dimlite and Dizz1. Killer!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SqmLBae2GZI/AAAAAAAAAfU/vozJ738kLXI/s1600-h/blooperz+cover+006.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 202px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SqmLBae2GZI/AAAAAAAAAfU/vozJ738kLXI/s400/blooperz+cover+006.jpg" alt="" id="BLOGGER_PHOTO_ID_5379984086275594642" border="0" /&gt;&lt;/a&gt;Sifunk &amp;amp; Garmunkle are a duo from NY introduce their debut beat tape for all to enjoy.  The 'bloopers' concept is strung throughout with a grip of samples.  CRAZY GOOD! This is East Coast future hop.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SqmGAs0G-YI/AAAAAAAAAe8/Yrq38KoctvY/s1600-h/hannibal.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 201px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SqmGAs0G-YI/AAAAAAAAAe8/Yrq38KoctvY/s400/hannibal.jpg" alt="" id="BLOGGER_PHOTO_ID_5379978576458611074" border="0" /&gt;&lt;/a&gt;The Mighty Hannibal was a soul singer from the sock-boogaloo late 60s years! At his prime, Hannibal recorded some excellent singles that have a finger-popping funky feel.  Very tight combo instrumentation mixed with raspy vocals that have more than a bit of a southern touch at the bottom.  This record brings together much of his best work, complete with excellent self-penned liner notes about his rocky career, with great details that get at the heart of the life of an indie soul singer back in the day.  A shameless name-dropper, a former junkie and pimp – or “MASTER ADVISOR AND MAINTAINER OF WOMEN’S AFFAIRS” as he put it – the Mighty Hannibal is nothing if not memorable.  He even came up with a shtick in the sixties to stand out from the afro-wearing crowd: rock a turban, man!  And he is still dynamite.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 1&lt;br /&gt;&lt;br /&gt;Ananda Shankar- Sa Re-Ga Macha&lt;br /&gt;Gaslamp Killer - A little of this&lt;br /&gt;Arc - Let your love run through&lt;br /&gt;A-Austr - Thumbquake &amp;amp; Earthscrew&lt;br /&gt;Alias - Three Phase Irony&lt;br /&gt;Vast Aire - Why'sdaskyblue?&lt;br /&gt;Think - More Drops (edit)&lt;br /&gt;Usha﻿ Khanna - Tere Jaisa Pyara Koi Nahin&lt;br /&gt;Quantic and his Combo Barbaro - Un Canto A Mi Tierra&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;br /&gt;Robot Koch vs Cerebral Vortex - Vortex Cookies (fLako Rmx)&lt;br /&gt;Casual, Rock Marciano, Vordul Mega &amp;amp; Tragedy Khadafi - Think Differently&lt;br /&gt;The Roots (Featuring Dice Raw, Pee) - Get Busy&lt;br /&gt;Dabrye - Encoded Flow&lt;br /&gt;Mighty King Hannibal - The Truth Shall Make You Free&lt;br /&gt;Stark Reality - Say Brother&lt;br /&gt;Nancy Sinatra - Friday's Child&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;&lt;br /&gt;Mathhead - FM Dial&lt;br /&gt;The Broken Keys - An Introduction&lt;br /&gt;Guem &amp;amp; Zaka - Le Serpent&lt;br /&gt;Mandrake - Berimbau (bongo re-edit)&lt;br /&gt;Pamoja - Oooh Baby&lt;br /&gt;Communication &amp;amp; Black Experience - The Road&lt;br /&gt;1000 Names - Beauty Surrounds You&lt;br /&gt;Fulgeance - Lonely Night&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;&lt;br /&gt;Hubert Daviz - Falling&lt;br /&gt;Daedelus - Just Briefly&lt;br /&gt;Koushik - Ew&lt;br /&gt;Mr Scruff (Featuring Seaming) - Beyond&lt;br /&gt;Bjork - Possibly Maybe&lt;br /&gt;Eliot Lipp - Tic Tac&lt;br /&gt;Sifunk and Garmunkle - Chicago '95&lt;br /&gt;Lukid - Veto&lt;br /&gt;Dizz1 - Konotakosuke Yaro&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-2216070550495372482?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep15.mp3' title='Episode Fifteen'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/2216070550495372482/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=2216070550495372482' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/2216070550495372482'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/2216070550495372482'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2009/09/episode-fifteen.html' title='Episode Fifteen'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KnAa993iyD0/Sqhvz8o-F_I/AAAAAAAAAek/Z8lWsrGZOpc/s72-c/Alias.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-1775412537934441798</id><published>2009-08-01T09:27:00.000-07:00</published><updated>2009-08-17T11:00:01.895-07:00</updated><title type='text'>Episode Fourteen</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SnjafU3GHZI/AAAAAAAAAdM/Usl9sWkC0tY/s1600-h/dungen.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SnjafU3GHZI/AAAAAAAAAdM/Usl9sWkC0tY/s400/dungen.jpg" alt="" id="BLOGGER_PHOTO_ID_5366279187722542482" border="0" /&gt;&lt;/a&gt;What more can I say about Dungen, I love this band and I can’t wait to finally see these guys play live later this month in LA.  Tio Bitar's three minute instrumental Intro is a beautiful concoction of their sound into one concise piece of music. Devoid of anything outrageous, it's a smooth, polished, and dope entrance for the band and a good indication of where the rest of the record is heading.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SnjcyX4l-eI/AAAAAAAAAeE/xP1ebZ8Y85w/s1600-h/mind+flowers.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SnjcyX4l-eI/AAAAAAAAAeE/xP1ebZ8Y85w/s400/mind+flowers.jpg" alt="" id="BLOGGER_PHOTO_ID_5366281713974901218" border="0" /&gt;&lt;/a&gt;This album is absolutely fantastic.  It really is great music to lose your self into.  the music is full of influences, from fuzz guitar to jazz interludes. It's all over the place in subtle style shifts, but still retains a psychedelic feel to it.  "take a trip to the center of your mind"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SnjcaBOSeTI/AAAAAAAAAd8/SUwljzOOFRE/s1600-h/fiftyfoothose.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SnjcaBOSeTI/AAAAAAAAAd8/SUwljzOOFRE/s400/fiftyfoothose.jpg" alt="" id="BLOGGER_PHOTO_ID_5366281295575021874" border="0" /&gt;&lt;/a&gt;This San Francisco band fearlessly combined early electronic experiments with an acid rock sound somewhere between Jefferson Airplane and United States of America and they were definitely ahead of their time.  At times incredibly dark with a sharp attention to detail, their Cauldron LP is an essential psych masterpiece.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/Snjb2kFsIvI/AAAAAAAAAds/5R7WTJ3VCT0/s1600-h/entrance.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 199px; height: 199px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/Snjb2kFsIvI/AAAAAAAAAds/5R7WTJ3VCT0/s400/entrance.jpg" alt="" id="BLOGGER_PHOTO_ID_5366280686458905330" border="0" /&gt;&lt;/a&gt;Somewhere between psychedelic rock, delta blues and old-timey folk lies the Entrance Band.  The liner notes say it was recorded 16 track onto one inch tape and it sounds tremendous, close attention reveals real depth and richness with cool instrumentation and arrangements.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SnjbJdAhfKI/AAAAAAAAAdk/HNZXTKZF03E/s1600-h/derule1.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 199px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SnjbJdAhfKI/AAAAAAAAAdk/HNZXTKZF03E/s400/derule1.jpg" alt="" id="BLOGGER_PHOTO_ID_5366279911464074402" border="0" /&gt;&lt;/a&gt;Its Baris motherfucking Manco. Nuff said!  Totally riveting stuff that blends some traditional Turkish influences with the psychedelic sounds of the late 60s &amp;amp; early 70s. Including all that fuzzed out rocking funk, and an also fantastic melody.  What’s also fascinating about the music is that it incorporates sounds from the East and the West, and still sounds dope.  The vocals are effectively melodic and the songs tuneful, with Turkish and other parts Eastern string and wind accents, with both hand percussion and drums, and guitars that mix rock, funk and psychedelic.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/Snja3mmAWdI/AAAAAAAAAdc/a2cANvPg1vA/s1600-h/mustafa.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/Snja3mmAWdI/AAAAAAAAAdc/a2cANvPg1vA/s400/mustafa.jpg" alt="" id="BLOGGER_PHOTO_ID_5366279604799560146" border="0" /&gt;&lt;/a&gt;Mustafa Ozkent's Orkestrasi is a Turkish funk machine. Genclikle ile Elele is their strongest offering and has recently been reissued for those of us who weren't around when it was originally released in 1973. Wait, did you say "Turkish funk? Oh yes, that's right. Hints of Anatolian folk themes mix with in-the-pocket rhythms and spikes. Great great stuff, really. The recording quality isn't the best, but that almost makes it seem even more authentic.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SnjaubPjiNI/AAAAAAAAAdU/Ksjr2bl0PV4/s1600-h/prog.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SnjaubPjiNI/AAAAAAAAAdU/Ksjr2bl0PV4/s400/prog.jpg" alt="" id="BLOGGER_PHOTO_ID_5366279447133784274" border="0" /&gt;&lt;/a&gt;This is an awesome collection put together by the same people who gave us Welsh Rare Beat and Folk Is Not A Four Letter Word! The world of 70s European rock has given us some key funky kernels over the years, but we'll be the first to admit that the long-haired, rock-based, album-only, non-English, import-only genre has been pretty tough to dip into from our side of the Atlantic.  The tracks here are lean, mean, funky, and often have a distinct jazz undercurrent in some part of the instrumentation.&lt;br /&gt;&lt;br /&gt;&lt;hr /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SoHJFGQzcrI/AAAAAAAAAeM/NRxPSeCQvQU/s1600-h/Bombay"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SoHJFGQzcrI/AAAAAAAAAeM/NRxPSeCQvQU/s400/Bombay" alt="" id="BLOGGER_PHOTO_ID_5368793320219964082" border="0" /&gt;&lt;/a&gt;This collection of tracks comes from the bungalow of legendary Indian masala film director Anandji V. Shah. The director, along with his brother Kalyanji, not only wrote and directed dozens, perhaps several hundreds of films (no one knows for sure, not even them), and scored them as well throughout the '60s, '70s, and '80s. These were not just any Bollywood movies - these were masala "mixed spice" films, the Bollywood version of cheap action and blaxploitation movies, B-movies, or James Bond-type thrillers. Producer Dan the Automator had DJ Josh Davis and Nana Simopoulos add some nu-groove beats and a few extra sitars to the already drenched in groove and rhythm tracks. It wasn't so much to update them as to celebrate what was already happening in the music. Here is surf music, blues, go-go, discothèque, psychedelia, cheesy R&amp;amp;B, and exotica all wound together with spoken bits from the films that accent the wildness of these pieces.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SoHTYeWHi4I/AAAAAAAAAeU/pznTSpnGH2c/s1600-h/PsycheIntangibleFront.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SoHTYeWHi4I/AAAAAAAAAeU/pznTSpnGH2c/s400/PsycheIntangibleFront.jpg" alt="" id="BLOGGER_PHOTO_ID_5368804648218495874" border="0" /&gt;&lt;/a&gt;Sixtoo is the main project of a Canadian hip hop DJ, MC and producer Vaughn Robert Squire. He was born on January 29, 1974 in Halifax, Nova Scotia, Canada. He rose to prominence in the mid-90's underground hip-hop scene initially as a member of Sebutones, along with Richard Terfry (Buck 65). During that time he worked with Sage Francis, Stigg of the Dump, Moka Only, Mr. Dibbs and other members of Anticon Records. The Psyche Intangible CD was released in 1998 on Metaforensics.  Quoted by Sixtoo, "The Psyche Intangible was the first record that I really considered to be a Sixtoo record. It’s the first record that has very signature writing in it, and it’s the first record that really starts to show off the production type that I think I’ve grown into. Dark sparse beats, hard drums, and all those things that I tend to gravitate towards."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SomaFeqWfUI/AAAAAAAAAec/Gb6IEgD16vQ/s1600-h/axelro_davi_songsofex_101b.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SomaFeqWfUI/AAAAAAAAAec/Gb6IEgD16vQ/s400/axelro_davi_songsofex_101b.jpg" alt="" id="BLOGGER_PHOTO_ID_5370993449536748866" border="0" /&gt;&lt;/a&gt;One of the greatest albums ever by studio genius David Axelrod! The album's one of Axelrod's first on his own - cut for Capitol Records at a time when he was working with some of the label's biggest selling soul acts - like Cannonball Adderley and Lou Rawls - turning their already-successful sounds into super-hit material by adding some nice funky touches, and excellent baroque production. This album lets Axelrod fully explore his talents for larger studio arrangements, and complex yet soulful instrumentation. The record is subtitled "an anthology of awareness after birth, based on the 18th century poems of William Blake" -- and it features incredible arrangements conducted by Don Randi, played by a host of excellent LA jazz and studio players. The overall sound is spacey and dark, with nice touches of funk, and plenty of cool instrumental passages that have been sampled over the years by hip hoppers and other producers.&lt;br /&gt;&lt;br /&gt;Set 1&lt;br /&gt;&lt;br /&gt;Dungen - Intro&lt;br /&gt;Ultimate Spinach - Mind Flowers&lt;br /&gt;Fifty Foot Hose - Fantasy&lt;br /&gt;Gaslamp Killer - Robots&lt;br /&gt;Entrance - Grim Reaper Blues&lt;br /&gt;Shocking Blue - Love Buzz&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;br /&gt;Timothy McNealy - Sagittarius Black&lt;br /&gt;Shawn Lee's Ping Pong Orchestra - Song For David&lt;br /&gt;Bombay The Hard Way - The Good, The Bad, and the Chutney&lt;br /&gt;Joseph Koo &amp;amp; Wang Fu Ling - The Killing Fight&lt;br /&gt;Baris Manco - Iste Hendek, Iste Deve&lt;br /&gt;Meconium - Limp Love&lt;br /&gt;Bullion - Long Promised&lt;br /&gt;Sixtoo - Marching&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;&lt;br /&gt;Fikret Kizilok - Haberin Var Mi&lt;br /&gt;Baris Manco - Derule&lt;br /&gt;Okay Temiz - Denizalti Ruzgarlan&lt;br /&gt;Mazhar Ve Faut - Turkuz Turku Cagir&lt;br /&gt;Mogallar - Anadolu Pop - Halicte Gu&lt;br /&gt;Mustafa Ozkent Ve Orkestrasi - Dolana Dolana&lt;br /&gt;Cem Karaca - Suya Giden Alli Gelin&lt;br /&gt;Okay Temiz - Penguin&lt;br /&gt;3 Urel - Omur Biter Yol Bimez&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;&lt;br /&gt;Salah Ragab - Dawn Intro&lt;br /&gt;David Axelrod - The Sick Rose&lt;br /&gt;Peter Schirmann- Lagerfeuer&lt;br /&gt;Nobody - Leading&lt;br /&gt;Lorez Alexandria - Baltimore Oriole&lt;br /&gt;RSD - Pretty Bright Light&lt;br /&gt;Cedric I'm Brooks - The Light of Saba&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-1775412537934441798?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep14.mp3' title='Episode Fourteen'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/1775412537934441798/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=1775412537934441798' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/1775412537934441798'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/1775412537934441798'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2009/08/episode-fourteen.html' title='Episode Fourteen'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KnAa993iyD0/SnjafU3GHZI/AAAAAAAAAdM/Usl9sWkC0tY/s72-c/dungen.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-1856301351703400950</id><published>2009-07-01T02:45:00.000-07:00</published><updated>2009-07-01T11:26:13.640-07:00</updated><title type='text'>Episode Thirteen</title><content type='html'>Mayer Hawthorne is at it again with a new single “I wish it would Rain”. The track has a sound along the lines of his debut single “Just Aint Gonna Workout”, Detroit Flavor with a modern-retro twist. Hawthorne has a nice touch, and has developed a bit of a niche that stands apart from today’s pop and contemporary crowd. Another Goodie from Mayer Hawthorne.&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;object height="225" width="400"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=5026246&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1"&gt;&lt;embed src="http://vimeo.com/moogaloop.swf?clip_id=5026246&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=&amp;amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" height="225" width="400"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SkhrSp5ahZI/AAAAAAAAAbI/hwGiEU3vg8U/s1600-h/AntTripCeremony-Front.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SkhrSp5ahZI/AAAAAAAAAbI/hwGiEU3vg8U/s400/AntTripCeremony-Front.jpg" alt="" id="BLOGGER_PHOTO_ID_5352646125358318994" border="0" /&gt;&lt;/a&gt;Ant Trip Ceremony - Outskirts is the first song on their album 24 Hours that was released in 1968. The band was formed in Utah and named after a suggestion from a local English professor who had seen the term in a novel.  The phrase was a description of modern human society. Their album was recorded in two sessions, the first in February 1968 and the second some months later.&lt;br /&gt;Technical faults affected the recording: the KLH deck used for playback had a faulty right speaker and the mixdown was affected as a result with vocals sounding further back in the mix than originally intended. Originally only 300 copies of the album were pressed and sold. Now the reissued version is pressed on Resurrection.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SkhsBlILd3I/AAAAAAAAAbQ/N3S2R3J0AS4/s1600-h/Art+Ensemble+of+Chicago.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SkhsBlILd3I/AAAAAAAAAbQ/N3S2R3J0AS4/s400/Art+Ensemble+of+Chicago.jpg" alt="" id="BLOGGER_PHOTO_ID_5352646931531921266" border="0" /&gt;&lt;/a&gt;With this release, Soul Jazz Records are reissuing a long lost album by The Art Ensemble Of Chicago, one of the most important and radical Jazz groups to come out of the USA. 'Les Stances A Sophie' was recorded in Paris in 1970 and features the regular Art Ensemble members (Lester Bowie, Joseph Jarman, Roscoe Mitchell and Malachi Flavors) alongside the newly recruited drummer Don Moye and Fontella Bass on vocals and piano. Fontella Bass (who was married to Lester Bowie) had a successful career as a soul singer ('Rescue Me' was her biggest hit in the sixties). The addition of these two performers maybe in some way explains the uniqueness of this recording, especially 'Theme De Yoyo' . Vocals (and lyrics) alongside a constant drum and bass beat were new elements to the recorded music of the Art Ensemble at this time.  This recording would appear to contradict the AEC's desire for music to be heard and played simply as Sound with the freedom from accepted forms (ie Blues, Jazz etc) that were used to describe music. Ornette Coleman, John Coltrane, Albert Ayler were the forerunners of Free Jazz (The New Jazz).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SkhsiNC4vTI/AAAAAAAAAbY/xoKqErBNcFU/s1600-h/Flamingo+Honey.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SkhsiNC4vTI/AAAAAAAAAbY/xoKqErBNcFU/s400/Flamingo+Honey.jpg" alt="" id="BLOGGER_PHOTO_ID_5352647492002954546" border="0" /&gt;&lt;/a&gt;Whirlwind Heat was first signed to Jack White's label, Third Man Records. Their sound  is a bit like White's band (garage rock favorites the White Stripes), but with a Moog synthesizer taking the place of guitar. Featuring members David Swanson (vocals/synthesizer), Steve Damstra (bass), and Brad Holland (drums), the trio first got together to play music in 1996. Originating from the Grand Rapids, Michigan, USA area, the band took their name from infamous punk rock illustrator Raymond Pettibon (the phrase "Whirlwind Heats" can be found on Sonic Youth's 1990 alt rock classic Goo), and started out as a conventional guitar/bass/drum rock outfit. Eventually, the guitar was replaced by a Moog as the trio befriended indie rockers Arab On Radar, with whom they toured. In 2004 Flamingo Honey was released on Dim Mak/XL Recordings and Ice Nine is track eight on that album.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/Skht6hRrG3I/AAAAAAAAAbg/Be_7U0-Z3wo/s1600-h/brain.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/Skht6hRrG3I/AAAAAAAAAbg/Be_7U0-Z3wo/s400/brain.jpg" alt="" id="BLOGGER_PHOTO_ID_5352649009262173042" border="0" /&gt;&lt;/a&gt;The Brain Police were an early psychedelic garage band who, in the late sixties, opened for many national acts, including the Who, the Byrds, Cream, Jefferson Airplane, Strawberry Alarm Clock, Steppenwolf, and Buffalo Springfield. After recording the unreleased album and failing to land a major-label contract, the frustrated band broke up at a local gig in which they opened for Steppenwolf. This unreleased LP was reissued on CD by Normal/Shadoks, as were songs cut for a 1969 single and poppier 1964-1966 cuts from singles by the Man-Dells and the Other Four (bands that Brain Police songwriters Norman Lombardo and Rick Randle played in prior to 1967).&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/Skhvx4tSO0I/AAAAAAAAAbo/qPDv0G2LTeI/s1600-h/Theme.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 204px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/Skhvx4tSO0I/AAAAAAAAAbo/qPDv0G2LTeI/s400/Theme.jpg" alt="" id="BLOGGER_PHOTO_ID_5352651059956431682" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;1984 hails originally from Philadelphia, PA. Unfortunately, this record has never seen well distribution.  Even in collectors circles this 45 is quite unknown. "There's a wrinkle in our time" side A is a fantastic funk tune with a groove that never stops!  You must shake your hips while listening to it! No chance to keep still! It's amazing! The B-side, which has never seen the light of the day until this Tramp reissue, is an uptempo funk instrumental with a drum / percussion breakdown half through the song! Solid!&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Set 1&lt;br /&gt;&lt;/p&gt;&lt;p&gt;J Dilla Beat Tapes vol. 1 - You're the One For Me Bobby&lt;br /&gt;Mayer Hawthorne - I Wish it Would Rain&lt;br /&gt;Art - Love is Real&lt;br /&gt;Ant Trip Ceremony - Outskirts&lt;br /&gt;Girolamo Ugolini - Ritmo D'Industria&lt;br /&gt;Gagle - Kuro Fessional MC (instrumental)&lt;br /&gt;Glue - Catch As...(Instrumental)&lt;br /&gt;Art Ensemble of Chicago - Theme de Yoyo&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;&lt;br /&gt;Rogers Sisters - Stop what you're doing in case of emergency&lt;br /&gt;Whirlwind Heat - Ice Nine&lt;br /&gt;Brain Police - I'd rather see you dead&lt;br /&gt;The Broken Keys - Burnt Popcorn&lt;br /&gt;Quantic Soul Orchestra - End of the road (feat. Alice Russell)&lt;br /&gt;The Sweet Vandals - Wake Up!&lt;br /&gt;1984 - Theme&lt;br /&gt;Banda Los Hijos De La Nina Luz - El Sapo/Crees Que Soy Sexy&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;hr /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SkcQ9s5pwzI/AAAAAAAAAaA/v6JdCIzGcrQ/s1600-h/hypnoticbrassensemblelp.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 194px; height: 194px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SkcQ9s5pwzI/AAAAAAAAAaA/v6JdCIzGcrQ/s400/hypnoticbrassensemblelp.jpg" alt="" id="BLOGGER_PHOTO_ID_5352265334364160818" border="0" /&gt;&lt;/a&gt;The amazing full length debut of Hypnotic Brass Ensemble is a cool combo from the Chicago scene who have been making some big waves around the world over the past few years! The approach to their music mixes spiritual jazz, deep funk, and elements of New Orleans music too - a really unique style that has earned the group's rare singles some tremendous praise.  The set features guest appearances from Malcolm Catto, Tony Allen, Flea, and Damon Albarn -but the real strength of the record lies in the group's amazing horns and rhythms.  More importantly I found the Marcus Garvey song this special Record Store Day LP.  This LP Crashes Hard Drives is the! It’s a joint effort by some of the best retro-soul and reissue labels on this &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/Skgttw7e1zI/AAAAAAAAAbA/x_GwLwvEJOU/s1600-h/crashes-hard-drives.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 199px; height: 199px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/Skgttw7e1zI/AAAAAAAAAbA/x_GwLwvEJOU/s400/crashes-hard-drives.jpg" alt="" id="BLOGGER_PHOTO_ID_5352578421381584690" border="0" /&gt;&lt;/a&gt;great spinning globe, including Numero Group, Daptone, Jazzman, Finders Keepers, Now Again, Light in the Attic and Vampi Soul, with songs ranging from middle-eastern psych to gospel on the other. if you're a follower of any of the labels involved, or you just live the thrill of discovering new (and sometimes old) music, you must go out and find it. This is the kind of record that reminds music lovers why we should keep searching and buying, and most importantly, keep listening - there's always something waiting to be found.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SkcoZAU6rcI/AAAAAAAAAa4/r36HYGP53fM/s1600-h/votel.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SkcoZAU6rcI/AAAAAAAAAa4/r36HYGP53fM/s400/votel.jpg" alt="" id="BLOGGER_PHOTO_ID_5352291092202696130" border="0" /&gt;&lt;/a&gt;For anyone who stumbled across the 'Cherrystone' series and can't get enough Finders Keepers this is for you. it does get weird but trust, you won't be locked into a 15 minute prog, kraut epic. Give it a go and get a life change. This is Mr. Votel's first compilation for fat city recordings. On the album he features some of his favorite tracks which takes in productions from France, U.S , U.K, Germany, Turkey and Hungary and includes countless rare breaks &amp;amp; beats."Find it , buy it, play it !" It's fun.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SkcRSxREDAI/AAAAAAAAAaI/53Inm8xESig/s1600-h/pehewitt.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 199px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SkcRSxREDAI/AAAAAAAAAaI/53Inm8xESig/s400/pehewitt.jpg" alt="" id="BLOGGER_PHOTO_ID_5352265696313347074" border="0" /&gt;&lt;/a&gt;P.E. Hewitt’s Winter Winds is one of the rarest damn-good 70s jazz albums you could ever hope to come across. There are many rare jazz albums in every imaginable subgenre – funk, free, fusion... But Hewitt, a composer, arranger, vibraphonist, pianist and pilot, helmed a crack group of musicians and recorded a damn-good album ... Without ever taking the time out to name his record company. His three albums – pressed in a maximum run of one hundred pieces per album – recently surfaced after Bay Area collector Chris Veltri re-discovered an old find and sent music detectives on the hunt. You see, Hewitt’s “Winter Winds” album so damn-good that neither a micro press nor forty years of silence could suppress its reemergence.  Winter Winds, his third album, is the most “accessible” of the three Hewitt records. This is not to say that his previous albums are obscure, just to say that this album appeals to those who might want to dance while having their consciousness expanded. “Bada Que Bash” will appear on Now-Again’s forthcoming partnership-release with Jazzman Records – the expanded version of the label’s Spiritual Jazz anthology.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SkcRuwOf4EI/AAAAAAAAAaQ/Fye66hS4o9U/s1600-h/benjorge.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 203px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SkcRuwOf4EI/AAAAAAAAAaQ/Fye66hS4o9U/s400/benjorge.jpg" alt="" id="BLOGGER_PHOTO_ID_5352266177070489666" border="0" /&gt;&lt;/a&gt;Maravilha!﻿  Domingas is a samba soul classic from Jorge Ben on quite possibly his greatest album ever, and a true treasure through and through! The tunes explode with an amazing sense of energy driven by Jorge’s great guitar and vocals, plus key percussive efforts that sound simply amazing, and create a unique undercurrent of funk. This is the album that set a whole generation on fire, and it’s probably still one of the most-copied moments of Ben’s long career. In contrast to the cerebral output of the Tropicalia camp in 1969, this album’s much more organic and personal yet no less revolutionary!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SkcUU-EZpdI/AAAAAAAAAag/GkK6eX9BRLg/s1600-h/verocai.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 197px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SkcUU-EZpdI/AAAAAAAAAag/GkK6eX9BRLg/s400/verocai.jpg" alt="" id="BLOGGER_PHOTO_ID_5352269032644519378" border="0" /&gt;&lt;/a&gt;Verocai's 1972 album on Continental is a straight up Brazilian holy grail LP and personally, if you listen to how intricate his arrangements are, how brilliant his fusions of Brazilian and American styles come together here, you can understand why people jones for this album so badly.&lt;br /&gt;I was lucky enough to see the album come to life when Verocai preformed in Los Angles early this year. The original album is phenomenal and was perfectly suited for the grandiose performance with a string section, horn section, percussionists, two keyboard players, two guitarists and alternating stand-up and electric bass . . . and most importantly the ensemble pulled it off perfectly. The performance sounded great. Secondly, it was staggering to think that this was the first time that these songs had ever been performed live and the second time they have been performed at all (the first time being in the studio and most likely that wasn't all 36 pieces playing live at the same time). Lastly, it was a great concept to take this relatively obscure document from 1972 performed in 2009 and restoring it to its deserved place in history. Bottom line is that this recording may be extremely obscure and therefore considered obscure, but the music is so good it deserves to be heard and in its original form, or better than that its original form performed LIVE!&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SkcbeEafm4I/AAAAAAAAAao/ZlVRYu87oXw/s1600-h/maki.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 202px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SkcbeEafm4I/AAAAAAAAAao/ZlVRYu87oXw/s400/maki.jpg" alt="" id="BLOGGER_PHOTO_ID_5352276885548014466" border="0" /&gt;&lt;/a&gt;Blues Creation formed in 1969 by vocalist and guitarist Kazuo Takeda and they debuted with an album containing covers of American blues, songs written by E. Clapton, J. Mayall among others. Carmen Maki and the Blues Creation is a rare as hell 1970 heavy rock guitar monster from Japan with the beautiful Carmen Maki. "Demon and Eleven Children" is not the only heavy album from these guys! This is every bit just as essential. It has some brutal non-stop wailing guitar! It also has some sweet mellow bluesy psychedelic rock numbers too. I am convinced that if the Blues Creation were in some other place of origin, such as England or the U.S., surely the album (DEMON &amp;amp; ELEVEN CHILDREN) would appear in any of those categories of "Best Hard Rock Albums... "&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;br /&gt;Carmen Maki &amp;amp; Blues Creation - I Can't Live For Today&lt;br /&gt;Demon Fuzz - Another Country&lt;br /&gt;The Rapture - Confrontation&lt;br /&gt;Faust - Party 2&lt;br /&gt;Orient Express - Azaar&lt;br /&gt;Bokaj Retsiem - I’m So Afraid&lt;br /&gt;Unfolding - I Got a Zebra&lt;br /&gt;Franz Auffray - Son Of Popcorn&lt;br /&gt;Christine 23 Onna - Wild private&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;&lt;br /&gt;Hypnotic Brass Ensemble - Marcus Garvey&lt;br /&gt;Jack Hendrix' Tchick-Bams - Turnround&lt;br /&gt;P.E. Hewitt Jazz Ensemble - Bada Que Bash&lt;br /&gt;Orlann Divo - Beleza Nao Vai Embora&lt;br /&gt;Jorge Ben - Domingas&lt;br /&gt;Arthur Verocai - Na Boca do Sol&lt;br /&gt;Jose Mauro - Apocalipse&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-1856301351703400950?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep13.mp3' title='Episode Thirteen'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/1856301351703400950/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=1856301351703400950' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/1856301351703400950'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/1856301351703400950'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2009/07/episode-thirteen.html' title='Episode Thirteen'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_KnAa993iyD0/SkhrSp5ahZI/AAAAAAAAAbI/hwGiEU3vg8U/s72-c/AntTripCeremony-Front.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-1684381313276540385</id><published>2009-06-01T20:06:00.000-07:00</published><updated>2009-06-01T23:18:47.916-07:00</updated><title type='text'>Episode Twelve</title><content type='html'>&lt;span style="font-size:100%;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SiOZU0LF86I/AAAAAAAAAYQ/c1FX5V4WaB8/s1600-h/bday3.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 392px; height: 400px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SiOZU0LF86I/AAAAAAAAAYQ/c1FX5V4WaB8/s400/bday3.jpg" alt="" id="BLOGGER_PHOTO_ID_5342282165873144738" border="0" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;hr /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SiOk-rcRroI/AAAAAAAAAZY/9hdNE3FVeoc/s1600-h/clutchy.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SiOk-rcRroI/AAAAAAAAAZY/9hdNE3FVeoc/s400/clutchy.jpg" alt="" id="BLOGGER_PHOTO_ID_5342294979711708802" border="0" /&gt;&lt;/a&gt;I don't know who &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_0"&gt;Clutchy&lt;/span&gt; is.  I’m sure I’m not alone.  Some theories on who this man might be range from Cut Chemist to&lt;/span&gt;&lt;span style="font-size:100%;"&gt; Danger Mouse.  No doubt that his music is simply timeless and his new album titled Music is My Medicine is proof of that.  The album is filled with dusty jazz-influenced beats, with some Jamaican dub mixed in.  What’s also interest me is the story surrounding the release of this album.  To find out more about the misled children, &lt;strong style="font-weight: normal;"&gt;&lt;/strong&gt;&lt;/span&gt;Joshua Tree, &lt;span style="font-size:100%;"&gt;&lt;strong style="font-weight: normal;"&gt;Lord &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_1"&gt;Kenjamin&lt;/span&gt;, and poisonous &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_2"&gt;Lionfish&lt;/span&gt; read the press story on &lt;/strong&gt;&lt;a href="https://www.ubiquityrecords.com/shop/products/CLUTCHY-HOPKINS-MEETS-LORD-KENJAMIN-%252d-MUSIC-IS-MY-MEDICINE.html"&gt;Ubiquity Records.&lt;/a&gt;&lt;strong style="font-weight: normal;"&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SiOkXwjqBCI/AAAAAAAAAZQ/LMg6fmFP8QA/s1600-h/lukid.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SiOkXwjqBCI/AAAAAAAAAZQ/LMg6fmFP8QA/s400/lukid.jpg" alt="" id="BLOGGER_PHOTO_ID_5342294311069942818" border="0" /&gt;&lt;/a&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_3"&gt;Onandon&lt;/span&gt; is an astonishing debut album that will slay you if you're a lover of the blunted beat constructions. This album proves just how creative the years between 12 and 20 can be when given the right channel to bloom. &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_4"&gt;Onandon&lt;/span&gt; is filled with h&lt;/span&gt;&lt;span style="font-size:100%;"&gt;ip-hop electronics that uses sick loops, &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_5"&gt;lazer&lt;/span&gt;-tag beats and d&lt;/span&gt;&lt;span style="font-size:100%;"&gt;ope rhythms. It’s an album that is mature, complex and (most importantly) a damn good listen.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SiOj7BLgMkI/AAAAAAAAAY4/w-kx2A-p8jM/s1600-h/blank+blue.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SiOj7BLgMkI/AAAAAAAAAY4/w-kx2A-p8jM/s400/blank+blue.jpg" alt="" id="BLOGGER_PHOTO_ID_5342293817315832386" border="0" /&gt;&lt;/a&gt;DJ Nobody pr&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_6"&gt;esents&lt;/span&gt; Blank Blue with their album &lt;/span&gt;&lt;span style="font-size:100%;"&gt;titled Western Water Music Vol. II&lt;br /&gt;is a concept album that either deals with an Armageddon-type earthquake that sank the state of California or upon a series of nightmares that haunted Estela's (&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_7"&gt;Nobody's&lt;/span&gt;) sleep.  The music is innovative an&lt;/span&gt;&lt;span style="font-size:100%;"&gt;d atmospheric.  These soulful beat productions are embellished with pop, psychedelic instrumentation, vintage samples, and above all, great drums.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SiOj7UF4biI/AAAAAAAAAZI/dVpb8v4AG8Y/s1600-h/04.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SiOj7UF4biI/AAAAAAAAAZI/dVpb8v4AG8Y/s400/04.jpg" alt="" id="BLOGGER_PHOTO_ID_5342293822392528418" border="0" /&gt;&lt;/a&gt; If you like dark, ambient, &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_8"&gt;prog&lt;/span&gt;-fusion&lt;/span&gt;&lt;span style="font-size:100%;"&gt; beats you will be happy to know that Everything She Touched Turned &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_9"&gt;Ampexian&lt;/span&gt;, is a nice example of that, but a rather trick&lt;/span&gt;&lt;span style="font-size:100%;"&gt;y one. At first, it feels like a &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_10"&gt;Prefusemixtape&lt;/span&gt;. That said, the songs do all blend together rather seamlessly. While the first third is a more fuzzy, mellow affair, the second third sees &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_11"&gt;Prefuse&lt;/span&gt; starting to stretch the beats into something more noteworthy.  The last third is where&lt;/span&gt;&lt;span style="font-size:100%;"&gt; things start to space out a bit, with &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_12"&gt;Prefuse&lt;/span&gt; mixing vocal looping with a more computer, minimalist driven element.  Anyone who likes dark, &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_13"&gt;downtempo&lt;/span&gt;-&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_14"&gt;ish&lt;/span&gt; &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_15"&gt;electronica&lt;/span&gt; should check it out.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SiOj7Zq1HmI/AAAAAAAAAZA/7UaiR8P6s3c/s1600-h/mulatu+and+the+heliocentrics.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SiOj7Zq1HmI/AAAAAAAAAZA/7UaiR8P6s3c/s400/mulatu+and+the+heliocentrics.jpg" alt="" id="BLOGGER_PHOTO_ID_5342293823889677922" border="0" /&gt;&lt;/a&gt; interjections make this a consistently engaging reconstruction of the 1970s Ethiopian grooves.  The Spiky guitar riffs, restrained bursts of brass, and &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_16"&gt;glitchyHeliocentrics&lt;/span&gt; are a somewhat musicians collective, and composer &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_17"&gt;Astatke&lt;/span&gt; is one of the genre's original stars, so it's an unlikely pairing. On Inspiration Information 3, &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_18"&gt;Mulatu&lt;/span&gt; &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_19"&gt;Astatke&lt;/span&gt; and The H&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_20"&gt;eliocentrics&lt;/span&gt; go back and forth from songs most strongly defined by &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_21"&gt;Astatke's&lt;/span&gt; unique &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_22"&gt;Ethio&lt;/span&gt;-jazz style to more modern funk breaks that sound more like r&lt;/span&gt;&lt;span style="font-size:100%;"&gt;emixes. But the result is as vital a tribute to &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_23"&gt;Astatke&lt;/span&gt;’s haunting sound.  The &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_24"&gt;Heliocentrics&lt;/span&gt; provide a &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_25"&gt;badass&lt;/span&gt; &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_26"&gt;comple&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_27"&gt;ment&lt;/span&gt; to &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_28"&gt;Astatke's&lt;/span&gt; more hypnotic sounds.  &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_29"&gt;Astatke&lt;/span&gt; and The &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_30"&gt;Heliocentrics&lt;/span&gt; already sounded great individually, but together they create something new and wonderful, a fine addition to both artists' catalogs.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;Set 1&lt;br /&gt;&lt;br /&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_31"&gt;Clutchy&lt;/span&gt; Hopkins - Tune Traveler&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_32"&gt;Lukid&lt;/span&gt; - The Now&lt;br /&gt;Hudson &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_33"&gt;Mohawke&lt;/span&gt; - &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_34"&gt;Polkadot&lt;/span&gt; Blues&lt;br /&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_35"&gt;JDilla&lt;/span&gt; Beat Tapes - Track12&lt;br /&gt;Flying Lotus - &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_36"&gt;GNG&lt;/span&gt; &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_37"&gt;BNG&lt;/span&gt;&lt;br /&gt;Nobody and Blank Blue - All the Shallow&lt;br /&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_38"&gt;Prefuse&lt;/span&gt; 73 - &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_39"&gt;Regato&lt;/span&gt;&lt;br /&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_40"&gt;Mulatu&lt;/span&gt; and the Heliocentric - &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_41"&gt;Addis&lt;/span&gt; Black Widow&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;&lt;br /&gt;Augustus Pablo - Lovers Mood&lt;br /&gt;Horace Andy - Problems&lt;br /&gt;Cornell Campbell - My Conversation&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;King Tubby - King Tubby’s Conversation&lt;br /&gt;Prince Francis - Rock Fort Shock&lt;br /&gt;Jackie &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_42"&gt;Mittoo&lt;/span&gt;- Hang em High&lt;br /&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_43"&gt;Skatalities&lt;/span&gt; - Herb Man Dub&lt;br /&gt;Lee Arab - Now&lt;br /&gt;Dave Barker - Funky Funky Reggae&lt;br /&gt;Pyramids - Geronimo&lt;br /&gt;Cedric &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_44"&gt;Im&lt;/span&gt; Brooks - The Light of Saba - &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_45"&gt;Sabayindah&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;hr /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SiSzYxeko1I/AAAAAAAAAZg/Mgd_yCOCcNk/s1600-h/SSound.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SiSzYxeko1I/AAAAAAAAAZg/Mgd_yCOCcNk/s400/SSound.jpg" alt="" id="BLOGGER_PHOTO_ID_5342592296148050770" border="0" /&gt;&lt;/a&gt;&lt;span class="style3"&gt;The duo’s first album, due to release in 2009, offers an intriguing variety of sounds, including what the duo describe as ’50s and ’60s-inspired space music, mood music for film and TV, haunting vocal tracks inspired by the windswept beauty of their home town, and switched-on cover versions of ’70s fun&lt;/span&gt;&lt;span class="style3"&gt;k classics realised on the Moog synthesiser.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SiS2Z7oEO6I/AAAAAAAAAZo/qyFwHJUVf1Q/s1600-h/flasher.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 206px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SiS2Z7oEO6I/AAAAAAAAAZo/qyFwHJUVf1Q/s400/flasher.jpg" alt="" id="BLOGGER_PHOTO_ID_5342595614586977186" border="0" /&gt;&lt;/a&gt;There is not a lot of information about the band or the film from which this soundtrack was taken. A special pressing soundtrack to the Barry R. Kerr film of the same name, The Flasher soundtrack was performed by Pool-pah with assistance from the group Ralph and their &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_46"&gt;ARP&lt;/span&gt; synthesiser. The music is a strange brew of solo &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_47"&gt;ARP&lt;/span&gt; &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_48"&gt;synth&lt;/span&gt;, 1960s style beat / psychedelic vocal numbers and a killer &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_49"&gt;slowburn&lt;/span&gt; funk instrumental, Sour Soul, favourite of such esteemed &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_50"&gt;DJs&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;                           &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SiTB88m-JII/AAAAAAAAAZw/9nXDb_NCKcg/s1600-h/2x7FRONTBACK.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 400px; height: 198px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SiTB88m-JII/AAAAAAAAAZw/9nXDb_NCKcg/s400/2x7FRONTBACK.jpg" alt="" id="BLOGGER_PHOTO_ID_5342608310774146178" border="0" /&gt;&lt;/a&gt;&lt;strong style="font-weight: normal;"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_51"&gt;Dwilt&lt;/span&gt; &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_52"&gt;Sharpp&lt;/span&gt;&lt;/strong&gt; double 7'' &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_53"&gt;Ep&lt;/span&gt; is a hypnotic and sensual genius which evolves within dreams and reality. Gathering influences from electronic music, prog rock, and deep soul.  &lt;span style="font-size:100%;"&gt;Providence is a re-edit from Baris Manco &lt;/span&gt;- Gonul Dagi taken off is 1976 album Ben Bilirim.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SiOd0-HTbaI/AAAAAAAAAYY/PZTv5uMbWr8/s1600-h/CS346110-01B-BIG.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SiOd0-HTbaI/AAAAAAAAAYY/PZTv5uMbWr8/s400/CS346110-01B-BIG.jpg" alt="" id="BLOGGER_PHOTO_ID_5342287116343930274" border="0" /&gt;&lt;/a&gt;Riffing guitar and funky drums get this one going from the start, a cooking little number topped with raspy female vocals a really bad-sister funk number that should get &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_55"&gt;Dojo&lt;/span&gt; Cuts plenty of notice! The vocals really help the track loosen up a bit relaxing into a groove that's a nice change from some of the too-tight funk bits out there and the &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_56"&gt;flipside&lt;/span&gt; features a very similar vibe, which is perfect for its cool cover of the older classic "See &amp;amp; Don't See".&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SiOezXIoWNI/AAAAAAAAAYo/DUBK5amr8oA/s1600-h/CS322128-01A-BIG.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 199px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SiOezXIoWNI/AAAAAAAAAYo/DUBK5amr8oA/s400/CS322128-01A-BIG.jpg" alt="" id="BLOGGER_PHOTO_ID_5342288188212271314" border="0" /&gt;&lt;/a&gt;Jazz Chronicles is a project by &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_57"&gt;Futuristica&lt;/span&gt; Music Simon which is heavily influenced by his love of classic era of hip-hop and spiritual jazz. This first release is a limited 7'' series. Don't sleep on it !!!!!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;br /&gt;Broadcast - Locust&lt;br /&gt;The &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_58"&gt;Simonsound&lt;/span&gt; - Bad Love&lt;br /&gt;Pool Pah - Sour Soul&lt;br /&gt;Men's Recovery Project - How long have you lived in this house&lt;br /&gt;Men's Recovery Project - Bleeding Gash&lt;br /&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_59"&gt;Dwilt&lt;/span&gt; &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_60"&gt;Sharpp&lt;/span&gt; - Providence&lt;br /&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_61"&gt;Autolux&lt;/span&gt; - Here Comes Everybody&lt;br /&gt;Unwound - October All Over&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;&lt;br /&gt;Round Trip Ticket - Captain Purple Rides Again&lt;br /&gt;Marvin Gaye - Betsy Collins Re-Edit&lt;br /&gt;Betty Barney - Momma Momma&lt;br /&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_62"&gt;Dojo&lt;/span&gt; Cuts - See and Don't See&lt;br /&gt;Jazz Chronicles - One of Joe&lt;br /&gt;Chico &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_63"&gt;Buarque&lt;/span&gt; - &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_64"&gt;Cotidiano&lt;/span&gt;&lt;br /&gt;Ana &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_65"&gt;Mazzotti&lt;/span&gt; - Feel Like Making Love&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-1684381313276540385?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep12.mp3' title='Episode Twelve'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/1684381313276540385/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=1684381313276540385' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/1684381313276540385'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/1684381313276540385'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2009/06/i-dont-know-who-clutchy-is.html' title='Episode Twelve'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KnAa993iyD0/SiOZU0LF86I/AAAAAAAAAYQ/c1FX5V4WaB8/s72-c/bday3.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-55914620077572822</id><published>2009-04-30T17:25:00.000-07:00</published><updated>2009-05-05T21:02:45.746-07:00</updated><title type='text'>Episode Eleven</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SfpLI6S4wYI/AAAAAAAAAVw/_OElRcJ6M1w/s1600-h/donuts.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SfpLI6S4wYI/AAAAAAAAAVw/_OElRcJ6M1w/s400/donuts.jpg" alt="" id="BLOGGER_PHOTO_ID_5330655725405913474" border="0" /&gt;&lt;/a&gt;So set 2 is my tribute to instrumental hip hop.  That head bobbin rhythm.  i wanna start things  off with Dilla.  Ahhh Jay Dilla. Not much to say that hasn’t been said when it comes to his abilities in beat crafting and moving hip hop towards the future.  Donuts is an impressive creative thirty-one track instrumental album.  "Workinonit," the first proper track, showcases Dilla's ability to seamlessly blend together styles, this time psychedelia, rock n roll and hip hop, to head boppin effect.  The tracks are blended together with numerous jazz and soul samples, and makes all the tracks 1-2 minutes long each.  Quite a ride musically all over the map.  Dig it.  RIP Dilla.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SfpKchfL7-I/AAAAAAAAAVg/e2MDn0uAncI/s1600-h/petsounds.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 204px; height: 153px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SfpKchfL7-I/AAAAAAAAAVg/e2MDn0uAncI/s400/petsounds.jpg" alt="" id="BLOGGER_PHOTO_ID_5330654962832371682" border="0" /&gt;&lt;/a&gt;What makes this one special is probably the fact that it’s also a great tribute project, since it’s not only Beach Boys and Dilla mixed together but also Bullion’s style as a producer who’s apt at following Dilla’s steps, clearly shows.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SfpKc2yWTEI/AAAAAAAAAVo/jet0m-r6MGM/s1600-h/oh+no.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 202px; height: 199px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SfpKc2yWTEI/AAAAAAAAAVo/jet0m-r6MGM/s400/oh+no.jpg" alt="" id="BLOGGER_PHOTO_ID_5330654968549887042" border="0" /&gt;&lt;/a&gt;Oh No displays a creative intuition in looping the source material and choosing good parts to sample. People who are familiar with Ersen or Selda will recognize he researched raw and rare psych from Turkey, Lebanon, Greece and Italy to formulate his antidote to wack samples and played-out loops.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SfpLymQ40WI/AAAAAAAAAV4/F-CsNoaBxGo/s1600-h/onra.jpeg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SfpLymQ40WI/AAAAAAAAAV4/F-CsNoaBxGo/s400/onra.jpeg" alt="" id="BLOGGER_PHOTO_ID_5330656441583325538" border="0" /&gt;&lt;/a&gt;After visiting his grandparent's homeland in Saigon Onra returned with a crateful of old Chinese and Vietnamese vinyl. He cut and mixed them up with beats that make this the&lt;br /&gt;perfect soundtrack to any Hip-Hop head going or dreaming of going to South East Asia. It reflects all the different sides of those countries: Raw, sad, culturally rich, amusing, kitsch and romantic.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SfpKceWevnI/AAAAAAAAAVQ/hgR5sbfSdbM/s1600-h/vol1.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SfpKceWevnI/AAAAAAAAAVQ/hgR5sbfSdbM/s400/vol1.jpg" alt="" id="BLOGGER_PHOTO_ID_5330654961990549106" border="0" /&gt;&lt;/a&gt;Madlib dropped a truly amazing double album of his tripped out beats. The smoke is in the air, the samples are wild, and the bass is bumpin.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SfpKcjEIwZI/AAAAAAAAAVY/XAabGddlH5g/s1600-h/joepass.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 220px; height: 142px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SfpKcjEIwZI/AAAAAAAAAVY/XAabGddlH5g/s400/joepass.jpg" alt="" id="BLOGGER_PHOTO_ID_5330654963255787922" border="0" /&gt;&lt;/a&gt;Somewhere along the line I decided to end with Joe Pass Guitar Interludes.   This track is a little more dramatic and orchestral of course but the guitar and bass lines are dope, and it really sweeps you away.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SfpPiUZNYNI/AAAAAAAAAWA/B5JHabkxYv8/s1600-h/pylon.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 209px; height: 209px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SfpPiUZNYNI/AAAAAAAAAWA/B5JHabkxYv8/s400/pylon.jpg" alt="" id="BLOGGER_PHOTO_ID_5330660559954993362" border="0" /&gt;&lt;/a&gt;Set 4 is a collection of some of my favorite post punk songs the introverted, complex and experimental.  Pylon is definitely one of those great bands of the new wave genre who were sadly overlooked by many listeners. If you're looking for really good, straight-ahead new wave, Pylon is made for you. The sound is rythym section heavy, with the bass mixed high, almost like a more melodic Gang of Four. The riffs are repetitive and always dance-able.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SfpQrSC04WI/AAAAAAAAAWI/c_-fUMAJReA/s1600-h/loralogic.gif"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 115px; height: 203px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SfpQrSC04WI/AAAAAAAAAWI/c_-fUMAJReA/s400/loralogic.gif" alt="" id="BLOGGER_PHOTO_ID_5330661813454692706" border="0" /&gt;&lt;/a&gt;Lora Logic squalled her way into punk as the saxophonist on the feminist anthem, "Oh Bondage! Up Yours!" Who knows what other damage she could have done with Poly Styrene and X Ray Spex, but disagreements between the two led Lora to leave the band and form Essential Logic in 1978 and thank goodness for that.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SfpVY3kcQ4I/AAAAAAAAAWY/DJZqyxe0PX4/s1600-h/ratio.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 218px; height: 218px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SfpVY3kcQ4I/AAAAAAAAAWY/DJZqyxe0PX4/s400/ratio.jpg" alt="" id="BLOGGER_PHOTO_ID_5330666994668422018" border="0" /&gt;&lt;/a&gt;Such an underrated album.  Juggling spacious guitars sounds, dark, abstract, yet dancey. It's from the post punk hey day, and nothing will ever sound like any of these bands again. An amazing, short lived era, unfortunately&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;Workin On It - JDilla&lt;br /&gt;Borrowed Time - Madvillian&lt;br /&gt;Wouldn’t It Be Nice - Buillon&lt;br /&gt;Onra - One Day&lt;br /&gt;Oh No - Higher&lt;br /&gt;Madlib the Beat Konducta - Third Ear&lt;br /&gt;J Zone - Calamine Lotion&lt;br /&gt;Flying Lotus - Bad Actors&lt;br /&gt;Omega One - Interlude Two&lt;br /&gt;Glue - Vessel&lt;br /&gt;Joe Pass - Guitar Interlude&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;Pylon - Feast On My Heart&lt;br /&gt;PIL - Memories&lt;br /&gt;Lora Logic - Brute Fury&lt;br /&gt;Delta 5 - Try&lt;br /&gt;Gang Of Four - Damaged Goods&lt;br /&gt;A Certain Ratio - Do The Du&lt;br /&gt;Palais Schaumburg - Telephon&lt;br /&gt;Joy Division - Digital&lt;br /&gt;&lt;br /&gt;&lt;hr /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SgD8mznF0eI/AAAAAAAAAWg/xRymQKkBTNE/s1600-h/barbara.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 186px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SgD8mznF0eI/AAAAAAAAAWg/xRymQKkBTNE/s400/barbara.jpg" alt="" id="BLOGGER_PHOTO_ID_5332539702426063330" border="0" /&gt;&lt;/a&gt;My whole intention with this first mix was to do a northern soul mix but it turned out incorporating a little bit of funk and then little bit of whatever I felt fell in good together which made it what it is.  Starting off with Barbara Lynn’s I’m a good woman you can‘t really go wrong and how could you not get your groove on to this song.&lt;br /&gt;Ouch! I been hurt, but I refuse to cry! Speaking of screaming vocals, another James Brown related vocalist, Ms. Yvonne Fair, practically shreds her vocal chords on this guaranteed floor-filler "Say Yeah Yeah"... painfully funky up tempo mid-60's soul, with superb backing track: groovin' organ, crisp drums, punchy horns, and male r&amp;amp;b style chorus.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SgD8nKTcpLI/AAAAAAAAAWw/RaW12XnPBbk/s1600-h/pachucosoul.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 202px; height: 202px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SgD8nKTcpLI/AAAAAAAAAWw/RaW12XnPBbk/s400/pachucosoul.jpg" alt="" id="BLOGGER_PHOTO_ID_5332539708517688498" border="0" /&gt;&lt;/a&gt;Next is The Atlantics with their soul smoker called “Beaver Shot” (complete with porn-snapping camera noises that likely went right over the head of 99% of the listening audience). The rest of the compilation ranges from pretty neat to mediocre. Don’t give up the ghost too early because the real good ones are scattered all over the 30 tracks here.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SgEHKe38YwI/AAAAAAAAAXQ/87eTltcM3i4/s1600-h/carolina.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SgEHKe38YwI/AAAAAAAAAXQ/87eTltcM3i4/s400/carolina.jpg" alt="" id="BLOGGER_PHOTO_ID_5332551310451172098" border="0" /&gt;&lt;/a&gt;This is Carolina Funk!  Jazzman records continues its quest to uncover the best and rarest Funk ever  with the success of ‘Florida Funk’, they moved up the Atlantic coast to look at the vibrant and original scene in the two rural states of North and South Carolina – collectively known as the Carolinas.&lt;br /&gt;Bordering the Bible belt, the Carolinas share the reputation of neighboring Tennessee – and without any large urban centers, much of the musical output of the Carolinas has been limited to single towns, with bands and their records seldom venturing further than the state line.  From inspired percussive instrumentals to heartfelt slabs of soul; from rediscovered tapes in the garages of retired musicians.  Carolina Funk presents 22 of the best, rarest and most sought-after heavy funk songs ever recorded, with breakbeats to spare.&lt;br /&gt;Legendarily rare slab of insane heavy funk from South Carolina!  Hailing frin the miniscule town of Harleyville South Carolina, The Soul Drifters cut this super heavy self-penned stormer in 1974.  Known from a small handful of original copies, ‘Funky Soul Brother’ has been in big demand for many years.  Highly recommended!&lt;br /&gt;Worrrrd&lt;br /&gt;&lt;br /&gt;Set 1&lt;br /&gt;Barbara Lynn - I'm a Good Women&lt;br /&gt;Yvonne Fair - Say Yea Yea&lt;br /&gt;Bronx River Pkwy - Lima Blues&lt;br /&gt;The Atlantics - Beaver Shot&lt;br /&gt;Sheila Wilkerson - Baby your a Jive Cat&lt;br /&gt;Frankie Valli - Beggin' (Edit)&lt;br /&gt;The Soul Drifters - Funky Soul Brother&lt;br /&gt;&lt;br /&gt;Set3&lt;br /&gt;John Cameron - Underlying Expectancy&lt;br /&gt;Aggregation - Change&lt;br /&gt;Edwin Starr - Twenty-Five Miles&lt;br /&gt;Tickled Pink - Reach Out&lt;br /&gt;Little Denise - Check Me Out&lt;br /&gt;Frankie 'Loveman' Crocker - Ton of Dynamite&lt;br /&gt;The Young Disciples Co. - Crumbs From the Table&lt;br /&gt;L. Daniels - Nitecap&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-55914620077572822?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep11.mp3' title='Episode Eleven'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/55914620077572822/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=55914620077572822' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/55914620077572822'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/55914620077572822'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2009/04/episode-eleven.html' title='Episode Eleven'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KnAa993iyD0/SfpLI6S4wYI/AAAAAAAAAVw/_OElRcJ6M1w/s72-c/donuts.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-2112441848805613308</id><published>2009-03-28T19:30:00.000-07:00</published><updated>2009-03-31T10:56:27.663-07:00</updated><title type='text'>Episode Ten</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/Scq7oFaOllI/AAAAAAAAASQ/l0JqegM9IuY/s1600-h/ersen-front.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 199px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/Scq7oFaOllI/AAAAAAAAASQ/l0JqegM9IuY/s400/ersen-front.jpg" alt="" id="BLOGGER_PHOTO_ID_5317268607385638482" border="0" /&gt;&lt;/a&gt;Are You Psych’d…?  …If you’re not, prepare to be. I’ve got some crazy shit for you. Psychedelic soul funk rock or something like that.  Starting things off is a beautiful rock track by Ersen.  Reissue on Finders Keepers Records.  This record is a compilation of numerous 45's and Ep's issued in the 70's by Ersen, a singer and violinist that was at the heart of some of the influential Turkish rock music of the era, having collaborated with some of Turkey's best known rockers-notably Mogollar, who back him up on several of the tracks.  The tracks are all great examples of what make Turkish rock from the 70's great: interesting instrumentation including electric saz and violin alongside the fuzz guitars, rocking bass playing, funky beats, expressive vocals that one need not know the Turkish language to enjoy.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/Scq78YssJsI/AAAAAAAAASY/2_AFIDPMji0/s1600-h/Sarolta+Zalatnay.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 195px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/Scq78YssJsI/AAAAAAAAASY/2_AFIDPMji0/s400/Sarolta+Zalatnay.jpg" alt="" id="BLOGGER_PHOTO_ID_5317268956160730818" border="0" /&gt;&lt;/a&gt;Next is Sarolta Zalatnay. Her powerful voice accompanied by electric guitar, organ and all, Prog, Hard Rock, Funk, you did not imagine music from Communist Eastern Europe like that, did you?  So it is appropriate that the label, 'Finders Keepers', has compiled and released this compilation as well . The album has some quite excellent breaks &amp;amp; beats and Sarolta Zalatnay sings like no one else. Her vocals, all sung in Hungarian are at times ferocious.&lt;br /&gt;&lt;br /&gt;Following is a truly wonderful example of late 60's UK Blues rock with Martha Velez’s  swamp man.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/Scq8IEC0NzI/AAAAAAAAASg/UHU6Un2gI54/s1600-h/outthere.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/Scq8IEC0NzI/AAAAAAAAASg/UHU6Un2gI54/s400/outthere.jpg" alt="" id="BLOGGER_PHOTO_ID_5317269156774819634" border="0" /&gt;&lt;/a&gt;I'm a fan of Stones Throw Records. Their offshoot record company, Now-Again records is responsible for this one. "Out There" is a great name for it. "Out There" combines everything I love about jazz, hip-hop and funk: heavy grooves, backed by breakbeat-style jazz drums and laced with dissonant abstract-jazz touches.&lt;br /&gt;The opener, "Distant Star" is a perfect example. Strings fly skyward, and then the beat drops in and you just can't help smashing your head back and forth.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/Scq8gSlugoI/AAAAAAAAASo/aLI3gVjsu4s/s1600-h/african.JPG"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 198px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/Scq8gSlugoI/AAAAAAAAASo/aLI3gVjsu4s/s400/african.JPG" alt="" id="BLOGGER_PHOTO_ID_5317269572996203138" border="0" /&gt;&lt;/a&gt;One of the coolest African collections I’ve seen-- a beautiful assortment of untapped grooves from the 70s, African Scream Contest easily joins the ranks of the most essential African funk compilations, partly by covering ground no one else has walked on, but mostly just for relentlessly kicking ass for over an hour. This is some of the best funk ever recorded anywhere, definitely more in the raw and psychedelic territory promised by the title, and filled with hard-edged vocals that surely know how to scream!&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/Scq9YioSGtI/AAAAAAAAASw/9oI6boUFtH8/s1600-h/PUNJABS.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 201px; height: 201px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/Scq9YioSGtI/AAAAAAAAASw/9oI6boUFtH8/s400/PUNJABS.jpg" alt="" id="BLOGGER_PHOTO_ID_5317270539374566098" border="0" /&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt;"Sitar Blues" an instrumental garag&lt;/span&gt;&lt;span style="font-style: italic;"&gt;e soul monster with psychedelic sitar and eastern vibes that conjures up the groovy summer of love action – in fact it’s an exotic and genuine real deal titty shaker! Performed by the Punjabs - a cool bunch of cats from &lt;/span&gt;&lt;span style="font-style: italic;"&gt;southern California, they c&lt;/span&gt;&lt;span style="font-style: italic;"&gt;ut this in&lt;/span&gt;&lt;span style="font-style: italic;"&gt;strumental sitar garage soul workout in 1968 for a pimp known as ‘Prince’ - boss of their sleazy hangout/brothel/go-go club where they used to perform in front of gyrating strippers, go-go girls and their johns! Open your mind and expand your mind – or get down to some nitty gritty, the choice is yours! - &lt;a href="https://www.jazzmanrecords.co.uk/asp/product.asp?recorprod=1&amp;amp;product=353&amp;amp;cat=45&amp;amp;ph=&amp;amp;keywords=&amp;amp;recor=1&amp;amp;SearchFor=&amp;amp;PT_ID=1"&gt;jazzman records&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/Scv-ym9OgpI/AAAAAAAAAUA/iiiZW5XYxCo/s1600-h/bonniest.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 177px; height: 177px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/Scv-ym9OgpI/AAAAAAAAAUA/iiiZW5XYxCo/s400/bonniest.jpg" alt="" id="BLOGGER_PHOTO_ID_5317623930445267602" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/Scv_VvqyspI/AAAAAAAAAUI/znLh4N2kvK0/s1600-h/femmes.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 177px; height: 177px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/Scv_VvqyspI/AAAAAAAAAUI/znLh4N2kvK0/s400/femmes.jpg" alt="" id="BLOGGER_PHOTO_ID_5317624534079287954" border="0" /&gt;&lt;/a&gt;&lt;span&gt;Set three is a collection of songs for lovers of that 60's Beat Sound.  This set includes a cover of the famous &lt;/span&gt;&lt;span&gt;Van Morrisson's song &lt;/span&gt;&lt;span&gt;GLORIA  by The Hound Dogs who give it a way more raw garage sound then the original.  The cover of The Rolling Stones, 'Paint it Black' is done by French pop singer Marie Laforêt. Then there i&lt;/span&gt;&lt;span&gt;s the &lt;/span&gt;underrated and much appreciated Manchester band from the sixties St. Union Station doing East Side Story.&lt;br /&gt;&lt;br /&gt;Always hoping to expand some ears and create new listeners!  Dig it!&lt;br /&gt;&lt;br /&gt;Psychedelic Soul Funk Rock&lt;br /&gt;&lt;br /&gt;Set 1&lt;br /&gt;Ersen - Metelik&lt;br /&gt;Sarolta Zalatnay - Hadd Mondjam El&lt;br /&gt;Martha Velez - Swamp Man&lt;br /&gt;Heliocentrics - Distant Star&lt;br /&gt;Roger Damawuzan - Wait for Me&lt;br /&gt;The Punjabs - Sitar Blues&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;John Hammond - I Wish You Would&lt;br /&gt;Bonnie St. Clair - Tame Me Tiger&lt;br /&gt;The Hound Dogs - Gloria&lt;br /&gt;St. Louis Union - East Side Story&lt;br /&gt;Peggy Paxton - It Ain't What I Do&lt;br /&gt;Marie Laforet - Marie Douceur, Marie Colere (Paint it Black)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;hr /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/Sc3gLBZXAkI/AAAAAAAAAUQ/bihC03qP1IE/s1600-h/rodriguez-cold-fact-cover-l.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 187px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/Sc3gLBZXAkI/AAAAAAAAAUQ/bihC03qP1IE/s400/rodriguez-cold-fact-cover-l.jpg" alt="" id="BLOGGER_PHOTO_ID_5318153214952407618" border="0" /&gt;&lt;/a&gt;The artist known simply as Rodriguez was born Sixto (pronounced "Seez-toe") Diaz Rodriguez in Detroit, Michigan, USA in 1942. He was the sixth child (the Sixth Prince) of immigrant Mexican parents. He recorded the classic album Cold Fact in Detroit in 1969 and it was released in the USA on the Sussex Label in March 1970. This album was filled with tales of love, poverty, rebellion, and of course "jumpers, coke, sweet mary jane" songs about life in the late 60s inner-city America. Sadly the album sank without a trace. Until a year later the album was released in South Africa by A&amp;amp;M Records, who were now the owners of the Sussex Label. The introduction of this album was such impact to the people of South Africa that it is considered as a beacon of revolution.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/Sc3go64LOuI/AAAAAAAAAUY/YxW_krIgW1k/s1600-h/Lo-Fi.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/Sc3go64LOuI/AAAAAAAAAUY/YxW_krIgW1k/s400/Lo-Fi.jpg" alt="" id="BLOGGER_PHOTO_ID_5318153728598686434" border="0" /&gt;&lt;/a&gt;Omega One's debut album The Lo-Fi chronicles was released on November of 2005. This albums showcases electric samples with gritty drums and seamless sequencing. After three widely distributed mix CDs, DJ gigs with Method Man and Masta Killa and productions for people like Aesop Rock, The Lo-Fi chronicles proves that Omega One is more than cable of carrying an album by himself. In 2008 Omega One released his second album Postcard From The Third Rock on Johnny 23 Records.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/Sc3hKzcnw2I/AAAAAAAAAUg/B97MMVbFD78/s1600-h/devilflight1b.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/Sc3hKzcnw2I/AAAAAAAAAUg/B97MMVbFD78/s400/devilflight1b.jpg" alt="" id="BLOGGER_PHOTO_ID_5318154310719619938" border="0" /&gt;&lt;/a&gt;Proud Flesh is a German rock band from the early Krautrock era. The band was formed in 1969 in the former diplomat's city of Bonn-Bad-Godesberg (Germany) and split up in 1972 due to the drummers ruptured lung . The group had been made up of musicians of the local bands Cool Stove, Desperados, Hangmen and Rats. Proud Flesh toured all over Germany, did gigs in Luxembourg and were the supporting act for famous bands such as The Lords, The Rattles, Golden Earring and Brian Auger and The Trinity ("Streetnoise" album). After some pieces of Softrock at the start and melodical Progressive rock songs later on the music of the band became more and more hard rock like. Hence Devil Fight.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/Sc3qiS2cSsI/AAAAAAAAAUo/NL-0milsfEk/s1600-h/Nostalgia_77-Quiet_Dawn_A_b.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/Sc3qiS2cSsI/AAAAAAAAAUo/NL-0milsfEk/s400/Nostalgia_77-Quiet_Dawn_A_b.jpg" alt="" id="BLOGGER_PHOTO_ID_5318164609891060418" border="0" /&gt;&lt;/a&gt;Quiet Dawn was first released in 2007 on the label Tru Thoughts. This was Nostalgia 77 third album Everything Under The Sun. In 2008 Bonobo did a exclusive remix of Quiet Dawn, clocking in at an epic 7 minutes. On the album version, the vocal from Beth Rowley is languorous yet pure, sultry yet inviting, bringing every nuance out of Lamdin’s beguiling lyrics. It is complimented by purely liquid keys and tenor sax and the finest mist of percussion, capturing a hazy, ethereal atmosphere.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;Rodriguez - Sugar Man&lt;br /&gt;Maker - Streetstrut (extended)&lt;br /&gt;Omega One - 20 Million Miles&lt;br /&gt;Maker - Live it (pt. 1 &amp;amp; 2)&lt;br /&gt;Sixtoo - Broken Monitor&lt;br /&gt;Shawn Lee's Pinp Pong Orchestra - Montery Jack&lt;br /&gt;Natural Yogurt Band - Voodoo&lt;br /&gt;Hi-Society Bros - Don't Spill the Wine&lt;br /&gt;Bronx River Parkway - La Vala&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;Aloe Blacc - Blind Man (instrumental)&lt;br /&gt;Thanes - Beginning Word&lt;br /&gt;Proud Flesh - Devil Fight&lt;br /&gt;Ersen - Gonese Don Cicegim&lt;br /&gt;Guy Pedersen et son Grand Orchestre - We Love You&lt;br /&gt;Dungen - Mina Damer Och Fasaner&lt;br /&gt;Rosinha De Valencia - Summertime&lt;br /&gt;Nostalgia 77 - Quiet Dawn&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-2112441848805613308?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep10.mp3' title='Episode Ten'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/2112441848805613308/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=2112441848805613308' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/2112441848805613308'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/2112441848805613308'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2009/03/episode-ten.html' title='Episode Ten'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_KnAa993iyD0/Scq7oFaOllI/AAAAAAAAASQ/l0JqegM9IuY/s72-c/ersen-front.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-149315114758192654</id><published>2009-02-14T14:17:00.000-08:00</published><updated>2012-01-20T05:53:26.494-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Valentine&apos;s'/><title type='text'>Episode Nine</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img style="width: 496px; height: 343px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SZdSu1i9JpI/AAAAAAAAAQw/Ri_0Es_MV_I/s1600/Valentine%2Bcopy.jpg" alt="[Valentine+copy.jpg]" border="0" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Set 1&lt;br /&gt;&lt;br /&gt;James and Bobby Purify - I Don’t Have To Wait&lt;br /&gt;Soul Explosion – Love Is The Answer&lt;br /&gt;The Ordells – Sipping On A Cup Of Coffee&lt;br /&gt;Soul Sounds Unlimited – Lost In A Dream&lt;br /&gt;Ruben and the Cassanovas – It’s Not That Easy&lt;br /&gt;Darling Dears – And I Love You&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;br /&gt;Onra and Quetzel – You Don’t Have to Go&lt;br /&gt;The Originals – Baby I’m For Real&lt;br /&gt;Hank Ballard and the Midnighters – The Town That I Live In&lt;br /&gt;Patti Drew – Tell Him&lt;br /&gt;Lee Bonds - I’ll Find A True Love&lt;br /&gt;The Sweet and Inocent and The Memphis Mustangs - Cry Love&lt;br /&gt;The Downbeats -Why Do You Love Another&lt;br /&gt;Lee Fields and The Expressions – Do You Love Me (Like You Say You Do)&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;&lt;br /&gt;The Moments – Love On A Two Way Street&lt;br /&gt;Nazz – Hello It’s Me&lt;br /&gt;Carla Thompson – I’m Falling In Love (With You)&lt;br /&gt;Ultimate Ovation – Girl, You’re All I Want&lt;br /&gt;Timothy – Easy Easy Easy&lt;br /&gt;Marvell Hampton – I Know How It Feel&lt;br /&gt;The Just Brothers – She Broke His Heart&lt;br /&gt;Mike and The Censations – There Is Nothing I Can Do About It&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;&lt;br /&gt;The Complexions &amp;amp; The Flamingos - I Only Have Eyes For You&lt;br /&gt;Ruby Andrews – You Made a Beliver Outta Me&lt;br /&gt;Mantrap – Suevecito&lt;br /&gt;Marilyn Barbarin – Reborn&lt;br /&gt;The Metros - Since I Found My Baby&lt;br /&gt;Majestic Arrows - The Magic Of Your Love&lt;br /&gt;Hemsley Morris and Phil Pratt – Little Things&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-149315114758192654?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep9.mp3' title='Episode Nine'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/149315114758192654/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=149315114758192654' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/149315114758192654'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/149315114758192654'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2009/02/episode-nine.html' title='Episode Nine'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KnAa993iyD0/SZdSu1i9JpI/AAAAAAAAAQw/Ri_0Es_MV_I/s72-c/Valentine%2Bcopy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-6322660149869635514</id><published>2009-01-29T11:38:00.000-08:00</published><updated>2009-01-29T14:27:34.737-08:00</updated><title type='text'>Episode Eight</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SYIGqVLx_RI/AAAAAAAAAP4/ObHRC61eSmg/s1600-h/sFuego23.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 130px; height: 129px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SYIGqVLx_RI/AAAAAAAAAP4/ObHRC61eSmg/s320/sFuego23.jpg" alt="" id="BLOGGER_PHOTO_ID_5296803436051954962" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SYIGmwWFMDI/AAAAAAAAAPw/89Sbuc3CrQk/s1600-h/Henry+Fiol.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 130px; height: 130px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SYIGmwWFMDI/AAAAAAAAAPw/89Sbuc3CrQk/s320/Henry+Fiol.jpg" alt="" id="BLOGGER_PHOTO_ID_5296803374623436850" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SYIGkJVRe5I/AAAAAAAAAPo/E9HEp3MFu4k/s1600-h/Carlos+COVER.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 130px; height: 136px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SYIGkJVRe5I/AAAAAAAAAPo/E9HEp3MFu4k/s320/Carlos+COVER.jpg" alt="" id="BLOGGER_PHOTO_ID_5296803329791327122" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Salsa Set&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;1. Sonora Poncena - Fuego En El 23&lt;br /&gt;2. Austin Arce Orquesta - Sangrando por La Herida&lt;br /&gt;3. Henry Fiol - Picoteando Por Ahy&lt;br /&gt;4. The Latin Dimension - Eleanor Rigby&lt;br /&gt;5. Sexteto La Playa - Tilingoni Titingo&lt;br /&gt;6. Carlos Hayre - Me Gusta Boogaloo&lt;br /&gt;&lt;br /&gt;Here is a live performance by Sonora Poncena&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/9WkIuOMLbCE&amp;amp;hl=en&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/9WkIuOMLbCE&amp;amp;hl=en&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;hr /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SYIKoosQJjI/AAAAAAAAAQI/hZ5y3xSXWgc/s1600-h/Whats+Wrong.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 221px; height: 320px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SYIKoosQJjI/AAAAAAAAAQI/hZ5y3xSXWgc/s320/Whats+Wrong.jpg" alt="" id="BLOGGER_PHOTO_ID_5296807804975195698" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;What's Wrong Mix&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Tracklist:&lt;br /&gt;&lt;br /&gt;1. Francois De Roubaix - Les Dunes D'ostende&lt;br /&gt;2. Sam Taylor - Heaven On Their Minds&lt;br /&gt;3. El Michels Affair - Behind the Blue Curtains&lt;br /&gt;4. Sound Studio Orchestra - Southbound&lt;br /&gt;5. Five Day Rain - Marie's a Woman&lt;br /&gt;6. Pat Stalworth (edit) - Questions (pt. 1 2)&lt;br /&gt;7. Catharsis - Styx&lt;br /&gt;8. Nino Nardini - Tropicola&lt;br /&gt;9. Assaigai - Cocoa&lt;br /&gt;10. Eddie Fisher - East St. Louis Blues&lt;br /&gt;11. Darondo - Legs&lt;br /&gt;12. Bran - Y Gwylwyr&lt;br /&gt;13. Ferdi Ozbegen - kopruden gecti gelin&lt;br /&gt;14. Gianni Ferrio - la gabbia&lt;br /&gt;15. Bruno Spoerri - les electroniciens&lt;br /&gt;16. Hunger - colors&lt;br /&gt;17. The Poppy Family - Where Evil Grows&lt;br /&gt;18. Ultimate Spinach - Hip Death Goddess&lt;br /&gt;19. The Lyman Woodard Organization - creative musicians&lt;br /&gt;20. The Martins Brothers Dance Band - ochonma&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-6322660149869635514?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep8.mp3' title='Episode Eight'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/6322660149869635514/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=6322660149869635514' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/6322660149869635514'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/6322660149869635514'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2009/01/episode-eight.html' title='Episode Eight'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_KnAa993iyD0/SYIGqVLx_RI/AAAAAAAAAP4/ObHRC61eSmg/s72-c/sFuego23.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-1941985096290917573</id><published>2008-12-30T20:00:00.000-08:00</published><updated>2008-12-30T20:15:10.764-08:00</updated><title type='text'>Episode Seven</title><content type='html'>&lt;span style="font-weight: bold;"&gt;Some picks of 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SVnFBYlbe_I/AAAAAAAAALs/YuLxT5dX52c/s1600-h/RadioHead-Rainbow.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 113px; height: 113px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SVnFBYlbe_I/AAAAAAAAALs/YuLxT5dX52c/s320/RadioHead-Rainbow.jpg" alt="" id="BLOGGER_PHOTO_ID_5285472265265970162" border="0" /&gt;&lt;/a&gt;Radiohead - In Rainbows - Radiohead is a band who's releases continue to remain solid throughout over a decade of songwriting.  While other bands dwindle in their creativity, they keep it up with every album.  In Rainbows has uptempo guitar songs and moody acoustic ballads, full of headphone-tweaking sound effects.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SVnFbRSmAzI/AAAAAAAAAL0/K0tiFjdHsHU/s1600-h/Vivian+Girls.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 114px; height: 118px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SVnFbRSmAzI/AAAAAAAAAL0/K0tiFjdHsHU/s320/Vivian+Girls.jpg" alt="" id="BLOGGER_PHOTO_ID_5285472709984518962" border="0" /&gt;&lt;/a&gt;Vivian Girls - (st) - The recording quality on their debut album is admirably scuzzy; the drums sound like somebody's banging a cereal box on the floor, which is part of the immediate charm.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SVnFtEL2K3I/AAAAAAAAAL8/iKIhVUT_Rt4/s1600-h/Shawn_Lee_and_Clutchy_Hopkins-Clutch_Of_The_Tiger_b.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 113px; height: 113px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SVnFtEL2K3I/AAAAAAAAAL8/iKIhVUT_Rt4/s320/Shawn_Lee_and_Clutchy_Hopkins-Clutch_Of_The_Tiger_b.jpg" alt="" id="BLOGGER_PHOTO_ID_5285473015704202098" border="0" /&gt;&lt;/a&gt;Shawn Lee and Clutchy Hopkins - Clutch of the Tiger - It's dusty and mysterious junkyard jazz that's powered by sly beats and other-worldly funk.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SVnF9bp90aI/AAAAAAAAAME/WXK-vg135V0/s1600-h/Flying+Lotus+-+Los+Angeles.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 113px; height: 113px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SVnF9bp90aI/AAAAAAAAAME/WXK-vg135V0/s320/Flying+Lotus+-+Los+Angeles.jpg" alt="" id="BLOGGER_PHOTO_ID_5285473296882454946" border="0" /&gt;&lt;/a&gt;Flying Lotus - Los Angeles - Flying Lotus has an amazing ability to create thick, rolling beats that pop and crack over smoked out basslines that evoke the 8-bit classics, but they're drenched in swirling synth lines and chopped apart beyond recognition.  Highly recommended.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SVnGKIeM_4I/AAAAAAAAAMM/-CHoM1LTAe8/s1600-h/Black+Mountain+-+In+The+Future+%28Deluxe+Edition%29+-2CDs.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 113px; height: 113px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SVnGKIeM_4I/AAAAAAAAAMM/-CHoM1LTAe8/s320/Black+Mountain+-+In+The+Future+%28Deluxe+Edition%29+-2CDs.jpg" alt="" id="BLOGGER_PHOTO_ID_5285473515071143810" border="0" /&gt;&lt;/a&gt;Black Mountain - In the future - An album filled with experimentation, hard rock and psychedelic blues.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SVnHQExnSdI/AAAAAAAAAMU/iC82u8l6Owk/s1600-h/dungen_tadetlugnt.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 112px; height: 111px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SVnHQExnSdI/AAAAAAAAAMU/iC82u8l6Owk/s320/dungen_tadetlugnt.jpg" alt="" id="BLOGGER_PHOTO_ID_5285474716669659602" border="0" /&gt;&lt;/a&gt;Dungen - 4 - I don't understand how this band continues to make the most genuinely great psychedelic revivalist music and still seems relatively unnoticed.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SVnHbInz2qI/AAAAAAAAAMc/2Rge5yf2r08/s1600-h/Dead+Meadow+-+Old+Growth.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 113px; height: 113px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SVnHbInz2qI/AAAAAAAAAMc/2Rge5yf2r08/s320/Dead+Meadow+-+Old+Growth.jpg" alt="" id="BLOGGER_PHOTO_ID_5285474906680842914" border="0" /&gt;&lt;/a&gt;Dead Meadow - Old Growth - vintage hard rock, tinged with some bluesy psychedelica, metal and stoner riffs, with the occasional ballad, and striking lyrics with a sense of fantasy.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SVnHmDh1UnI/AAAAAAAAAMk/f8RnSdd6y38/s1600-h/TheOrgan_Thieves_rgb_480.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 113px; height: 108px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SVnHmDh1UnI/AAAAAAAAAMk/f8RnSdd6y38/s320/TheOrgan_Thieves_rgb_480.jpg" alt="" id="BLOGGER_PHOTO_ID_5285475094292157042" border="0" /&gt;&lt;/a&gt;The Organ - Thieves - 80s-influenced melancholy pop tones. Sadly their last and final release.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SVnHustpP7I/AAAAAAAAAMs/t36VkP-5RWU/s1600-h/king.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 113px; height: 113px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SVnHustpP7I/AAAAAAAAAMs/t36VkP-5RWU/s320/king.jpg" alt="" id="BLOGGER_PHOTO_ID_5285475242786504626" border="0" /&gt;&lt;/a&gt;King Khan and his Shrines - The Supreme Genius of King Khan and his Shrines - a 60's garage record steeped in 70's R&amp;amp;B and Soul.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SVnH46x7liI/AAAAAAAAAM0/xxOPfu_Qg7I/s1600-h/ole-822-matador-singles-08.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 113px; height: 113px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SVnH46x7liI/AAAAAAAAAM0/xxOPfu_Qg7I/s320/ole-822-matador-singles-08.jpg" alt="" id="BLOGGER_PHOTO_ID_5285475418361271842" border="0" /&gt;&lt;/a&gt;Jay Reatard - The Matador Singles - The simplicity is evident throughout this collection, if you added any more to any of these songs it would almost certainly ruin them.  All that is really needed is a reliable verse and a chorus that practically screams "genius". Each of these songs is a perfectly crafted chunk of pop perfection, and in this case, it would not be a mistake to go the full Reatard.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Favorites of 2008&lt;/span&gt;&lt;br /&gt;Set 1&lt;br /&gt;Radiohead - Jigsaw Falling into Place&lt;br /&gt;Vivian Girls - Tell the World&lt;br /&gt;Shawn Lee and Clutchy Hopkins - Bill Blows it&lt;br /&gt;Flying Lotus - Beginners Falafel&lt;br /&gt;Black Mountain - Wucan&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;Favorites of 2008&lt;br /&gt;Dungen - Samtigidt 2&lt;br /&gt;Dead Meadow - I'm Gone&lt;br /&gt;The Organ - Let the Bells Ring&lt;br /&gt;King Khan and his Shrines - I Wanna be a Girl&lt;br /&gt;Jay Reatard - See Saw&lt;br /&gt;&lt;br /&gt;&lt;hr /&gt;&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SVoHrk_E-9I/AAAAAAAAANU/7kwtHpdGcHU/s1600-h/Arts+The+Beatdoctor.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 120px; height: 124px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SVoHrk_E-9I/AAAAAAAAANU/7kwtHpdGcHU/s320/Arts+The+Beatdoctor.jpg" alt="" id="BLOGGER_PHOTO_ID_5285545557916711890" border="0" /&gt;&lt;/a&gt;Beats Broke's second release, also marks the first record ever available from Arts The Beatdoctor from the Netherlands in North America. Progressions is a double seven-inch (2x7") vinyl EP, limited to 500 numbered copies.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SVoHvc-P64I/AAAAAAAAANc/MXdPjHtFVBM/s1600-h/Tabacco.php"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 120px; height: 120px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SVoHvc-P64I/AAAAAAAAANc/MXdPjHtFVBM/s320/Tabacco.php" alt="" id="BLOGGER_PHOTO_ID_5285545624485227394" border="0" /&gt;&lt;/a&gt;Tobacco - Truck Sweat recorded Fucked Up Friends using analog synths and tape machines, which gives his work a timeless distance from digital pop music at large. His tracks evoke sonar, mellotrons and deteriorating cassette tapes.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SVoG0c80emI/AAAAAAAAANE/KDEUT26suHk/s1600-h/GED+Soul.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 120px; height: 120px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SVoG0c80emI/AAAAAAAAANE/KDEUT26suHk/s320/GED+Soul.jpg" alt="" id="BLOGGER_PHOTO_ID_5285544610866952802" border="0" /&gt;&lt;/a&gt;G.E.D. Soul Records has been recording deep fried southern funk and soul since late 2007. This Tennessee label is debuting there second release with DeRoberts &amp;amp; The Half-Truths that gives you a straight up and step by step instructions to "Stay on Point" on the flip side.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SVoH4JkhPDI/AAAAAAAAANs/SCRZwDPhPYA/s1600-h/Natural+Yoghurt+Band.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 120px; height: 120px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SVoH4JkhPDI/AAAAAAAAANs/SCRZwDPhPYA/s320/Natural+Yoghurt+Band.jpg" alt="" id="BLOGGER_PHOTO_ID_5285545773895859250" border="0" /&gt;&lt;/a&gt;Funky drums and flute with a quirky flawless execution come together on "Voodoo", almost a mix of deep funk and soundtrack styles from the 60s. Natural Yogurt Band are one of the few contemporary acts to record for Jazzman but they've got a great style that certainly fits the older vibe of the label&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SVoHzx2B3sI/AAAAAAAAANk/23rPoDn6McM/s1600-h/Ras+G.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 120px; height: 120px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SVoHzx2B3sI/AAAAAAAAANk/23rPoDn6McM/s320/Ras+G.jpg" alt="" id="BLOGGER_PHOTO_ID_5285545698807373506" border="0" /&gt;&lt;/a&gt;A very interesting 12" from Finland's Clouds on the consistently excellent Ramp recordings. With Ras G of Ninja Tune and Plug Research fame providing a killer wonky instro-hiphop mix with rude soundsystem vibes plugged in.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SVoG6mVVUiI/AAAAAAAAANM/STRLC-uWb7U/s1600-h/MRR-ADM.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 120px; height: 119px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SVoG6mVVUiI/AAAAAAAAANM/STRLC-uWb7U/s320/MRR-ADM.jpg" alt="" id="BLOGGER_PHOTO_ID_5285544716464902690" border="0" /&gt;&lt;/a&gt;This 10-inch EP by MRR-ADM  featuring Malcolm Catto is full of hard hitting funky drums, percussion and fuzzy analog synth grooves. There's no track list and no words just raw sounds.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SVoGuhYEpCI/AAAAAAAAAM8/Fr4-boAr-6Q/s1600-h/Chimpo.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 120px; height: 120px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SVoGuhYEpCI/AAAAAAAAAM8/Fr4-boAr-6Q/s320/Chimpo.jpg" alt="" id="BLOGGER_PHOTO_ID_5285544508975784994" border="0" /&gt;&lt;/a&gt;Chimpo steps out for MRK1's Contagious crew again with "Children Of Israel". The flip side track that is a dancehall stromer. Far outshadowing it's more popular counterpart with proper subbass drops and a far more wholesome vibe.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SVqWPm_flII/AAAAAAAAAN0/mmCAzD1fHQw/s1600-h/Madvillainy_2.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 120px; height: 120px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SVqWPm_flII/AAAAAAAAAN0/mmCAzD1fHQw/s320/Madvillainy_2.jpg" alt="" id="BLOGGER_PHOTO_ID_5285702307581760642" border="0" /&gt;&lt;/a&gt;Madvillainy 2 - Pow! (intro) This album is a complete remix of their highly-acclaimed debut album Madvillainy. According to Stone Throw Records, Madlib could not wait for the official sequel of Madvillainy to be released, so he choose to remix their debut album completely&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SVqWs5_cYdI/AAAAAAAAAOE/4VVdC5Ftros/s1600-h/BABY+CHARLES.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 120px; height: 120px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SVqWs5_cYdI/AAAAAAAAAOE/4VVdC5Ftros/s320/BABY+CHARLES.jpg" alt="" id="BLOGGER_PHOTO_ID_5285702810898031058" border="0" /&gt;&lt;/a&gt;After the release of their full length in march 2008 this Brighton-based combo is back firing on all cylinders with their second single from their critically acclaimed debut album. The flip "Jackson Fingers" has more of a crime flick feel to it with wordless vocals and some soild drumwork.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SVqWxbd8TXI/AAAAAAAAAOM/XLnJ1VbrHuw/s1600-h/Grits.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 121px; height: 120px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SVqWxbd8TXI/AAAAAAAAAOM/XLnJ1VbrHuw/s320/Grits.jpg" alt="" id="BLOGGER_PHOTO_ID_5285702888603798898" border="0" /&gt;&lt;/a&gt;The Grits are as gritty as ever, "Mwwauu" a cut that begins with a massive drum break for afew bars, then opens up with a wicked moogy keyboard mixed with organ and guitar.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SVqW2XPwBOI/AAAAAAAAAOU/p8FivBG2YOs/s1600-h/Dr+Rubberfunk.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 121px; height: 120px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SVqW2XPwBOI/AAAAAAAAAOU/p8FivBG2YOs/s320/Dr+Rubberfunk.jpg" alt="" id="BLOGGER_PHOTO_ID_5285702973369877730" border="0" /&gt;&lt;/a&gt;The Fantasy Funk Band 45 is an excellent release brought about after listeners to BBC radio's Funk and Soul Show voted for their all time favorite artists. Smoove and Dr. Rubberfunk provide the crucial edits on this super limited special edition 7" vinyl, serving up a heavy JB's backing with Nina Simone vocals layered on top.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SVqYGW1v-BI/AAAAAAAAAOc/46CSHwp7co0/s1600-h/Bronx_River_Parkway.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 120px; height: 120px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SVqYGW1v-BI/AAAAAAAAAOc/46CSHwp7co0/s320/Bronx_River_Parkway.jpg" alt="" id="BLOGGER_PHOTO_ID_5285704347650357266" border="0" /&gt;&lt;/a&gt;Truth &amp;amp; Soul, in conjunction with Candela Records present the first full-length from New York’s premier latin-soul band, Bronx River Parkway. With their first LP, “San Sebastian 152”.  Bronx River Parkway delivers an exceptional and completely fresh take on music inspired by groups like The Lebron Brothers, Apollo Sound, and Ocho.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SVqYrg-xZRI/AAAAAAAAAO0/hw4HUE_Bp4I/s1600-h/Green+Rhythm+Coalition.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 120px; height: 120px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SVqYrg-xZRI/AAAAAAAAAO0/hw4HUE_Bp4I/s320/Green+Rhythm+Coalition.jpg" alt="" id="BLOGGER_PHOTO_ID_5285704986027713810" border="0" /&gt;&lt;/a&gt;It's those Brooklyn boys, Monk One and E's E, back with another sweaty Latin slumper for the dancefloors. "Salsa Verde" starts nice enough, all crisp percussion and steady horns and electric piano, but when Antibalas' Victor Axelrod (aka Ticklah) comes in with the Eddie Palmieri-style retardo organ solo, it's a wrap.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SVqYiJbQqtI/AAAAAAAAAOk/yT8Z4Oq59Tg/s1600-h/Sahara+Swing.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 120px; height: 120px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SVqYiJbQqtI/AAAAAAAAAOk/yT8Z4Oq59Tg/s320/Sahara+Swing.jpg" alt="" id="BLOGGER_PHOTO_ID_5285704825085930194" border="0" /&gt;&lt;/a&gt;For this album, Karl Hector is teamed up with Jay Whitefield (producer and guitarist for the Poets of Rhythm and the Whitefield Brothers, and founder of the now defunct Hotpie &amp;amp; Candy Records) and Thomas Myland and Zdenko Curlija, founders of The Malcouns. Together they make Sahara Swing a percussive excursions into the astral realms of psychedelia with an album of Afro-tinged funk music.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SVqYl9_lIyI/AAAAAAAAAOs/rdIr-Tz1HUY/s1600-h/Analog+Africa.JPG"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 121px; height: 119px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SVqYl9_lIyI/AAAAAAAAAOs/rdIr-Tz1HUY/s320/Analog+Africa.JPG" alt="" id="BLOGGER_PHOTO_ID_5285704890736517922" border="0" /&gt;&lt;/a&gt;Analog Africa does it again with African Sceam Contest - Raw &amp;amp; Psychedelic Afro sound from Benin &amp;amp; Togo 70s. Napo De Mi Amor &amp;amp; The Black Devils - Leki Santchi was first recorded in early 1975. For this track Napo De Mi Amor used a rhythm called Crougnima, which is commonly played during rituals in the central regoin of Bassar. Only 200 copies were pressed and distributed in Lome.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SVqa3Ki--GI/AAAAAAAAAO8/RpjiYe_M-s8/s1600-h/Wareika+Hill+Sound.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 121px; height: 120px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SVqa3Ki--GI/AAAAAAAAAO8/RpjiYe_M-s8/s320/Wareika+Hill+Sound.jpg" alt="" id="BLOGGER_PHOTO_ID_5285707385187268706" border="0" /&gt;&lt;/a&gt;An unexpectedly upful, shuffling, percussive rug-cutter, with the Light Of Saba veteran bringing a little go-go to the groundation, and a deft, lovely dub mixed by Moritz von Oswald.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Most Listen To 2008&lt;/span&gt;&lt;br /&gt;Set 2&lt;br /&gt;Arts The Beatdoctor - Progressions&lt;br /&gt;Tabacco - Truck Sweat&lt;br /&gt;DeRoberts &amp;amp; The Half-Truths - Stay on Point&lt;br /&gt;Natural Yoghurt Band - Voodoo&lt;br /&gt;Ras G - Timekeeper (remix)&lt;br /&gt;MRR-ADM - Track 3&lt;br /&gt;Chimpo - Children of Isreal&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;Madvillany 2 - Pow! (intro)&lt;br /&gt;Baby Charles - Jackson Fingers&lt;br /&gt;Grits - MMWAUU&lt;br /&gt;Dr Rubberfunk - Dr Rubberfunk's Fantasy Soul Band&lt;br /&gt;Bronx River Parkway - Song for Ray&lt;br /&gt;Green Rhythm Coalition - Salsa Verde&lt;br /&gt;Karl Hector &amp;amp; The Malcouns - Followed Path&lt;br /&gt;Napo De Mi Amor Et Ses Black Devil - Leki Santchi&lt;br /&gt;Wareika Hill Sound - Proverbs Dub&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-1941985096290917573?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep7.mp3' title='Episode Seven'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/1941985096290917573/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=1941985096290917573' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/1941985096290917573'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/1941985096290917573'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2008/12/episode-seven.html' title='Episode Seven'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KnAa993iyD0/SVnFBYlbe_I/AAAAAAAAALs/YuLxT5dX52c/s72-c/RadioHead-Rainbow.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-6372959331847622701</id><published>2008-11-24T17:50:00.000-08:00</published><updated>2008-11-28T12:41:42.179-08:00</updated><title type='text'>Episode Six</title><content type='html'>The Passing of a Reggae Legend - Alton Ellis Dies at 70&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SStiC1xaN-I/AAAAAAAAAKU/ifO7zHL9JBk/s1600-h/altonellis_0016_r1_e-uber-548x822.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 214px; height: 320px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SStiC1xaN-I/AAAAAAAAAKU/ifO7zHL9JBk/s320/altonellis_0016_r1_e-uber-548x822.jpg" alt="" id="BLOGGER_PHOTO_ID_5272415589700876258" border="0" /&gt;&lt;/a&gt;This is a special tribute episode for one of my all time favorite singers and Reggae legend Alton Ellis.  Sadly he passed away October 11, 2008, inside London’s Hammersmith Hospital, after a year-long battle with lymphatic cancer.  He collapsed during a club performance in London in August and never recovered his health.&lt;br /&gt;My introduction to Alton Ellis came a few years back when a friend made me a mix tape with "Dance Crasher."  I didn't know anything about Ellis at the time, except that he was know as the "Godfather of Rocksteady" but as I began to dig more into his catalog, the more enamored I became with it.&lt;br /&gt;He was one of the most popular singers of the Rocksteady era before moving to England where he continued his career.  Alton is best-known for the music he sang from 1966-1968.  “Alton was a bigger artist in Jamaica than Bob Marley,” said Dennis Alcapone, another Jamaican recording artist working in Britain who often performed with  Alton. “Everybody, even Bob, would love if he could sing like Alton Ellis.  All of them would sit back and listen to Alton because Alton was the king.”&lt;br /&gt;He continued to record and perform right into August of this year.  The great Alton Ellis, a man who brought great joy through both is music and his presence, Rest In Peace.&lt;br /&gt;&lt;br /&gt;The Dawning of a New Era&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SSt2kFdpgUI/AAAAAAAAAKs/SmuXFoLjBIc/s1600-h/2-tone.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 280px; height: 292px;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SSt2kFdpgUI/AAAAAAAAAKs/SmuXFoLjBIc/s320/2-tone.jpg" alt="" id="BLOGGER_PHOTO_ID_5272438151081197890" border="0" /&gt;&lt;/a&gt;My second set is dedicated to the two tone music genre straight out of England.  The genre that made me a reggae lover.  The two tone is a music genre created in England in the late 1970s by fusing elements of Ska, Punk Rock, Rocksteady, Reggae and Pop.&lt;br /&gt;The 2 Tone sound was developed by English musicians (mostly based in the West Midlands area) who grew up hearing 1960s Jamaican music and decided to play a similar style of music.  They combined that style with influences from contemporary punk and pop music. The new music genre became known as 2 Tone because most of the bands were signed to the record label 2 Tone Records at some point.&lt;br /&gt;So here's a collection of my favorite songs by MY favorite two tone artist.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Godfather of Rocksteady - Alton Ellis&lt;/span&gt;&lt;br /&gt;Set 2&lt;br /&gt;Why Did You Leave Me To Cry&lt;br /&gt;Sunday Version&lt;br /&gt;Remember That Sunday&lt;br /&gt;Bad Boy Version&lt;br /&gt;How Can I&lt;br /&gt;The Picture Was You&lt;br /&gt;Soul Groover&lt;br /&gt;Mouth A Massy&lt;br /&gt;And I Love Her So&lt;br /&gt;Whipping The Prince&lt;br /&gt;I'll Be Waiting&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt; Two Tone&lt;/span&gt;&lt;br /&gt;Set 4&lt;br /&gt;The English Beat - Mirror in the Bathroom&lt;br /&gt;The Selecter - Too Much Pressure&lt;br /&gt;The Specials - Ghost Town&lt;br /&gt;The Selecter - On My Radio&lt;br /&gt;The Bodysnatchers - Easy Life&lt;br /&gt;&lt;br /&gt;&lt;hr /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SSuS3ok1VtI/AAAAAAAAAK8/PSAvHe1_5z4/s1600-h/%234.jpeg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 145px; height: 145px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SSuS3ok1VtI/AAAAAAAAAK8/PSAvHe1_5z4/s320/%234.jpeg" alt="" id="BLOGGER_PHOTO_ID_5272469273249666770" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SSuSsf-G_WI/AAAAAAAAAK0/03vFZZ40W8s/s1600-h/Meaty.gif"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 145px; height: 145px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SSuSsf-G_WI/AAAAAAAAAK0/03vFZZ40W8s/s320/Meaty.gif" alt="" id="BLOGGER_PHOTO_ID_5272469081961200994" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SSuUiw_MWII/AAAAAAAAALM/zGVUR05-crs/s1600-h/sixtoo.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 145px; height: 129px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SSuUiw_MWII/AAAAAAAAALM/zGVUR05-crs/s320/sixtoo.jpg" alt="" id="BLOGGER_PHOTO_ID_5272471113753712770" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;This set was inspired by these three 45's that i came across when i was trying to organize my records. The first one is Rehash - Number 4, starts with a inviting guitar loop and bass line that leads into a female vocal  and one of the nicest piano samples. Second is Meaty Ogre - Bell of the Beast that was released in 2002 on Heardrums Records.  This was a limited release where 500 copy's were pressed as well as the Rehash 45. The songs starts off with a gloomy piano riff that is accommodated with a steady drum and bass loop that leads into a flute sample that carries the song. Lastly is Sixtoo &amp;amp; Matt - Watchedusslowlydie released on Bully Records bassed out of Montreal. Another stellar instrumental project from Sixtoo, this time teamed up with Cali based producer Matt. Originally released in 2003 in a silver and black silkscreened sleeve and numbered. Only a 1000 were pressed untill 2004 when it was repressed in blue and black.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SS3dMOzObwI/AAAAAAAAALU/cPiSQQV3RKg/s1600-h/frente+cumbias+y+gaitas+1.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 145px; height: 145px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SS3dMOzObwI/AAAAAAAAALU/cPiSQQV3RKg/s320/frente+cumbias+y+gaitas+1.jpg" alt="" id="BLOGGER_PHOTO_ID_5273113940921839362" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SS3diMaJ58I/AAAAAAAAALc/3-Dq98rdYp0/s1600-h/lucho+bermudez.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 145px; height: 135px;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SS3diMaJ58I/AAAAAAAAALc/3-Dq98rdYp0/s320/lucho+bermudez.jpg" alt="" id="BLOGGER_PHOTO_ID_5273114318236936130" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SS3d1x-7yiI/AAAAAAAAALk/W68rEzRmyVw/s1600-h/Roots.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 145px; height: 145px;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SS3d1x-7yiI/AAAAAAAAALk/W68rEzRmyVw/s320/Roots.jpg" alt="" id="BLOGGER_PHOTO_ID_5273114654740826658" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;For my second set I gathered traditional Cumbia songs from Colombia, Panama, and Peru. Colombian and Panamanian Cumbia is just originally folk dance music.  As Cumbia's popularity spread to the urban areas of Colombia, musicians began to adapt a more modern type of instrumentation and also simplified the rhythm, by reducing the number of drums. With the popularity of Cuban and other Latin American music being played on the radio, orchestras with horns, piano, bass and drums developed the Cumbia into a much simpler, more consistent version, catering to middle class tastes. By the 1950s and '60s, Cumbias were widely recorded not only in South America but in Central America and Mexico as well, giving the style a new adopted home; in countries such as El Salvador and Nicaragua, Cumbia is as prominent as the local music, and sometimes even more so.&lt;br /&gt;&lt;br /&gt;You know, psychedelic Cumbias from Peru…The Roots of Chicha has been popular in Peru for many years but new to most, this compilation touches the surface of Chicha, a variation of Cumbia that is guitar heavy and uses vox organs rather than the accordion that is used in traditional Cumbia.  The music has its western influences yet retains its Afro-Peruivan roots.  The off beat post-modern combination of western psychedelia, Cuban and Colombian rhythms, Andean melodies and distinctive experimentation is close in spirit to the pop sound that Brazilian Tropicalia bands such as Os Mutantes imitate.&lt;br /&gt;Chica also refers to a particular brand of Peruvian pop music that educated Peruvians usually looked down upon. The music is often labeled tropical, which means that it relies on a standard Afro-Cuban percussion section (mostly bongos, congas, bells, and timbales).  Cumbia is so fresh and exciting that it is strange that it never managed to find an international audience.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Down Tempo/Hip Hop&lt;/span&gt;&lt;br /&gt;Set 1&lt;br /&gt;DJ Cam - Dieu Reconnatra Les Siens&lt;br /&gt;Rehash - Number Four&lt;br /&gt;Meaty Ogre - Bell of the Beast&lt;br /&gt;Sixtoo &amp;amp; Matt - Watchedusslowlydie&lt;br /&gt;N20 - Ohmz&lt;br /&gt;Special Herbs Vol. 2 - Mullein&lt;br /&gt;Wax Tailor - Que Sera&lt;br /&gt;Onra - Gotta have it&lt;br /&gt;DJ Esu - Unwanted Love&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Cumbia&lt;/span&gt;&lt;br /&gt;Set 3&lt;br /&gt;Papi Brandao y Sus Ejecutivos - Viva Panama&lt;br /&gt;Los Destellos - Elisa&lt;br /&gt;Lucho Bermudez - Colombia Querida&lt;br /&gt;Los Falcons - Cumbia de Sal&lt;br /&gt;Henry Castro - Cumbia de Colombia&lt;br /&gt;Alex Acosta - La Millionora&lt;br /&gt;Cumbias y Gaitas Famosas de Colombia - Soledad&lt;br /&gt;Edmundo Arias - Cumbia Sobre el Mar&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-6372959331847622701?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep6.mp3' title='Episode Six'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/6372959331847622701/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=6372959331847622701' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/6372959331847622701'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/6372959331847622701'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2008/11/episode-six.html' title='Episode Six'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_KnAa993iyD0/SStiC1xaN-I/AAAAAAAAAKU/ifO7zHL9JBk/s72-c/altonellis_0016_r1_e-uber-548x822.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-3334580206372344232</id><published>2008-10-18T01:14:00.000-07:00</published><updated>2011-10-30T14:38:40.560-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Halloween'/><title type='text'>Episode Five</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="text-decoration: underline;"&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SPmz5CL5x9I/AAAAAAAAAKM/K2yoHMt5I4o/s1600-h/HALLOWEEN.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SPmz5CL5x9I/AAAAAAAAAKM/K2yoHMt5I4o/s320/HALLOWEEN.jpg" alt="" id="BLOGGER_PHOTO_ID_5258431832352475090" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Set 1&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Spooky Reggae&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Rupie Edwards - Doctor Satan Echo Chamber&lt;br /&gt;Augustus Pablo and Derrick Harriott - Bells of Death&lt;br /&gt;King Horror - Loch Ness Monster&lt;br /&gt;Derrick and the Crystalites - Dr. Who&lt;br /&gt;Lee Scratch Perry - Disco Devil&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Eerie&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Screamers live in San Francisco - 122 Hours of Fear&lt;br /&gt;King Horror - Dracula Prince of Darkness&lt;br /&gt;Amon Tobin - These three tracks are over lapping each other:&lt;br /&gt;Foundation&lt;br /&gt;Osirion&lt;br /&gt;and Darkside Returns&lt;br /&gt;Mazzy Star - Mary of Silent&lt;br /&gt;Aphex Twin - These two tracks are over lapping each other:&lt;br /&gt;White Blur and Gwely Mernans&lt;br /&gt;GAA - Autobhn&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Garage-Punk Scare&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Antsy Pants - I am a Vampire&lt;br /&gt;The Rapture - Infinite Clock&lt;br /&gt;The Lost Sounds - Dark Shadows&lt;br /&gt;Larry and the Blue Notes -  Night of the Phantom&lt;br /&gt;Screaming Lord Sutch - She's Fallen in Love with a Monsterman&lt;br /&gt;Ralph Nielsen and the Chancellors - Scream&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Set 4 &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Hardcore Pain&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Kings of Noise - If Jesus was the Devil&lt;br /&gt;DJ Radium - Violent Orchestra&lt;br /&gt;Joshua - Pourquos&lt;br /&gt;Hammerdamage - No More w/The Tyrant &amp;amp; Nevermind&lt;br /&gt;Fist of Fury - Huuiirr&lt;br /&gt;Vikta Molotov &amp;amp; Ordeal - Vice&lt;br /&gt;Memetic - Sweat Rohypnot&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-3334580206372344232?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep5.mp3' title='Episode Five'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/3334580206372344232/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=3334580206372344232' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/3334580206372344232'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/3334580206372344232'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2008/10/episode-five.html' title='Episode Five'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_KnAa993iyD0/SPmz5CL5x9I/AAAAAAAAAKM/K2yoHMt5I4o/s72-c/HALLOWEEN.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-9194337171643947803</id><published>2008-09-03T17:57:00.000-07:00</published><updated>2008-09-13T19:23:40.434-07:00</updated><title type='text'>Episode Four</title><content type='html'>&lt;a style="font-family: arial;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SL-3EQZnB0I/AAAAAAAAAIE/3ETdWV9buyI/s1600-h/037b.JPG"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SL-3EQZnB0I/AAAAAAAAAIE/3ETdWV9buyI/s320/037b.JPG" alt="" id="BLOGGER_PHOTO_ID_5242109775032289090" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Asha Bhosle - Tum Kitne Din Baad&lt;/span&gt; featured in the movie The Great Gambler&lt;br /&gt;&lt;br /&gt;The Great Gambler is a fast paced action thriller. The movie starts with Jai (Amitabh) a small time gambler getting engaged in a brawl. As the movie progresses we come to know that he is a great gambler and he always wins the game of cards. Enter bad guy Ratan Das (Madan Puri) who hires Jai to  play in is casino so that he can rob some influetial people and later use their services to his own benefit. One such person person is Nath (Jagdish Raj) who works for the government. After losing large amounts of money, Jai doesn't know that Ratan Das is engineering a scheme to steal the plans for the government's powerful new defense military weapon which is actualy wanted by Saxena (Utpal Dutt as a humming villain). When the Indian police come to know of this, they assign the case to Inspector Vijay (also Amitabh Bachchan), who is asked to apprehend Jai at any cost. The only problem is that Inspector Vijay is Jai's look-alike, and is not a good gambler. After a series of action sequence and great locations viewing we come to know that Jai and Vijay are twins who got separated in thier childhood. They Join hands to destroy the evil men and eventually get their respected ladies and their sister (who appears only for 2 and a half scenes).&lt;br /&gt;&lt;br /&gt;Here is a movie clip:&lt;br /&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/tJ76LmGS17M&amp;amp;hl=en&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;embed src="http://www.youtube.com/v/tJ76LmGS17M&amp;amp;hl=en&amp;amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left; font-family: arial;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SL-5LgD0lhI/AAAAAAAAAIM/c01XrD41MvY/s1600-h/AufDerBahn.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SL-5LgD0lhI/AAAAAAAAAIM/c01XrD41MvY/s320/AufDerBahn.jpg" alt="" id="BLOGGER_PHOTO_ID_5242112098518210066" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;GAA - Uranus&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Named after the Greek Earth goddess, GAA was an obscure band from Sarrland, Germany where they formed in 1973. While gigging in mid-1973 they were asked to record an album by Alfred Kerston, owner of  Kerston Records. The recording session was quite hurried due to the lack of funds, which becomes evident in the mix which sounds rather tinny. The ablum recived an extremely limited release of only 300 copies in 1974. The opener Uranus gradually commences with acoustic guitar and organ that contains a middle section with celestial vocals like a interplanetary public service announcement or some kind of religious sermon. As well as a powerful chorus with haunting lyrics:&lt;br /&gt;&lt;br /&gt;"Hate is the power that rules the world and it is fear that will bring it to death; violence which threatens all life, in the end there's always destruction and death"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: arial;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SL-6IBam9-I/AAAAAAAAAIU/3yuH-9VvGC0/s1600-h/paternoster.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SL-6IBam9-I/AAAAAAAAAIU/3yuH-9VvGC0/s320/paternoster.jpg" alt="" id="BLOGGER_PHOTO_ID_5242113138264307682" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Paternoster - Realization&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Amongst the most legendary of Austrian underground bands, aside from Eela Craig and Kyrie Eleison, but with a virtually undocumneted history, Paternoster originated from Vienna, and existed for only two years in the early 70's disbanding after the release of just one album on CBS in 1972. Most of the tracks here are rather slow and heavy, fronted by a most unusual vocalist/organist Franz Wippel, with an equally bizarre use of songs. What comes to mind is a depressed vampire starting a Kraut/Prog rock band but that is just my opinion.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Bollywood &lt;/span&gt;&lt;br /&gt;Set 1&lt;br /&gt;Bollywood Breaks - In The Garden&lt;br /&gt;Asha Bhosle - Tum Kitne Din Baad featured in the movie The Great Gambler&lt;br /&gt;Kishore Kumar - Tere Chehre Mein Woh Jaadu Hai featured in the movie Dharmatma&lt;br /&gt;Dharmatma - Theme Song&lt;br /&gt;?&lt;br /&gt;Manhar &amp;amp; Anand - Hum Tuhme Chahte Hain featured in the movie Garam Masala&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Kraut/Psych&lt;/span&gt;&lt;br /&gt;Set 3&lt;br /&gt;GAA - Uranus&lt;br /&gt;Aguaturbia - Heartbreaker&lt;br /&gt;Blue Phantom - Distillation&lt;br /&gt;Aggregation - The Lady At The Gate (intro)&lt;br /&gt;Paternoster - Realization&lt;br /&gt;Jam - Friends&lt;br /&gt;&lt;br /&gt;&lt;hr /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;'Un Poco Soul y Latino Lounge'&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: arial;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SMHdi7zdcqI/AAAAAAAAAIc/6Ht_hYKhu_w/s1600-h/el+soul+es+una+droga+%28front+%29+1.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SMHdi7zdcqI/AAAAAAAAAIc/6Ht_hYKhu_w/s320/el+soul+es+una+droga+%28front+%29+1.jpg" alt="" id="BLOGGER_PHOTO_ID_5242715033474790050" border="0" /&gt;&lt;/a&gt;&lt;a style="font-family: arial;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SMHeGnVXTqI/AAAAAAAAAIk/wb9egvRY_B8/s1600-h/Gipsy_Woman.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SMHeGnVXTqI/AAAAAAAAAIk/wb9egvRY_B8/s320/Gipsy_Woman.jpg" alt="" id="BLOGGER_PHOTO_ID_5242715646455140002" border="0" /&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt;                                                                               &lt;/span&gt;&lt;span style="font-family:arial;"&gt; Latin Jazz is the order of the day here. With that said, no recording artist has more impeccable street cred than Joe Bataan. He's an undersung but pivotal innovator in music since the mid-1960s. He was part of a wave of Latin &lt;/span&gt;&lt;a style="font-family: arial; color: rgb(0, 0, 0);" href="http://www.salsacrazy.com/salsaroots/boogalu.htm"&gt;bugaloo&lt;/a&gt;&lt;span style="font-family:arial;"&gt; artists. In this set I included his hit 'Gypsy Woman'-one that's even more heartbreaking than the Curtis Mayfield original. A lot of the music I find are on different complilations. I found the song 'Pata Pata' on El Soul es un Droga compliation. If you're interested, I'd recommend picking up Volume 3, and scaling your expectations back from there. There are a few gloriously wild performances, full of wailing, fuzzed-out, wah-wah pedal action. As is often the case with foreign rockers, several cover tunes are disappointing simply because they are sung in English. (when it would have been so much more fun in proper Spanish). But whatever. Finishing this set off is 'Tighten Up' by Al Escobar &amp;amp; His Orchestra and Mongo Santamaria serves up some "Green Onions" from his album "Soul Bag".&lt;/span&gt;&lt;span style="font-family:arial;"&gt; &lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;                                                              &lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;                                                                  &lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;  &lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SMWSsvHbazI/AAAAAAAAAIs/U92PhcxrhM8/s1600-h/51tr1BXlETL._SS500_.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SMWSsvHbazI/AAAAAAAAAIs/U92PhcxrhM8/s320/51tr1BXlETL._SS500_.jpg" alt="" id="BLOGGER_PHOTO_ID_5243758638402333490" border="0" /&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt;Set 4 is a collection of songs for lovers of that 60's British mod rock.   This set includes renditions of Spencer Davis Group's song "Gimmie Some Lovin" and Otis Blackwell's hit "Daddy Rolling Stone.  Shocking Blue's, "Send me a Postcard" is a song I never get sick because it's just a pulsating, psychedelic-ish, scorcher of a song.  "Whatcha Gonna Do About It" was the debut single released by the English R&amp;amp;B, mod group Small Faces.  The last song "High Heel Sneakers" was a party favorite in the movie Quadrophenia  preformed by Cross Section.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;check it out!&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Latin Lounge&lt;/span&gt;&lt;br /&gt;Set 2&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;Timebox - Soul Sauce&lt;br /&gt;Los Stop - Pata Pata&lt;br /&gt;Joe Bataan - Gypsy Woman&lt;br /&gt;Al Escobar and his Orchestra - Tighten Up&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;Mongo Santamaria - Green Onions&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Mod Rock&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;Set 4&lt;br /&gt;The Who - Daddy Rolling Stone&lt;br /&gt;Spencer Davis Group - I'm a Man&lt;br /&gt;Los Bohemios - Dame Tu Carino&lt;br /&gt;Small Faces - Whatcha Gonna Do About It&lt;br /&gt;Shocking Blue - Send Me a Postcard&lt;br /&gt;Cross Section - High Heel Sneakers&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;                    &lt;div style="text-align: left; font-family: arial;"&gt; &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-9194337171643947803?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep4.mp3' title='Episode Four'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/9194337171643947803/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=9194337171643947803' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/9194337171643947803'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/9194337171643947803'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2008/09/episode-four.html' title='Episode Four'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KnAa993iyD0/SL-3EQZnB0I/AAAAAAAAAIE/3ETdWV9buyI/s72-c/037b.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-1734294193016903023</id><published>2008-08-01T22:37:00.000-07:00</published><updated>2008-09-12T02:51:10.170-07:00</updated><title type='text'>Episode Three</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SMnIQiw0-nI/AAAAAAAAAJE/9U684aYF4IY/s1600-h/rezillos.JPG"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SMnIQiw0-nI/AAAAAAAAAJE/9U684aYF4IY/s320/rezillos.JPG" alt="" id="BLOGGER_PHOTO_ID_5244943427584719474" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;The Rezillos&lt;/span&gt; are pretty much the greatest new wave outer space Scottish monster combo of all time.  you can tell that the band shared a love of sixties Garage Rock and the picturesque Girl Group glam of the Ronettes and the Shangri Las, The Rezillos found themselves inadvertently caught up in the Punk or New Wave movement.  Their debut single, &lt;span style="font-weight: bold;"&gt;I Can't Stand My Baby&lt;/span&gt;, shot them to underground fame initially via airings on John Peel's radio show.  It also makes me want to learn to play the bass.&lt;br /&gt;The vicious is a band compiled of members from other bands including international noises conspiracy and the regulators.  Their songs are the kind you can't get out of your head.  They are from Sweden too.  Who would of thought.  It seems that there are a lot of awesome bands coming from Sweden in  all genres.  The Vicious are totally catchy and enjoyable melodic punk rock.  The song "The Walking Dead" is a perfect example of that.  Speaking of enjoyable I added a catchy number by Oi! pioneers Cock Sparrer off their album Shock Troops.  Which when you listen to sounds so much more rock and roll than Oi!  Anyway it's an awesome song.&lt;br /&gt;&lt;br /&gt;'Ere we go 2-3-4!  It's not often that an album makes you feel both happy and sad at the same time.  But True Love Stories does exactly that, with its often hilariously told, but straight-up tear jerking tales of the unlucky John being dumped by a long line of girls.  All of this is set to frenetically played punk-pop, and some of the most simple, yet funniest lyrics I've ever heard.&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/iN45OjB-cCU&amp;amp;hl=en&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;embed src="http://www.youtube.com/v/iN45OjB-cCU&amp;amp;hl=en&amp;amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Jilted John&lt;/span&gt; never achieved the same success here in America as in his native England.  We Americans tend to take our rock and roll far too seriously for this sort of nonsense.  I'm not even sure he even made another record after this one.  But as novelty records go, True Love stories has a great little punk rock kick to it.  The lyrics, though often pretty hilarious, actually tug at your heart strings a bit too.  Best of all, the pop hooks are the sort that you can't get out of your head once you hear them.  I can't get enough of this song.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Stranglers&lt;/span&gt; are one of those bands that are hard to describe, they have a sound that is distinctly their own.  Part of the punk movement of the seventies, they were more advanced musically and lyrically than most of the Britain's punk bands.  There is no denying the fact that they had more in common with the musical dexterity and overall sound of the Doors.  But the Stranglers had something that the Doors did not and it was the grinding melodic bass lines of Jean Jacques Burnel which added an earthiness and an in-you-face immediacy nor did they have that gritter keyboard sound and touch of Dave Greenfield.  Also, their lyrics were less unashamedly poetic and more streetwise.  I've always wondered how an amazingly talented band could be so overlooked.&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/RyAGWyX7yYg&amp;amp;hl=en&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;embed src="http://www.youtube.com/v/RyAGWyX7yYg&amp;amp;hl=en&amp;amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;I present all my evidence in the set.  Listen and get hyped!!&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Northern Soul/Soul&lt;/span&gt;&lt;br /&gt;Set 1&lt;br /&gt;Connie Austin - Ball of Fire&lt;br /&gt;The Butlers - She Tried to Kiss Me&lt;br /&gt;Tommy Dark - Wobble Legs&lt;br /&gt;John Bowie - You're Gonna Miss a Good Thing&lt;br /&gt;The Channels - I've Got My Eyes On You&lt;br /&gt;The Majestics - I Love Her So Much (It Hurts Me)&lt;br /&gt;All of My Life - Detroit Soul&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Punk&lt;/span&gt;&lt;br /&gt;Set 3&lt;br /&gt;The Rezillos - Can't Stand My Baby&lt;br /&gt;The Vicious - The Walking Dead&lt;br /&gt;Jilted John - Jilted John&lt;br /&gt;Cock Sparrer - Teenage Heart&lt;br /&gt;Subhumans - Love is...&lt;br /&gt;The Stranglers - Hanging Around&lt;br /&gt;&lt;br /&gt;&lt;hr /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SMnKvGBZkmI/AAAAAAAAAJs/zalYBniVzVM/s1600-h/the+universals.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SMnKvGBZkmI/AAAAAAAAAJs/zalYBniVzVM/s320/the+universals.jpg" alt="" id="BLOGGER_PHOTO_ID_5244946151468798562" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;The Universals - New Generation&lt;/span&gt;&lt;br /&gt;One of the finest pieces of soulful funk ever to come out of Florida! 'New Generation' has been on of the most sought after 45's on the funk scene for a long time - hardly surprising given it's super heavy groove and amazing vocals, plus the fact that it never saw any distribution, making it rather hard to track down.  This song appears on Jazzman compilation 'Florida Funk' and is available on 45 as well.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SMnIQyHulPI/AAAAAAAAAJU/ZCdOKWUOuiw/s1600-h/bay+area+funk.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SMnIQyHulPI/AAAAAAAAAJU/ZCdOKWUOuiw/s320/bay+area+funk.jpg" alt="" id="BLOGGER_PHOTO_ID_5244943431707301106" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Marvin Holmes - Find yourself pt.1.&lt;/span&gt;&lt;br /&gt;This is Marvin Holmes with his 70's band the Funk Company.  Listening to the song, it's as relevant today as it was over 30 years ago.  It's on an LA label called Kimberly Records but the band was originally out of Oakland.  This song appears on this first volume of Bay Area Funk compilation that was released on Luv. N' Haight.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SMnIRqqTdDI/AAAAAAAAAJk/ggxMHZUu6M4/s1600-h/black+cat.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SMnIRqqTdDI/AAAAAAAAAJk/ggxMHZUu6M4/s320/black+cat.jpg" alt="" id="BLOGGER_PHOTO_ID_5244943446884709426" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Black Cat - Kingston Cardova.&lt;/span&gt;&lt;br /&gt;A very limited press 45 on Peripheral Enterprises Records from a new funk act from NYC called Black Cat.  Two covers on here in their own unique raw funk fashion of Johnny Guitar Watson's "lovin' You" and on the flip side a funky cover of The Meters "Cardova" tune called "Kingston Cardova."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SMnIQnyb1pI/AAAAAAAAAJM/9cRndsNpZ0w/s1600-h/Back+Ash.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SMnIQnyb1pI/AAAAAAAAAJM/9cRndsNpZ0w/s320/Back+Ash.jpg" alt="" id="BLOGGER_PHOTO_ID_5244943428933637778" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Sly and The Revolutionaries - Cocaine&lt;/span&gt;&lt;br /&gt;Sly Dunbar released his fifth album of dub instrumentals under the name Sly and the Revolutionaries.  Black Ash Dub boasts a great lineup, including Dunbar himself on drums and his mate, Robbie Shakespeare, on bass, plus Ansel Collins on organ, Bingy Bunny on guitar, producer Jah Thomas, and mixing by Prince Jammy and Scientist.  Though Dunbar made a much better producer than he did an instrumentalist, the sheer accumulation of talent on this session assures great results.  Each track on this album is a tribute to a drug paraphernalia.  This song also appears on Madlibs Blunted in the Bomb Shelter compilation as well as King Tubby - Cool Down Version and King Tubby - A Better version (that appears on the EP).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SMnIRYNEvcI/AAAAAAAAAJc/ZacfqH8urgo/s1600-h/BB.JPG"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SMnIRYNEvcI/AAAAAAAAAJc/ZacfqH8urgo/s320/BB.JPG" alt="" id="BLOGGER_PHOTO_ID_5244943441930272194" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Barry Brown - Peace Dub&lt;/span&gt;&lt;br /&gt;This song could be found on Midnight Rock at Channel One: Barry Brown/Showcase. This album is a definite treat for all Barry Brown fans. It features adaptations and dub versions of some classic Barry Brown material from 1979 to 1981. In the 1990's, Brown's health deteriorated, suffering with asthma and substance abuse problems, and he died in May 29, 2004 in Sound Waves Recording Studio in Kingston, Jamaica, after falling and hitting his head.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Funk&lt;/span&gt;&lt;br /&gt;Set 2&lt;br /&gt;The Universals - New Generation&lt;br /&gt;Dayton Sidewinders - Funky In Here&lt;br /&gt;The Detroit Sex Machine - Rap It&lt;br /&gt;Together/Funky Crawl (J Rocc's edit)&lt;br /&gt;Marvin Holmes - Find Yourself pt.1&lt;br /&gt;Dorando and the Ice Picks of Soul - Why Can't We All Just Get Along (Re-Edit)&lt;br /&gt;Black Cat - Kingston Cardova&lt;br /&gt;Calypso King and The Soul Investigators - Baby!  It's Delicious!&lt;br /&gt;Amral's Trinidad Cavaliers - 90% of Me is You&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Dub Reggae&lt;/span&gt;&lt;br /&gt;Set 4&lt;br /&gt;Sly &amp;amp; The Revolutionaries - Cocaine&lt;br /&gt;King Tubby - Cool Down Version&lt;br /&gt;King Tubby - A Better Version&lt;br /&gt;Augustus Pablo - Up Warika Hill&lt;br /&gt;King Tubby - Say So&lt;br /&gt;Lennie Hibbert - Real Hot&lt;br /&gt;Barry Brown - Peace Dub&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-1734294193016903023?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep3.mp3' title='Episode Three'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/1734294193016903023/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=1734294193016903023' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/1734294193016903023'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/1734294193016903023'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2008/08/episode-three.html' title='Episode Three'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KnAa993iyD0/SMnIQiw0-nI/AAAAAAAAAJE/9U684aYF4IY/s72-c/rezillos.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-8244165559964756282</id><published>2008-07-01T00:00:00.000-07:00</published><updated>2008-09-12T02:54:12.179-07:00</updated><title type='text'>Episode Two</title><content type='html'>For Episode two my focus structure was to concentrate on jazz and international jazz but it took its own shape incorporating Down-Tempo, Soul, and &lt;a href="http://en.wikipedia.org/wiki/Anatolian_rock"&gt;Anatolian Rock&lt;/a&gt; music that kept the jazz element with each indiviual songs. &lt;span style="font-weight: bold;"&gt;Ozdemir Erdogan&lt;/span&gt;, who i could not find a lot of information on, is a well-known jazz guitarist, vocalist, and arranger. His track &lt;span style="font-weight: bold;"&gt;Uzun Ince Bir Yoldayim&lt;/span&gt; was originally a well-known türkü by Asik Veysel, one of the most revered Turkish folk poets who was blind for the most of his lifetime.&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_KnAa993iyD0/SL5N4ntIGTI/AAAAAAAAAGU/PVVFu9VEsbc/s1600-h/koray_erkin_erkinkora_101b.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://3.bp.blogspot.com/_KnAa993iyD0/SL5N4ntIGTI/AAAAAAAAAGU/PVVFu9VEsbc/s320/koray_erkin_erkinkora_101b.jpg" alt="" id="BLOGGER_PHOTO_ID_5241712651432106290" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Erkin Koray - Yagmur&lt;/span&gt;&lt;br /&gt;came out in 1973 on Istanbul Records when he released his self titled album Erkin Koray. Up to this point, all of Koray's work had been issued only on 45 rpm records, although he had been recording for the past 10 years and was a very popular artist in Turkey. The album consists of a collection of singles from 1967 to 1973. Koray left Istanbul Records after the release of the album. Both artist appear on the ninth volume in the impressive Love, Peace, &amp;amp; Poerty compilation series - Turkish Psychedelic Muisc.  &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SL5OV_BC50I/AAAAAAAAAGc/cJcMvg8Z0fQ/s1600-h/Turkish.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SL5OV_BC50I/AAAAAAAAAGc/cJcMvg8Z0fQ/s320/Turkish.jpg" alt="" id="BLOGGER_PHOTO_ID_5241713155905873730" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                                                                                                                    &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SL5Oxt8OMII/AAAAAAAAAGk/w3e1XwDzxsA/s1600-h/Roma+Violenta.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SL5Oxt8OMII/AAAAAAAAAGk/w3e1XwDzxsA/s320/Roma+Violenta.jpg" alt="" id="BLOGGER_PHOTO_ID_5241713632358576258" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Guido &amp;amp; Murizio De Angelis -&lt;/span&gt;&lt;span style="font-weight: bold;"&gt; The Other Face seg. 3&lt;/span&gt; appears on one of the greatest Italian crime soundtracks of all time Roma Violenta. A totally groovy little record that's done in a style that is quite different from American crime scores of the time, but still completely wonderful! Most of the instrumentation here is relatively spare -- almost a small combo funk approach to scoring for a cop film, but done with the penchant for isolsated focus on a key instrument that makes Italian soundtracks so dope. Originally released in 1975.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Maurice Vander - Grand Roque&lt;/span&gt; appears on two comps Sexopolis - the 70's French Funky Pop Scene and a tiny but excellent catalog of Montparnasse 2000. A super- hip French sound library label. Most of these tracks were never issued formally to the public only recorded to serve as backings in radio, TV, and commercial use.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Down-Tempo/Jazz/Soul&lt;/span&gt;&lt;br /&gt;Set 1&lt;br /&gt;Bonobo - If you stayed over (feat. Fink)&lt;br /&gt;Ozdemir Erdogan ve Orkestrasi - Uzun Ince Bir Yoldayim&lt;br /&gt;Silhouettes - Lunar Invasion&lt;br /&gt;Guido &amp;amp; Murizio De Angelis - The other face seg. 3&lt;br /&gt;The Quantrells - Can't let you break my heart&lt;br /&gt;Marvelle Hampton - I know how it feels&lt;br /&gt;JD &amp;amp; The Evil's Dynamite - Sunday kind of love&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;Erkin Koray - Yagmur&lt;br /&gt;Francis Coppieters - Funky Chimes&lt;br /&gt;Maurice Vander - Grand Roque&lt;br /&gt;Luis Enriques Bacalov - Nago&lt;br /&gt;Malcom Catto - Raydio&lt;br /&gt;Broken Keys - The Invisible&lt;br /&gt;The Heliocentrics - Before I Die&lt;br /&gt;Clutchy Hopkins - 3:11&lt;br /&gt;&lt;br /&gt;&lt;hr style="font-family: arial; margin-left: 0px; margin-right: auto;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SL5QzTv8LrI/AAAAAAAAAGs/0fjUWWo8bxY/s1600-h/skatalites2_ui.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SL5QzTv8LrI/AAAAAAAAAGs/0fjUWWo8bxY/s320/skatalites2_ui.jpg" alt="" id="BLOGGER_PHOTO_ID_5241715858710736562" border="0" /&gt;&lt;/a&gt;Ska, the Jamaican music recorded around the early sixties which emerged from Jamaican R&amp;amp;B and wing jazz with a wilder more jerky sound, was fueled bu the sound systems in Jamaica.  The music, was reputedly named after the characteristic ska sound made by the guitar while playing the after beat.  To represent this genre I tried to find the most amazing songs and artists.  &lt;span style="font-weight: bold;"&gt;Ska&lt;/span&gt; by &lt;span style="font-weight: bold;"&gt;Theo Beckford&lt;/span&gt; and &lt;span style="font-weight: bold;"&gt;Safari&lt;/span&gt; by &lt;span style="font-weight: bold;"&gt;Ray and Raymond Harper&lt;/span&gt; were two songs on an awesome compilation put out by Trojan of rare ska tracks compiled by Gaz Mayall titled Top Ska Tunes!  Rare because, many of them were no issued in their 1960's heyday which was sometimes due to lack of promotion and other times due to exploitation.  Enthusiastic and at times out of tune, the album is a must for any Ska collector.  I also included a classic ska track by the Ska legends &lt;span style="font-weight: bold;"&gt;The&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;Skatalites&lt;/span&gt;.  After Ska and just before reggae, Jamaica's music scape became thick with the sweet sounds of rocksteady.  Rocksteady is, among the most elegant and rhythmically pleasing of all pop music forms (I'm biased because it's the music I love)  grew out of Ska.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_KnAa993iyD0/SMht9bzRdWI/AAAAAAAAAI0/GnOKpewEvg0/s1600-h/alton_ellis.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://1.bp.blogspot.com/_KnAa993iyD0/SMht9bzRdWI/AAAAAAAAAI0/GnOKpewEvg0/s320/alton_ellis.jpg" alt="" id="BLOGGER_PHOTO_ID_5244562668275201378" border="0" /&gt;&lt;/a&gt;Ska's furious high - tempo beat had driven dancers into frenzies in Jamaica for years, and at that point a new breed of more confident singers were coming up on the scene, with the likes of the Ethiopians, The Maytals, Ken Boothe, the possibilities for a singer of stamping one's own personality on a song.  The bass parts took a distinctive character, leaving a space in the rhythm that came to characterize all of Jamaican music from this point on. &lt;span style="font-weight: bold;"&gt;Alton Ellis&lt;/span&gt;, Jamaica's most soulful singer, came to undisputed prominence with the rise of Rocksteady.  Besides his songwriting abilities and voice, Ellis' Particular gift was his ability to take R&amp;amp;B or soul songs and give them that Jamaican sound, and so make them reggae songs rather than mere 'cover' versions.  The song &lt;span style="font-weight: bold;"&gt;What Does it Take&lt;/span&gt; originally written by Jr. Walker and the All Stars is a prime example of that and that is why I included it in the Rocksteady set.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SMhuvSHkBMI/AAAAAAAAAI8/Mb9XZHKr3qQ/s1600-h/urcd101_big.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 259px;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SMhuvSHkBMI/AAAAAAAAAI8/Mb9XZHKr3qQ/s320/urcd101_big.jpg" alt="" id="BLOGGER_PHOTO_ID_5244563524669408450" border="0" /&gt;&lt;/a&gt;The Rocksteady bubble burst somewhere around 1968, when the new, faster, and manic style of reggae began to emerge.  The modern DJ era made famous bu legendary reggae producer Duke Reid, which started when Reid simply dropped the chatter over his old Rocksteady hits to start a while new genre of music.  In the late 1960's amd early 1970's a strain of Jamaican music called DJ toasting was developed.  These "toasts" consisted of rhythmic chants, squeals, screams, and rhymed storytelling.  Inspired bu the big sound systems that he had visited in his youth such as those run bu Duke Reid, which featured the DJ U-Roy, &lt;span style="font-weight: bold;"&gt;Dennis Alcapone&lt;/span&gt; caught the public's attention with his unique singsong style. &lt;span style="font-weight: bold;"&gt; Mosquito One&lt;/span&gt; which is a classic reggae hit by Nora Dean and originally titled "Barbwire" was a hit among Alcapone fans.  Alcapone, a spontaneous artist, who definitely compels you to dance, makes great reggae music and is worth looking into.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Ska&lt;/span&gt;&lt;br /&gt;Set 2&lt;br /&gt;The Skatalities featuring Marguerita - Woman A Come&lt;br /&gt;Theo Beckford and Ray - Ska&lt;br /&gt;Raymond Harper - Safari&lt;br /&gt;Prince Buster and the All Stars - One Step Beyond&lt;br /&gt;The Skatalites - Ball of Fire&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Rocksteady&lt;/span&gt;&lt;br /&gt;Set 4&lt;br /&gt;Laurel Aitken - Pussy Price&lt;br /&gt;Tony Scott - Darling if you Love me&lt;br /&gt;Llyod Charmers - In the Spirit&lt;br /&gt;The Mad Lads - Ten to One&lt;br /&gt;Dennis Alcapone - Mosquito One&lt;br /&gt;Alton Ellis - What Does It Take (To Win Your Love)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-8244165559964756282?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/Ep2.mp3' title='Episode Two'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/8244165559964756282/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=8244165559964756282' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/8244165559964756282'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/8244165559964756282'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2008/07/episode-two_01.html' title='Episode Two'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_KnAa993iyD0/SL5N4ntIGTI/AAAAAAAAAGU/PVVFu9VEsbc/s72-c/koray_erkin_erkinkora_101b.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1513883043137649260.post-8168083214043592780</id><published>2008-06-18T20:00:00.002-07:00</published><updated>2008-09-10T15:39:26.742-07:00</updated><title type='text'>Episode One</title><content type='html'>&lt;span style="font-weight: bold;font-size:120;" &gt;&lt;span style="color: rgb(102, 0, 204);font-size:130%;" default="#345556" value="#ffff66" &gt;&lt;span style="color: rgb(0, 0, 0);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Featured Bands&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KnAa993iyD0/SL5Ge1SiCzI/AAAAAAAAAGE/nU2T01mcDZU/s1600-h/mopsc1.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://2.bp.blogspot.com/_KnAa993iyD0/SL5Ge1SiCzI/AAAAAAAAAGE/nU2T01mcDZU/s320/mopsc1.jpg" alt="" id="BLOGGER_PHOTO_ID_5241704511820663602" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;The Mops and UT&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Mops Rule Ok! The Mops are the undisputed "kings" of the late 60's/early 70's Japanese rock scene who were included in the Psych/Garage set. Japan's premier psychedelicians. These pioneers in their home country, were one of the originators of the Japanese GS Group Sound scene. (what are the Group Sounds? So, when the Beatles visited Japan and performed in Tokyo. Japanese teenagers got so excited that there was an almost dramatic shift in the way young musicians formed groups, played their instruments and thought about fashion and style. This new wave 1960s Japanese rock groupwas called Group Sounds-or GS for short.) Anyway, The Mops were among the first in Japan to experiment with psychedelic studio effects - trying as best they could to make up for the scarcity of hallucinogentic drugs like LSD in Japan! Huge lighting rigs began to appear at Mops shows, and flangeing, wah-wah pedals and fuzz boxes saturated their live sounds, while the band themselves grew their hair even longer, adopted granny glasses, and played blind-folded in order to disorientate themselves and stimulate natural psychedelic effects. How rad is that? The Mops have covered some big British and American bands like the Animals, Jefferson Airplane, The Doors -- but they also wrote originals, such as their Monkees-like theme song, the wonderful "I'm just a Mops" Which is just charming stuff. Check these guys out. They are cool. It's that simple.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Rare Live&lt;br /&gt;&lt;br /&gt;Footage (1968) performing "Asa Made Matenai"&lt;br /&gt;&lt;br /&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/3QcMB3iuqd0&amp;amp;hl=en"&gt;&lt;embed src="http://www.youtube.com/v/3QcMB3iuqd0&amp;amp;hl=en" type="application/x-shockwave-flash" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Set 1&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Garage&lt;/span&gt;&lt;br /&gt;Mary Mary - The Shandels&lt;br /&gt;Come See Me - Sandy Edmonds&lt;br /&gt;No Comin' Back - The Palace Guards&lt;br /&gt;Go on Leave - Red Beard &amp;amp; The Pirates&lt;br /&gt;Flash and Crash - Rocky &amp;amp; The Riddlers&lt;br /&gt;Cry in the Night - Q65&lt;br /&gt;Can't Pretend - The Pleazers&lt;br /&gt;&lt;br /&gt;Set 3&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Psych Garage&lt;/span&gt;&lt;br /&gt;The Si-Dells - Watch Out Mother&lt;br /&gt;The Mops - Atsuku Narenai&lt;br /&gt;The Hippy's - Perigiali&lt;br /&gt;Bills and The Psychedelic Band&lt;br /&gt;Adams Boys - Get Away Grom Me Now&lt;br /&gt;Appolonians - Vassilikos&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 102);font-family:arial;font-size:100%;"  &gt;&lt;hr color="black"&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-family:arial;font-size:100%;"  &gt; &lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_KnAa993iyD0/SL5H_AKH5QI/AAAAAAAAAGM/qxLSPYZON9w/s1600-h/UT.jpeg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://4.bp.blogspot.com/_KnAa993iyD0/SL5H_AKH5QI/AAAAAAAAAGM/qxLSPYZON9w/s320/UT.jpeg" alt="" id="BLOGGER_PHOTO_ID_5241706164005627138" border="0" /&gt;&lt;/a&gt;Sprung from the downtown No Wave scene, UT (Nina Canal, Jacqui Ham and Sally Young) originated in New York City in December 1978. The inheritors of the fertile collision between rock, free jazz, and the avant garde the first manifested itself in the velvet underground, UT soon became a serious force within the New York music scene. The band were joined briefly by film-maker Karen Achenbach in 1979 before resuming as a three-piece and  migrating to London in 1981. UT toured the UK with bands such as The Fall and The Birthday Party. Originally releasing albums on their own label Out Records, the band became a favorite of John Peel's and recorded several sessions for his show before joining forces with Blast First in 1987. In the broadest sense, UT was a democracy. Three women trading off on instruments and vocals-the set-up represented "internal democracy in a non-hierarchical structure," to quote critic Dan Graham. They weren't interested in having a single focal point, a star in the spotlight, center stage. Their goals were slyer, and deeply radical: to find the beauty in chaos, the calm at the center of the strom. To wrest the purest expression out of potential anarchy. Their name may have been deceptively simple and declarative, but the music was hardly easily reduced. But then, with UT the journey was more important than the destination.&lt;br /&gt;&lt;br /&gt;Set 2&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Indie/No-Wave/Post Punk&lt;/span&gt;&lt;br /&gt;The Vanishing - Love Sick&lt;br /&gt;The Chinese Stars - (Love) and the Electric Chair&lt;br /&gt;The Sick Lip Stick - Get Up Catch Up&lt;br /&gt;Cut City - Postcard&lt;br /&gt;Anavan - Waiting List&lt;br /&gt;The Rakes - Binary Love&lt;br /&gt;&lt;br /&gt;Set 4&lt;br /&gt;APB - Talk to Me&lt;br /&gt;The Unicorns - I was Born&lt;br /&gt;Tracy and the Plastics - Best of 70's 80's and 90's&lt;br /&gt;Clap your Hands and Say Yeah - Satan said Dance!&lt;br /&gt;Errase Errata - CA Viewing&lt;br /&gt;Adult - Contagious&lt;br /&gt;UT - Sham Shack&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1513883043137649260-8168083214043592780?l=shevsi.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.shevsi.com/Podcast/EP1.mp3' title='Episode One'/><link rel='replies' type='application/atom+xml' href='http://shevsi.blogspot.com/feeds/8168083214043592780/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1513883043137649260&amp;postID=8168083214043592780' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/8168083214043592780'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1513883043137649260/posts/default/8168083214043592780'/><link rel='alternate' type='text/html' href='http://shevsi.blogspot.com/2008/06/episode-one.html' title='Episode One'/><author><name>She Vs. I</name><uri>http://www.blogger.com/profile/14264700559884443670</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://4.bp.blogspot.com/_KnAa993iyD0/Sm9LyOhWdjI/AAAAAAAAAcc/8Tm0yms2GRs/S220/dj_carnival08_ab.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KnAa993iyD0/SL5Ge1SiCzI/AAAAAAAAAGE/nU2T01mcDZU/s72-c/mopsc1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
